Blind Faith
Blind Faith
NR | 23 November 1998 (USA)
Blind Faith Trailers

in 1957, black lawyer defends his nephew, who faces the death penalty for murdering a white boy.

Reviews
Taraparain

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

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Tayloriona

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

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Derrick Gibbons

An old-fashioned movie made with new-fashioned finesse.

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Mandeep Tyson

The acting in this movie is really good.

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pik923

Good solid film. Thank you cable television for having this on. Sometimes the unexpected happens and this is one of those films. To my disappointment I never heard of it before. So it took a few years since it was produced for me to find it. And now that I found it I really hope it it released on DVD.It is a good solid film - the script is dynamite, the cast is great - many wonderful actors - the acting also solid - there are a few weaknesses in the film, mostly because the director lost a bit of control but not enough to prevent anyone from watching this film.I could not out guess the script - which for me is always a good sign. Twists and turns, realism and clarity, I don't want to give away the plot in any form if you haven't seen it.This film is well worthwhile for everyone to watch. Enough of the junk Tyler Perry feeds the public - this is a good film about being black in America, being in a black family in the New York area in the 1950s. Thank you for making the film.

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fineart5

I saw this movie today never having heard about it before. What a gift to have found it. That being said, I decided to look up some additional info about it's background and cast. I came across this message board and felt compelled to comment.While this is on the surface a racial, sexual orientation, legal drama I found it to be much more universal than that. I am a married white heterosexual woman and the theme that I came away with is how destructive negativity and hatred are and how beautiful love and acceptance can be on every level. Negativity and hatred affect us all from a soul level right to our global community. While love and positivity has the opposite profound ability to bring warmth and light into our lives.I was so moved by the end of the movie and the narrators last words about living a life dedicated to change. After the recent loss of my own son I too now live a life full of purpose. That purpose being to bring about a change of love and positivity to my own life and those within the greater community. Change on the grand scale is a slow process because belief comes from experience and patience is a requirement. But,once one feels the effects of such a change it is our greatest desire to highlight and make obvious the powers of love, acceptance and positive action for each and every soul on our planet regardless of our differences.

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sajhtfdjhagvcjrt

very intense drama about an upcoming black family in the late 40s, who's life gets out of control as the eldest son turns out to have murdered an Irish boy. pace of the story, characters and the difficult topic as well as a professional film-making crew and excellent actors make this movie a super secret tip! this is not the invention of the wheel, but oh how much i enjoyed that movie. please read other user comments for further info; in my opinion this film is a real candy for those of you who like off-cinema and art-house productions. i also wonder why no one seems to have seen this movie, lets IMDb look a little weak. Themes in this film: family (values, suppression, violence), racism, inequality in societies concerning race or sexuality (esp. homosexuality).

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Ms. V

Yes, this was a film I had always wanted to see, but failed to do so initially. When I finally got my chance to do so, I finally realized all that I had missed.This story, actually set in 1957 New York, revolved around the Williamses, a middle-class African-American family.The eldest brother, Charles (Charles S. Dutton), was an NYPD Officer with aspirations to become New York's first-ever Negro police sergeant. The middle brother, John (Courtney B. Vance), was an attorney from whose vantage point this story is narrated. The youngest brother, Eddie (Kadeem Hardison), is a jazz musician.However, that is where the similarities halt. Charles, married with three children, is a by-the-book, strict father whose actions and interest in his job and overt willingness to belong to the white establishment, at even the cost of his own family, take on the squalid decorum of a white man's black man, overshadowing whatever actual compassion he may have. John is the aptly-placed middle brother who is loyal to Charles, yet somewhat torn by his devotion to Charles and the variances of his younger brother, Eddie, the free-thinking, spirited, open-minded individual who easily sees Charles for who and all he really is in ways John cannot--and actually, at first, refuses to. It is Eddie, coincidentally, who turns the tide for the family's--and the film's--complexion with his revelating disclosure about all that has happened and why.When Charles, Jr. (Garland Whitt, who was also featured alongside Denzel Washington in "The Hurricane") is arrested for a murder he was actually glad to have committed (we learn the reason why as the story unfolds), Charles Sr. becomes more committed to going along with the NYPD conspiracy behind the truth of the murder rather than being more of a father and standing up for his son as a real father would--and should. When no other attorney will take the case of defending Charles Jr., John decides to risk his practice by defending his nephew. Invariably, it is Charles Sr.'s wife, Carol (Lonette McKee, in one of the finest, strongest and courageous performances ever given by an African-American woman on celluloid EVER!!!!) who takes the stronger stand and rises to the occasion to stand up to her selfish, broodish husband to be, as the mother, THE parent to her son that Charles Sr., as a father, is not!!!!!!I can realize why this movie did not get the attention it rightfully deserved: it is a true slice of African-American life that black folks are too afraid to acknowledge about themselves on screen. To me, this movie spoke more loudly of true black family values than Soul Food did (and did well). Even today, Black America is too ashamed, frightened and embarrassed to openly realize and see sexual and gender minorities (of which I am one, as a transgendered black woman) as part of their reality, at times conveniently hiding out behind the guise of religion as an excuse of not having to deal with many issues (besides this one) openly. Although set in the late 1950s, this story is very real and still so very true today even in this new millennium we are now living in. This movie, concurrently, shows us through each of the three brothers, what we at times choose how we would like to be (Dutton), what we would wish to be (Vance) and how great we as people really are and can truly be (Hardison). As for Ms. McKee, she embodies the rock-solid strength of true, unconditional love--a real mother in every sense of the word.I would recommend this film to any one who wants to take a hard, cold yet true concurrent look of how a family should and should not be in a way that embodies yet discourages family dysfunction at the same time. Also of importance is how much conformity and not taking a proper stand when a true stand is needed can cost even our loved ones.

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