the audience applauded

Simply A Masterpiece

The film never slows down or bores, plunging from one harrowing sequence to the next.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The 1970s is known as the era of disaster movies, but the Me Decade also saw Italy release some of its greatest exploitation flicks. One example is Joe D'Amato's "Eva nera" ("Black Cobra Woman" in English). Laura Gemser plays a snake dancer who hooks up with some strange people in Hong Kong. Jack Palance has a great time playing a snake aficionado. But I'd say that the movie's main purpose is to show Laura Gemser's naked body (and she DOES have a fine one). The movie contains just about every guilty pleasure imaginable. The movie makes no pretense about what it is. It might make you want to go to Hong Kong, but more than anything it'll make you wonder why Laura Gemser stopped acting. Maybe Quentin Tarantino will give her a bit part in a movie one day.Anyway, a really fun movie, especially a certain shower scene (every exploitation flick's gotta have one of those). Among D'Amato's lesser movies was "The Blade Master" - aka "Cave Dwellers" - which got riffed on "Mystery Science Theater 3000".

At first I thought it would be a nice change-of-pace to see Laura Gemser in something other than a "Black Emanuelle" film, but "Black Cobra" is not really all THAT different from those: lots of nudity, little plot. It's actually pretty tame in terms of sex and violence; its only real claims to infamy are probably two scenes of real animal deaths (a snake being skinned alive and cooked, and a rat being crushed to death and swallowed by another snake). Speaking of snakes and rats, Laura Gemser definitely proves in this film that she's not squeamish, handling them with apparent ease! She's a bit too thin for my tastes here, but her face is magically beautiful. I always enjoy seeing Hong Kong as a film setting, but the story, what little there is, moves sluggishly and the motivation for the first murder is suspect to say the least (if it was jealousy, how could Tinti have known that the snake wouldn't kill the object of his affection instead? If it was just a joke gone wrong, then he's an idiot). Perhaps the biggest surprise in "Black Cobra" is that Jack Palance plays an (eccentric but) non-malicious character! *1/2 out of 4.

This slithering pit of serpents tells the story of a beautiful young female snake dancer, Eva, who falls in with two wealthy brothers whilst working in Hong Kong. The older brother, Judas, is an amateur herpetologist with his own collection of deadly vipers, adders and mambas; the younger, Jules, carries with him some resentment at having to work running the family business for five more years before he can get his hands on his inheritance. Judas adds Eva to his collection, setting her up with her own room, car and bank account, but things get complicated when Jules starts using his brother's snakes for his own deadly purposes.This early (1976) D'Amato thriller throws his usual jaundiced glance at the predicament of a woman in a man's world and, like the previous year's Emanuelle e Françoise le sorelline, it shows a woman going to extreme lengths to revenge herself on the man who does her and her female companions wrong. In the previous film, Emanuelle had wrought revenge on the man whose abuse drove her sister to suicide; here, Eva seeks redress when one of Jules' victims is her female lover; the revenge is lurid and horrific, as Jules is tricked into going to a remote island whereby a cobra is inserted into his anus and left so that it has no option than to eat its way out (this is apparently an old custom of the Island Eva was born on, called "putting the devil into a man to set him free"!). Yet Eva's revenge does her little good, and she ends up rejected by Judas and committing suicide like a modern day Cleopatra.D'Amato's film shows him stepping onto the path which was eventually to lead him down the route from softcore to hardcore porn and he loses few opportunities to show his actresses in various states of undress and erotic clinch. But he also ensures that his women are treated sympathetically – Eva's relationship with her girlfriend is seen as a refuge from a male world which is exploitative, abusive and tainted by the idea of ownership and patronage. Eva is given a considerable back-story, which details her being left and orphan, taught by a guardian to dance with snakes and being prostituted to men when she was still in her teens. She chooses Judas' patronage in order to escape the poisonous relationship she is having with a jealous Chinese businessman. The irony is that for all her attempts to escape from the world of male power, she can only help her girlfriend by her own patronage (using the money Judas has given her) and her revenge on Jules does nothing to free her from the cycle of violence which is as involving and inescapable as Ouroboros, the famous serpent which swallows its tail. In some ways, the film is a twisted contemporary spin on Biblical myth, with the traitor Judas at the top of the patriarchal tree and the temptress Eve the struggling victim of male power.Eva Nera isn't a perfect film; there are major plot-holes and there's rather too much erotic filler. D'Amato's cinematography is nevertheless immaculate; Gemser and Palance give their usual turns, which will delight their admirers, and the Hong Kong locations are well used. It does add weight to the idea that D'Amato was using his exploitation film-making put on screen valid visions of a female against a world of power, corruption and dominance in which the cards are stacked against her and in which, if she turns into a snake to fight the snakes, she is caught in a deadly, venomous trap.

Quite simply a cinematic treasure that will never get the exposure it so richly deserves. Jack Palance gives quite simply his best ever performance by a country mile in the role of Judas. Palance breathes an awkward and devilishly creepy life into the snake obsessed sleaze Judas. His own fabulous performance crackles magically against Gabriele Tinti's Jules, his jealous and treacherous, even creepier, sociopathic brother.The film is intended as soft porn but works wonderfully as comedy, whenever I need a laugh this guarantee's it. It works woefully on just about any level. If you expect any kind of sexual excitement from Erotic Eva, look elsewhere. The superb score by Umiliani adds essential 70s style and character. The whole film centers around the brothers attempt to gain the affections of bisexual snake dancer Eva, played by the painfully skinny real life wife of Gabriele Tinti, Laura Gemser. The film is filled with magical dialogue, always involving Jack Palance. His spine twitchingly awkward seduction scenes with Gemser, and his subliminally hate filled smarm drenched chats with Jules are truly worthy of legendary status. Fast forward through the attempts at porn, except the scene with the prematurely ejaculating Japanese businessman. In short cheesier than a cheese puff factory, and as amusing and entertaining as cinema gets.