Between Love & Goodbye
Between Love & Goodbye
R | 30 January 2009 (USA)
Between Love & Goodbye Trailers

A modern gay drama about falling in and out of love, and the rocky road in between.

Reviews
GazerRise

Fantastic!

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Kaelan Mccaffrey

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Curt

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

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MichaelWeihn

First of all I will start by saying that I have seen hundreds of gay themed films. There are the good, the bad, and the ugly. I will admit that I do tend to gravitate towards these films and generally enjoying the effort they make in one way or another. This one has all the elements it needs to be an excellent movie in the gay cinema genre. Basically the movie is boy meets boy, both boys fell instantly in love, one boy is willing to try to make it work when things go wrong while the other boy just wants to give up. Will the hopeless romantic be able to convince the other to keep trying? I urge you to watch this and find out. The performances, the music, and despite what other people say the dialogue are all stellar. This movie definitely falls in the top 10% of gay cinema hence that is why I gave it 10 stars. It may not be a 10 star movie compared to big budget films with top stars however in the gay cinema genre it deserves that rating.

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Johnny LT

Wow, this is bad. This is the story of a gay couple, one American (Kyle) and the other French (Marcel). Marcel marries a lesbian in order to stay in the country, while Kyle's trans sister is forced to remove her breast implants and returns to being a man, and moves in with the couple. Cue a whole lot of jealousy on the part of Marcel.This movie strikes me a lot like The Room. The dialogue is awkward and stilted, and the two main actors deliver their lines with a complete lack of emotion or affect. The only thing they're apparently able to do is vary their volume: when they're supposed to be angry, they get louder, and when they're supposed to be sad, they get quieter. The movie is generally shot from Marcel's point of view, and he, like Tommy Wiseau's Johnny, becomes increasingly unhinged over the course of the movie. He's jealous, possessive, and nasty when he doesn't get his way. Of course, Kyle is no prize, and does some awful things in the movie as well, but with the focus on Marcel, it's hard to see him as anything other than the bad guy.There are multiple songs cut into the film, performed by Kyle, his sister, and some other guy who I don't think actually had any lines. They serve no purpose other than to showcase the actors' musical "talents".About the only good part of this movie is the lesbian character: she's actually played by a decent actress and mostly stays above the fray. Otherwise, I cannot recommend anything about this movie.

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sinnerofcinema

I was told about this film by many and how good it was. There are many awful reviews here and I too will go out on a limb to defend this picture, because it is really that good - period. Don't know what other DVD disk might have been replaced in the DVD cases of those who said it was awful, but it certainly wasn't the Casper Andreas film I saw called "Love and Goodbye". This film has heart. It also has a pulsating beat and pace that's hard to dismiss. First, I will start with the music, catchy, lovely and fascinating! The groove of the tunes are so catchy I found myself repeating the beginning and watching the videos in the DVD extras over and over. And not only is the music emblematic of the core drama here, but it definitely moves the story along for the mood our protagonists singer is tied into his lyrics, As his life changes so does his music to showcase the love and pitfalls of his feelings throughout. I found that connecting element to be very interesting and integral to the development of the story. Star Simon Miller does an outstanding job carrying the film all the way to its very conflicting end. This is a couple you will want to root for and hope they stay together "forever", but at times life kicks in and it leaves you wondering how fleeting the good times can be. My advice after reading all of these reviews, go rent it. Sit down by yourself, turn on your DVD, and immerse yourself in this Casper Andreas narrative, for you will find this film to be mighty and unforgettable.

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gweatherford

This film about falling in and out of love has an interesting premise: What brings men together and what tears them apart? Apart from the premise, however, it is pretty bad.Two young hot guys (an American and a Frenchie) meet cute in a bar, decide they love each other "pour toujours" very quickly, and then, after a few years together, when one of the partners renews ties with a sibling, all begins to swiftly and dramatically unravel. From one extreme of sickeningly sweet "I thought you two were going to last," the film drops quickly into obsession, selfishness and pathology.Most of what makes the film so annoying is that the writing is overwrought; and though I know some of the dialog is likely intentionally so, it does not ring true even in context. When the couple is falling in love, for example, the dialog seems to come straight out of Harlequin; and when they are fighting it goes towards bitchiness that goes beyond what one might expect from the characters.The result is that one does not know whether the protagonists are meant to be understood or scorned; and the central acting certainly does not help, with two main actors who do not seem to register beyond type, and are not strong enough to effectively portray an potential Jungian undertones.In short, I was never quite sure whether to hate or feel for these people, or which one I was to feel for if I was meant to take sides. Was it intended to be a gay "War of the Roses," or some kind of queer morality tale? Aside from one increasingly interesting performance (the lesbian roommate), and one HORRID performance (the sibling, perhaps a victim of one-note writing), there is just so little that stands out.

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