Absolutely amazing

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

One of the most extraordinary films you will see this year. Take that as you want.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

When I noticed this movie advertised on ABC TV, I looked up the story, checked the cast, noted it was an RKO IB Technicolor production, and thought this just has to be seen. It sounded like I was headed for an above average western that I'd somehow missed over the years. Fifteen Min's in, I began to realize why I'd not come across it before (or had forgotten I had!)It could offer some fun for the undiscerning or easily pleased, but both reviews by Robert Maxwell, and Plankton Rules (both IMDb) have summed it up perfectly (I should have listened to their warnings). With all the great and good classic productions out there, why waste time on sub standard writing like this! The cast is fine (especially Robert Ryan) Clair Trevor was easy on the eye in gloriously colorful dress, but direction and script fully lets them down. The overused, and under talented Barton Maclane simply became a bit of a put-off in these clichéd roles. Leonard Maltin calls it 'offbeat', but it tends to tread a rather conventional trail...and rather poorly. I like an 'off-beat' story, they can often give us a reason to think along different lines, a bit like James Clavell's early racially aware western: "Walk Like a Dragon" from 1960. I suppose for 'Best Of The Bad Men' I should have been more conscious of the date ~ by the early 50's the once great RKO had been eroded into the doldrums by it's fanatical owner, and was just a few years away from total collapse. The combination of a 'B' western writer, and a largely Television based director, in this case, did not help either. Worst of the badmen ~ stay away if your looking for facts, believability or logic.......KenR

Don't mistake this for a great or even good movie for a second. It's full of clichés, unrealistic situations, fudged history, characters whose motives and emotions seem to change at the drop of a hat and the ability to travel great distances at light-speed. In short there's absolutely nothing to cement it to anything resembling the real West. What saves it is the fact that it doesn't aspire or even pretend to be a great or good movie. The actors appear to have a good time delivering their silly dialog and hamming it up for the camera. And there's lots of action. People running around, either on foot or on horseback, lots of fistfights, gunfights, chases, robberies, standoffs, etc. etc. etc. And let's not forget the glorious Technicolor. This is one of my favorite parts of the early Technicolor movies. The color wasn't really true to life but boy was it ever brilliant. Claire Trevor never looked better in her red dress, cut low with plenty of cleavage and shoulders exposed. Every one of her outfits was so brilliant it literary jumped off the screen. How such a gorgeous woman ever survived intact in the midst of a bunch of ruffians is a mystery to me but like I said this movie doesn't try to be realistic. So put aside logic and have fun when you watch this. Bear in mind that my low score reflects its artistic merits not its fun factor. Highly recommended.

Robert Ryan is Jeff Clanton, a newly released Yankee Calvary hero, who is falsely imprisoned by carpetbagger Matthew Fowler(Robert Preston who always had the skill to play a mean sonofabitch)who has manipulated and bought his way into territories left dry by war. Fowler runs a "detective agency" which pretty much is an organization of hoodlums always ready for more power and prestige. Clanton had round up a renegade group of confederate refugees lead by Cole Younger(Bruce Cabot, a fine western character actor often appearing in John Wayne films)and was about to swear them into civilian life when Fowler smelled millions when his right hand man, Joad(Barton MacLane who has always played characters you'd like to punch in the face with a brick), saw Clanton ride those soldiers in. Several members of these refugees included the notorious James brothers and horse thief Doc Butcher(Walter Brennan, who is always a blast to watch)..plenty have nice, fat price tags for retrieval. When Clanton refuses to hand them over to Fowler, the carpetbagger enlists a large sum of men to swarm up trouble. One man tries to pull a gun and is killed by Clanton. Fowler finds out that Clanton had been released by the Army and therefore could be tried for "murder", though clearly Jeff was right in pulling his gun. Thanks to the disgruntled wife of Fowler(a quite dependable Claire Trevor), Clanton escapes, but is shot in the leg and could pass out any minute. Being found by Doc and Cole's younger brother Bob(Jack Beutel), Clanton is rescued from certain grim fate. In a little town called Kint, Clanton prepares revenge on Fowler..his obsession is the meat of the true drama of the story. This film might have been routine if it wasn't for a stellar cast who seem inspired. The film is wonderfully shot in Technicolor and Ryan's hero against Preston's villain is fun. The added storyline of John Archer's treacherous Curly Ringo, Trevor's Lily trying to keep her identity as Mrs. Fowler secret(only Clanton and Ringo know;Ringo's knowing provides some added suspense..how long would he conceal her identity from Cole and the gang?), & Clanton's growing bond with Lily provide much needed help to a rather unsatisfyingly weak(and actually a bit far-fetched)ending. Something happens between Cole and Clanton and this doesn't get a follow through one might desire. The audience get what they want though..a final showdown between Clanton and Fowler.I guess why I'm a bit disappointed is because I feel this could've been great for we had all the makings of a solid conclusion, but instead we're left with not knowing what truly came of Cole and his remaining gang.

It's a shame this movie was as mediocre and forgettable as it was, as it COULD have been so much better. The basic idea for the plot as the film begins isn't bad and I generally love Robert Ryan because of his gritty performances. But, in both cases, the film starts well and just slows to a crawl. Too many clichés, plot problems and slow dialog curse this film to be no more than a time-passer. For example, the biggest weasel in the gang is obviously pre-ordained to betray his comrades--anyone can see this from a mile away. So, what is Robert Ryan's solution to this bad and unpredictable guy?! Yep, beat him up and send him away swearing his eternal vengeance!! Why didn't he just plug the guy? Yeah, I know, he couldn't do that because of the clichéd final showdown! I could go on and discuss the film further, but it was so bland it was like eating toast--not altogether unpleasant but something you would never look forward to!