Best in Show
Best in Show
PG-13 | 29 September 2000 (USA)
Best in Show Trailers

The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show. The canine contestants and their owners are as wondrously diverse as the great country that has bred them.

Reviews
Marketic

It's no definitive masterpiece but it's damn close.

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FirstWitch

A movie that not only functions as a solid scarefest but a razor-sharp satire.

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Deanna

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Fleur

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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BA_Harrison

While not as brilliant or as quotable as This Is Spinal Tap, writer/actor/director Christopher Guest's character driven mockumentary Best In Show-which is centred on the world of dog shows-still has plenty of wonderful, well-observed moments of dry wit, and is one of those films that I believe can only improve with repeat viewings.The film owes much of its success to its superb cast: Guest plays Harlan Pepper, redneck owner of a prize bloodhound; Eugene Levy is superb as buck-toothed Gerry Fleck, husband to Terrier owner Cookie (Catherine O'Hara), who has been around the block a lot more times than her dog; Michael Hitchcock and Parker Posey are the neurotic yuppie owners of a pampered Weimaraner; Jennifer 'Stifler's Mom' Coolidge plays Sherri, rich owner of a champion poodle, while Jane Lynch plays her lesbian dog trainer; and Michael McKean and John Michael Higgins play a camp gay couple who are showing their Shih Tzu. Meanwhile, Fred Willard shines as the hilariously un-PC co-host of the dog show, whose every remark is a howler.7/10, but this rating may well go up in the future.

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MaximumMadness

Director Christopher Guest has spent the past twenty years of his career working on an ever-growing list of comedic "mockumentary" features on varying topics. Farcical and amusing misadventures presented as "real life" documentaries, starring some of the best minds in comedy working today. This is somewhat appropriate, as the film that arguably made him a star was the fantastic "This is Spinal Tap", which he co-starred in, in addition to co-writing. From the amusing and quirky "Waiting for Guffman", to the surprisingly heartfelt "A Might Wind", Guest's films have been consistently hilarious and have maintained a frankly shocking degree of freshness through the years.While individual tastes vary between fans, and while everyone has their own personal favorite Guest film, I know I'm certainly in no minority to feel that the greatest achievement of his career is the incredible and frankly brilliant 2000 release "Best in Show." A film I feel is amongst the most underrated and under-appreciated comedies of all time. Sure, it does have a fan- base, but even still... it's a film that is so unique and so special, that it deserves a far greater audience and far more recognition that it currently receives from its moderate but very dedicated cult audience.It's time again for the annual Mayflower Kennel Club Dog Show, a prestigious dog-breed competition held in Philedelphia. The "documentary" follows a varied and very peculiar collection of contestants as they prepare to depart for their show with their beloved canines. Among them are Gerry and Cookie Fleck (Eugene Levy, Catherine O'Hara), a friendly and seemingly average middle- class couple who hope their terrier has what it takes; Harlan Pepper (director Guest), a southern man with a pronounced drawl who raises bloodhounds and has some interesting aspirations; Meg and Hamilton Swan (Parker Posey, Michael Hitchcock)- the most stereotypical upper-class yuppie- hipsters you could ever imagine; camp gay couple Scott Donlan and Stefan Vanderhoof (John Michael Higgins, Michael McKean) and their Shih Tzu and Sherri Ann (Jennifer Coolidge), a wealthy trophy-wife and two- time winner of the competition.A film made heavily through improvisational comedy and a clever, high-concept hook, "Best in Show" is such a wild success thanks to the incredible cast of performers assembled, and the delightfully bizarre characters they cultivate. From the pretentious Swan duo losing their minds over a squeaky toy by the name of "Busy Bee", to the delightful interactions between Donlan and Stefan, and certainly to the pure and very relatable giggles the average-seeming Flecks bring about... everyone is at the top of their game creatively, supplying some of the best subtle (and not-so-subtle at times) humor I've ever seen. Director Guest skillfully pulls out non-stop moments of charm and laughs from the amazing cast, and puts together one heck of a show.Though the film's appeal may be lost on those looking for a more general joke-a-minute-riot, "Best in Show" encapsulates many of the best instances of clever comedy to emerge in recent memory. It's a film more about delivering smirks and chuckles than out-loud belly- laughs, where quirky characters and oddly personal stakes take center stage and the plot often takes an overt back seat. The great fun of the film is seeing people who feel like they could very well exist, even if they are exaggerated for comedy, in a situation that's just odd enough that the average person would find it fascinating. It's about people first and foremost... it's about the men and women behind the dogs. And how the show is more about them than the canines on display."Best in Show" is in my mind one of the greatest comedies of all time. It's clever. It's entertaining. It's enthralling and charming. And it easily earns a perfect 10 out of 10. Sit! Stay! And prepare to laugh!

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Red-Barracuda

This is Spinal Tap (1984) is in my humble opinion perhaps the greatest comedy film ever made. By making it so good, its creators simply set the bar so high, no one else – themselves included – have subsequently ever been capable of reaching its heights ever again. So it's not really much of a criticism in pointing out that Best in Show is not as good as Spinal Tap. It is a satire on the kind of people who participate in championship dog breeding. The events revolve around a gathering called the Mayflower Kennel Club Dog Show. There isn't really too much of a plot-line here, it's very much a character-driven comedy. It works because the actors in the ensemble cast are all adept at improvised comedy, so it's a film full of little moments rather than a major story arc.Spinal Tap's Christopher Guest directs as well as acts in this one. He certainly has a feel for the mockumentary genre and has contributed to many of the best ones out there. I would probably describe Best in Show as amusing rather than hilarious though. There are a few laugh-out-loud funny moments though, such as the scene revealing the man with two left feet; while virtually every line uttered by the TV commentator played by the excellent Fred Willard is comedy gold. Truthfully, mixed in with the best material are some more strained jokes. However, as a whole, it works pretty well and the talented cast elevate the material when it falters on occasion. All-in-all, a solidly enjoyable movie.

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Sean Lamberger

Christopher Guest and his regular cast of improv legends tackle another unsuspecting target in this wild-eyed send up of the competitive dog show circuit. It's a bit more all-audiences than Spinal Tap, while completely skipping the emotional hooks of A Mighty Wind or Waiting For Guffman, but still delivers enough legit snickers to validate a simple retirement as late-night cable network filler. The straight-ahead plot never shows much interest in progressing beyond simple character-driven adventure, and while each member of the cast is good for a smart punchline or two, the roles themselves are universally shallow, narrow caricatures. Fine as a background flick, thrown on to fill the air when your focus will be frequently elsewhere, it will never quite reach the same level as its siblings.

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