The Worst Film Ever

Fresh and Exciting

To all those who have watched it: I hope you enjoyed it as much as I do.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

Very touching, very emotional story about the horrors of the Nazi period, two boys, the special bond between them, and the tragedy of it all. What's really worth noting is Max Riemelt and Tom Schilling's excellent performance in this movie. Oh, the whole cast did great, all right. I won't even start about Florian Stetter whom, for his acting skills, I admire deeply. But Max and Tom, being the main characters, thus the center of attention on the set, did, without a doubt, a piece of splendid job. There was just this chemical reaction between them, something that you saw in the eyes, the connection - I've never seen them in such coherence with anyone in any other movie they've been part of again after Napola. I'm doing my best not to exaggerate, but really, I've watched Before the Fall more than six times already, and every time I get the same impression, of the rightness of these two being chosen to act side by side in this exact movie at that exact time.Doubled with the magnificent atmosphere created in the movie, the beautiful soundtrack and, of course, an historical insight into Nazi elites and their impact on German youth, Napola made it's way on the very top of my favorite cinematographic gems list. I do recommend to give this movie a try, one could be surprised on how good of a production it is only after watching it.

This is a brilliant movies about how kids were given a chance for great fortune in the future German empire, happily without the morality a Hollywood movie would portray the same material with. This is a movie that asks the viewer to think for himself instead of being predisposed. However much this is filmed in a style akin to that of Leni Riefenstahl, master director of nazi-propaganda films, it is a critical movie. And it also shows how people could sympathize for the cause, however brutal it was seen with historical hindsight. The actors of Albrecht and the boxer both do a good job here and the strength of the movie lies in what is cuts out, it's a sparse tale with just the bare necessities left, at least in what we're used to with western cinema.

I am not going to outline the plot.This film is very good, very similar to the Swedish "Ondskan" about young boys fighting again, against a system of institutionalised violence. The fear of punishment for disobedience that perpetuates this system is also absorbed into the movie and projected upon the watcher. The two main characters, two boys that share sentiments through some deep underlying humanity, start to question the morality of the Napola, and find themselves both outsiders with the only real solidarity and t trust within each other. The elders and teachers of the school are aloof, manipulative and perverse, but here in this film the Nazis are all portrayed as flawed humans, and not as alien beasts. There is a strong sensation of homo-eroticism pervading in the relationship between the two main characters, which reflects some tendencies in a strict, spartan boy school with a rigorous training scheme that is designed to root out the physically weak and the mentally strong. I thought the movie is a great comment on the right to speak up against tyranny, even if it does not bring much originality to the table. A spectacularly beautiful film, set in the idyllic countryside, to contrast the man-made brutality of a corrupt and perverse system.

Involving rigorous physical activity and political indoctrination in total subservience to Hitler and his ideas of a German master race, Napolas (National-Political Institutes of Learning) were established with the purpose of training future political, business, and social leaders for the "Thousand-Year Reich". In these schools, there was no room for debating opposing views or philosophical niceties like ends and means. The schools taught that only the strong survive. Anyone who showed any trace of independent thinking or sensitivity to human values were sadistically harassed and weeded out.Based on the recollections of his grandfather, Dennis Gansel's Before the Fall (Napola —Elite für den Führer) is a riveting coming of age story about the training of one such Nazi elite in the Germany of 1942. The work transcends its limitations as a genre film to tackle a more universal theme - the struggle between external ideals and matters of inner conscience. Like Igor, the idealistic teenager in Dardenne's La Promesse, Friedrich Weimer (Max Riemelt), a Nordic-looking, working class boxer must deal with issues of conscience in an environment that is anathema to the assertion of human values. Friedrich is only seventeen when he is approached after an amateur boxing match by a Nazi instructor at a Napola school. Seeking to salvage the athletic reputation of the school, he sees in Freidrich not only a boxing champion, but a blank slate that can be molded to fit the Nazi ideal. Friedrich, destined to follow his father as a factory laborer, sees the chance to both serve the fatherland and advance his own career and signs his own registration papers when his father refuses to agree. The boy is still very innocent but genuinely idealistic and possesses genuine warmth as shown in the scene in which he reassures his younger brother. Friederich's mind is open to the Nazi indoctrination not because he is without conscience but because he simply hasn't seen any reason to question the prevailing zeitgeist.Freiderich's limited world experience suddenly expands, however, when he meets two other classmates: Siegfried Gladen (Martin Goeres), a boy who has a bed-wetting problem ruthlessly exploited as weakness by his fellow cadets and their sadistic teachers, and Albrecht Stein (Tom Schilling), the son of Heinrich Stein (Justus Vob Dohnanyi), a hateful Nazi governor. Albrecht who has the dangerous idea that people should consult their own conscience before blindly following orders is a boy of sensitivity and poetry, the embodiment perhaps of the true German spirit of Goethe and Heine. His father is revolted, however, by the boy's perceived weakness and humiliates him by insisting that he and Freidrich engage in a very uneven boxing match when he invites his friend to his home.Albrecht begins to question the merciless Nazi training after he sees Freidrich deliver a blow to the head of a fighter when he is already down. He also recoils in horror and speaks out publicly after the cadets are marched out into the forest to track down and murder allegedly escaped Russian POWs, in reality unarmed children. This incident results in a break in the relationship of the two boys and a sudden but predictable tragedy. Before the Fall is more than an accounting of the Nazi's disregard for human values, a fact already well-established. It is a more profound statement of how people need to be educated to think for themselves and take a stand for what they believe to be right. Impeccably directed and beautifully performed, Before the Fall is one of the most powerful and disturbing films of recent memory.