Better Late Then Never

It's entirely possible that sending the audience out feeling lousy was intentional

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The Director certainly did a wonderful job of putting this film together. He used very short scenes, avoiding a lot of editing that would come about with long scenes and poor acting. Great job of getting the audience into the mood of the film with very frequent cuts as people move about in the film and interact with each other.These frequent cuts can also be annoying to some viewers.The actors aren't very good and although the very short scenes hide this fairly well, the scenes with a lot of dialogue have a very flat and rehearsed mood. This is especially true when the boy is speaking to the main character about suicide, while holding him at gunpoint. The flat, uninspired acting works well for the guy who is dealing with the suicide, but not so well for the other characters.I am surprised this film has nominations and wins for acting. Though not too surprised to see some nominations for new director.Overall, I thought the directing was solid, making maximum use of minimal talent. Storyline is cliché, but still OK.

I first became interested in Ballast when I heard about its setting: it's very rare to find a film set in the Mississippi Delta. It's also quite rare to find a serious drama with mostly black characters. I was afraid that this would either be a sappy melodrama or an attempt to make some "profound" point about how racism exists and is, like, bad and stuff. Thus I was quite pleased to find that this film manages to have a uniquely Southern setting without resorting to clichés or caricatures and that making some grand social statement is evidently the last thing on the mind of first time director Lance Hammer. Instead, we have a deliberately paced character study with a nicely handled mise en scene.The film opens with the attempted suicide of Lawrence, a shopkeeper distressed over the (extremely) recent death of his twin brother/partner/only friend. Lawrence's recovery is complicated by his brother's will which indicates that the recently deceased man's ex-wife and teenage son are entitled to his share of the store and part of the property the brothers had co-habitated. Things start off tense due to the boy's involvement with some disreputable older boys that he owes money and stay that way due to Lawrence's troubled partnership with the boy's mother. This is a quiet, contemplative film for the most part and it offers no easy resolutions. Instead, it manages to realistically capture some unique characters in a woefully ignored section of American society.

'Ballast' is Lance Hammer's first feature film (he also directed the film short,'Issaquena'--unseen by yours truly),and is a quiet,powerful portrayal of three damaged souls & trying to pick up the pieces,heal and move on. The story opens as Lawrence (played by Michael J.Smith,Jr.)is living in a comatose state of shock,after his twin brother had committed suicide sometime earlier. His nephew,James (played by new comer Jim Myron Ross)is a 12 year-old youth that is just a breath away from mixing with the wrong crowd & is potentially embarking on a life of crime,and is not surprisingly angry with life in general. His embittered Mother,Marlee (played by Tarra Riggs)is divorced from Lawrence's brother & carries a chip on her shoulder the size of the Mississippi Delta itself (where it was filmed in the dead of Winter,to give the film it's bleak look). It seems that the two brothers once had dreams of making it big in radio,but ended up co owning a convenience store. There is bad blood between Lawrence & Marlee (she tells James to stay away from his Uncle,but sneaks away to see him--'tho not for always the most honorable purposes). It's up to these three to make amends for what has happened and try to find a way to move on from the past. Lance Hammer writes,directs from his own original screenplay,as well as edits this small,quiet story of desperation & redemption. I really admired the use of cinematographer,Lol Crawley's hand held camera work,which conveyed the sense of perspective. The near,non existent use of music also worked well for this film (no original music score---only a few snippets of music appear in the background,generally on television or radio). The film's slow pacing may tax the patients of some who can't deal with a film that isn't fast paced,with scenes only lasting no longer than ten seconds. This small film won praise at the 2008 Sundance festival. It's easy to see why. Seek this one out. Not rated by the MPAA,this film contains pervasive strong language,a bit of non graphic violence,and much smoking.

I have seen the stereotypical depression and desperation of poor black people, particularly single women, too many times on film; consequently I simply can't get excited about this film. There is nothing new and fresh about the characters or their plights. The isolated location is the only thing new and different. Usually this story takes place in a poor urban environment. As a single black mother with a 12 year old son who resides in Mississippi, I demand something more promising and hopeful. It would be great to see a story that transforms this group of people or that focuses on an aspect of their lives that is positive and uplifting. I'm fed up with being reminded of the agony of being a black woman in the South.