Bad Day to Go Fishing
Bad Day to Go Fishing
| 31 July 2009 (USA)
Bad Day to Go Fishing Trailers

Jacob van Oppen, the former strongest man on earth, and his manager Orsini, who calls himself "the Prince", make a good living by traveling around small South American towns and organizing wrestling exhibitions. Arriving in Santa Maria, they are met with uncommon enthusiasm, the local newspaper wants to sponsor the fight, helping hands placard the town with posters, and an open call is made for a worthy adversary. Ever so resourceful, Orsini knows how to find the right combatant, but fishing in Santa Maria could lead to a bigger catch than he'd hoped for.

Reviews
GamerTab

That was an excellent one.

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Stoutor

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

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SanEat

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

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Usamah Harvey

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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islaplander

Good movie. With a lilting rhythm surround but tells the story of a world champion who is battling low hours, enough to agree to do exhibition amateur combats in remote villages of the Uruguayan geography.Resounding characters. The exact contents and dialogs. A little humor and a bit of drama ... and that Orsini (Gary Piquer), outstanding, which is the soul of the film.The film oozes pause, warmth, closeness, deceit, greed: life in general. The supporting actors perfectly complement Piquer, projecting the presence of Antonella Costa and César Troncoso, the ambitious girlfriend of the challenging and the director-journalist who sponsor the contest.In short, real good cinema.

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at7000

First off, I take issue with the description of the film, where it states- "Jacob van Oppen, the former strongest man on earth, and his manager Orsini, who calls himself "the Prince", make a good living by traveling around small South American towns and organizing wrestling exhibitions." Wrong. They do not make a good living. They are living a precarious existence. Jacob, a shadow of his former self and Orsini, a con-man who does not even have the 'mil dolares' to back up and finance his bets. They are leading a terrible life, are both alcoholics, and both know it. Orsini is a self-described Italian Prince, but no one dare ask what he is doing, taking seedy bus trips, promoting a washed-up wrestler, all over South and Central America.In any case, it's an excellent film. Jacob has become brain damaged from his years of wrestling and self abuse, he has reverted back to the mental state of a child. Not only that, he is bi-polar or has other mental issues which he takes medication for. As if that were not sad enough, Jacob also has some serious health issues. Although it has many comedic moments, it is nonetheless a sad film. It takes place in a fictional, back-water, town in Uruguay, in 1962. The acting and cinematography are all top notch. Jacob is somewhat devastated when he finds out the Orsini has been "fixing matches for him" and hand-picking opponents that insure Jacob wins the matches every time. The ending is brilliant and everything leads up to the final match at the end, where due to events in the town of Santa maria, Jacob must face a very tough opponent.

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eightie

If you like Hemmingway or Mark Twain, you'll love this movie. This is the story of a washed-out champ (with Hemmingway it is usually a bullfighter, here it is a wrestler) who's way past his prime and just doesn't know when to quit. But he is not so over the hill that he can't be used by someone -- in this case a con man calling himself Prince Orsini. Orsini takes the pathetic (think washing in public fountains and wailing loudly in churches) ex-athlete on a tour of South America. They go from town to town where Orsini offers a $1,000 reward to anyone who could last 3 minutes in the ring with the champ. Then he normally bribes the local strongman to accept the challenge and throw the fight (and of course charges everyone in town for admittance). But in the town of Santa Maria, the duo lucks out: the local strongman turns out to be not only very strong, but also very honest: he won't accept a bribe. Orsini, afraid of losing both the reward money and his champ to boot, leaves no stone unturned in an attempt to get out of the fight. I won't give away the ending, but it very well done -- one of the best, most satisfying endings in any movie I've ever seen. In all, this is a masterpiece with many comedy moments and an excellent character development. You don't have to be a wrestling fan to enjoy (I'm not), and you won't be able to help reflecting on the fact that all of us will one day be past our prime.

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SteveJ_888

An excellent first feature for director Alvaro Brechner. The strong writing and acting create characters that are believable and richly developed with subtlety and detail, but are not at all transparent. The viewer is invited into their experience yet still kept somewhat at a distance. What is innermost remains inaccessible as events unfold and build toward a climax. The film strikes a nice balance between character study and suspense. There is a simple plot – the film does more that just paint a picture, though that aspect in itself would be enough to make this a decent film.The visual elements serve the story very well – dark colors support the emotional content perfectly. The world that is portrayed is not glamorous, but lived-in and decadent. Two very different perspectives are evident in the film – the feeling of life on the road for the wrestler and his manager, and the poverty and boredom of the local people. Excellent costuming also helps define the characters and their environment.This film succeeds where many others that build toward a single event fail – it creates an emotional investment for the viewer – but one that may be ambiguous. Ultimately the characters are somewhat ambiguous themselves – but not due to any concealment on the part of the filmmaker. The characters simply are that way. We can't penetrate them or know their inner motives.The film makes a point – but it is far too subtle and enjoyable to be called a "message" film. The point is that events are easily understood - people aren't.

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