A Major Disappointment

It's entirely possible that sending the audience out feeling lousy was intentional

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

This is a wonderful film, featuring a almost all black cast apart from a couple of white characters, one being (Mel Smith in a cameo role) as a boss and the other(karl Howman) a friend of the young black men. It deals with the race relations in a brutal way, and is quite hard to watch at times but this is what proper film making is all about imo. It has its fair share of funny moments as well, like the main character having to take his truant little bro to school but he keeps running off trying to avoid going. A film about race,family,friends and love in a well acted and competently directed film without being flashy which it does not need to be. The scenes with the token white friend and and his black pals are the strongest scenes in the movie. Also a final point which it is great to see what certain parts of London looked back then, grim and uninviting.

Babylon is a slice of Black British life in London in the late 70s and early 80s and given the Brixton riots of 1981 this film was strangely prescient. The film revolves around racism from police, violence against blacks, poverty and disillusionment and reggae music.Brinsley Forde from the reggae group Aswad and who had also been a child actor is a garage mechanic by day and an underground DJ by night. The film follows him as he loses his job as a mechanic, gets beaten up by police, is falsely charged, and forced to go on the run where he ends up in even more trouble.Along with Forde, you have Mel Smith, Karl Howman, Maggie Steed and Trevor Laird as the better known performers.Whilst Forde's downward spiral is predictable it is well paced film, the footage of London of that time now belongs to another era. The use of music especially reggae music is an important ingredient in the film with famous Black DJs of the era making an appearance in the film.It is low budget and harks back to another era although the message is still valid today. It deals with the issue of black racism. The racism here is open whereas today it might be more covert. Interesting to note that this are not black youths involved in a life of crime but getting by in an inner city during a recession, low paid work by day and their love of music at night.The film by Martin Stellman and Franco Rosso which is rarely shown on British TV is an important document of 1980s British film-making.

As an avid follower of British cinema, I like to think that I've seen most of the worthwhile films that our country has produced. But I'm always on the lookout for films that I haven't seen, but sound interesting, and so I stumbled upon Babylon, then tracked it down on DVD and gave it a watch. Co-written by the writer of Quadrophenia, and directed by an Italian born director, and starring Brinsley Forde of Aswad, comedian Mel Smith, and Karl Howman, perhaps best known these days as the face of Flash household cleaning products, it seems an unlikely sort of project, which perhaps, not surprisingly due to its sensitive subject matter dealing with the institutionalised racism of late 1970's England, seemed to receive little attention when it was released. This is a shame, as although not quite a classic film, the director, Franco Rosso, who sadly was unable to generate funding for any future film projects after making this film, shows that given time he could have been a significant voice in British Cinema. Babylon is a film made by a gifted director just finding his feet, with some memorable scenes littered throughout. It strikingly portrays working class London in the late 1970's as a pretty unforgiving environment, though, the drab atmosphere of the setting is frequently punctuated by tracks from the film's reggae soundtrack, bringing you into the characters' world as they seek solace from these surroundings in the reggae music they play through their cherished sound system.Babylon should definitely have a place in anyone's top 100 British films of all time. For me It only narrowly falls short of classic status because the ending feels a tad abrupt, and the whole film does feel like it does not run quite as seamlessly as it should. Perhaps that's down to the editing maybe. Even so, I'd recommend it to anyone with an interest in British films.

Saw this film in 1983, had it on tape - but cant find it!! Now, over 20 years on, I still remember several scenes word 4 word, as me and my cousins acted it out, especially Beefy's scene at the end - entering dance hall with big machete tucked down his tight red tracksuit while everyone was bubbling to "Warrior Charge". And yes Karl Howman (from Flash ads) is wickedly funny with his accent "Cho man we dealing pure wickedness" Aaahhh Love it. The film is a masterpiece, don't know why I cant find it on DVD or VHS - if anyone knows where it can be obtained - Please let me know. Also looking for No Problem - UK comedy which starred Janet Kaye, Victor Romero Evans with Beastie and Tosh too!!