SERIOUSLY. This is what the crap Hollywood still puts out?

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

I cannot explain my discomfort in watching this film. It is most definitely not for the faint of heart. However, it delves into a topic that is so important and yet so ignored. Throughout the film there is very little dialogue, the majority of the story is told through the face of the talented and powerful protagonist. The plot of the film is bleak and painful, but provides a real sense of the hell which hundreds of Bosniak women experienced during their internment in the Bosnian War. This film does not shy away from the torture and abuse the women faced, but it shows their strength in maintaining any dignity they could through the gruesome process. I think the director handled the topic with grace and created a movie that is both haunting and substantial, but I do wish that the film would have shown the struggles of Serb and Croat women who were also assaulted in large numbers during this time.

This film was extremely difficult to watch, but to be any less than horrific would be an injustice to the victims and survivors of concentration camps during the Bosnian War. As If I Am Not There succeeds in depicting a representative camp experience for a young woman during the time of the war. The film explores the intricate complexities of relationships between abusers and victims, as well as between internees themselves. Samira, the main character, after being repeatedly raped by soldiers, is forced into a subordinate relationship with the captain of the camp in order to reap certain benefits to stay alive. Although Samira's choices are morally questionable, the film does well to address the fact that victims were willing to do nearly anything in order to survive. The film depicts the captain as a "non-monster," but his seemingly gentle nature is abusive nonetheless and he is no less of a rapist than the soldiers that brutally gang raped Samira throughout her time in the camp. For a brief moment towards the end of the film, the audience feels triumphant as the women escape the camp and appear atop a mountain. Although a fleeting moment before the audience is brought back to reality, it is extremely important in the depiction of female survivors of the war. After having spoken with survivors, they all emphasized a desire to be depicted as strong female survivors. Then, the audience is taken back to the reality that victims faced after their internment. The war did not end in 1995 for any survivors, but actually follows them everyday of their lives. In the film, the ongoing traumas of war are represented physically by Samira's baby, the product of rape, that will be a lifelong reminder of the torture she suffered. The audience is brought into Samira's mindset as she contemplates killing, leaving, or keeping the baby. The last scene shows Samira making the decision to keep the child as she breastfeeds it, and finally allows herself to cry and feel the emotions that she was forced to suppress during her time in the camp. The scene is made so powerful by Samira's lack of emotion throughout the rest of the film. She is continually dehumanized by her rapists, literally feeling as if she's nothing in the scene where she is looking on her own experience of rape and abuse from above. The poignant absence of dialogue throughout the film, except for a few conversations, strips Samira of her individuality and ability to be herself. She partially reclaims this through her relationship with the captain, but once again, this is a forced and false sense of self. Samira is truly able to be her own person at the end of the film, but she is forever changed by her experiences as a survivor of the camp.

This film, although often difficult to watch, is an unflinching look at ethnic internment during the Bosnian War. There is little dialogue, and the film's message is conveyed through a variety of techniques, the first of which is lighting. Before the war, Samira (the main character) is framed with natural light, soft tones, and sunlit backgrounds. After her capture and subsequent internment, the lighting becomes stark and harsh. The main actress, Natacha Petrovic, is also able to convey Samira's thoughts and feelings through her carefully calculated facial expressions. The lack of dialogue allows the viewer to interpret much of the story, and also avoids contrived/overstated dialogue. The director is not Bosnia, but she seems to be intuitive and sensitive in presenting the material so that it does not feel exploitative. She also does not explicitly mention which ethnic group in interned and which group is interning (as it were), which is an excellent choice in that it allows for a wider variety of experiences to be represented. Although it is hinted that this specific film focuses on Bosnian Muslims being interned by Serbs, there is some wiggle room for other groups to be included as well.

This movie doesn't hold back from showing in graphic detail the events that occurred in the former Yugoslavia in the detention camps for Muslim women and children.We see the story from the perspective of Samira. She is from Sarajevo but recently started work as a teacher in a rural village. Soon the war following the break up of Yugoslavia intrudes on the village and all the residents are gathered up by local Serb militia.There is a great scene as the villagers are gathered in a hall and we see close ups of anxious faces of men and women, guessing at what will happen to the men. Our guesses are proved correct after they are taken into the woods.The women are brought to a camp. Again our minds speculate what might happen to them and we are again proved right. Samira is brought to a special house for "chosen" women. We see what men are capable of in a war situation when they feel they can do anything without fear of punishment. Some scenes are extremely disturbing.Natasha Petrovic as Samira expresses perfectly, mostly with her eyes, the fear the women are feeling. For the most part this is the women's only way of expression. What use is there in talking when someone else can decide on a whim whether you live or die? Samira and all the women do what they feel they have to survive but even when freedom comes their experiences leave legacies that last the rest of their lives.The film is based on a novel containing womens stories that emerged from the International War Crimes tribunal trials of suspects from the Yugoslavian wars in the 90's.A hard film to watch but I'm glad it was made as it reminds us of the reality of what happens to innocents in war.