Arizona Bushwhackers
Arizona Bushwhackers
NR | 01 March 1968 (USA)
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During the Civil War, a Confederate spy takes a job as marshal of a small western town as a cover for his espionage activities. However, he soon finds out that a local businessman is selling weapons to a band of rampaging Indians.

Reviews
Kattiera Nana

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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VividSimon

Simply Perfect

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Ceticultsot

Beautiful, moving film.

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Matho

The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.

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HotToastyRag

There's a reason why the western genre has, on the whole, died out. They were made ad nauseum from the 1940s-1970s and there were infinitely more "typical westerns" than good ones, so the public got tired of them. Yours truly is not a fan of westerns. They have to be really exciting-or have a serious amount of eye candy-for me to enjoy watching them. Therefore, you understand why I took a chance on Arizona Bushwackers, a western starring the hunky Howard Keel. Unless you're desperately in love with him, you'll probably want to skip this one. John Ireland was supposed to be a one-armed sheriff, but he just had the end of his sleeve sewn into his trouser pocket, and both sturdy shoulders were clearly visible. Yvonne De Carlo tried to give a Jane Russell impression, and Marilyn Maxwell tried to give an Yvonne De Carlo impression. The townsmen with only one or two lines seemed like they either weren't actors or had gone to the John Wayne school of acting. Howard Keel seemed to be mirroring the audience's thoughts, wondering why he was stuck in such a bad movie when he was once king of the 1950s musical genre. Plus, I know the title had an actual meaning at the time, but nowadays, it's way too dated to take seriously.

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ma-cortes

During the Civil War , Lee Travis (Howard Keel) is hired by government authority to protect townspeople from revenge-seeking outlaws and avoid arms contraband . As a spy taking job as sheriff in small western town as a cover for his espionage activities . As Travis dons a damn Yankee uniform to pull the most daring plot of the war in the West , but he is actually a confederate spy . However, he soon finds out that a local businessman is selling weapons to a band of rampaging Indians . Once there , he has to straighten out a few bad guys who have been selling guns to the Apaches . As the confederate lawman up against gunfighters , and gunrunners as well as usual Indians . As the marshal on the trail of the smugglers is accompanied by a spy woman (Ivonne De Carlo) . Town boss (Scott Brady) is behind the crime and corruption of the little town called Colton but the townspeople are too scared to help sheriff out except for Saloon gal (Marilyn Maxwell) . In the Old west there are always the men who live breathe violence and the women who hold their breath.This ordinary western is plenty of thrills , go riding , shootouts and suspense as the dreaded final showdown approaches and the protagonist realizes he must stand alone against impossible odds , as his fellow town people for help , nobody is willing to help him ; meanwhile he attempts to clear an issue about weapon gunrunning . This routine Western has the customary story of a sheriff-for-hire who takes the law on his own hands and based on a story and screenplay by Steve Fisher. It begins as a slow-moving Western but follows to surprise us with dark characters and passable plot . This short runtime tale is almost ordinary , a pacifier comes to a town just in time to make sure its citizenry but later the events get worse . Although made in low budget by the producer A.C. Lyles , it has its good moments here and there . Acceptable acting by Howard Keel as a Confederate spy who takes a job as marshal . Notable for the presence of old Western-movie veteran such as John Ireland , Marilyn Maxwell , Scott Brady , Brian Donlevy , Barton MacLane and James Craig . Atmospheric and colorful cinematography in Technicolor , though is necessary a remastering.This horse opera was realized in low-budget by producer A.C. Lyles and distributed by Paramount Pictures . Lyles produced a lot of Western in short or average budget such as ¨Black spurs¨(1965) , ¨Apache uprising¨(1966); ¨Johnny Reno¨ , ¨Waco¨ , ¨Red Tomahawk ¨and ¨Hostile guns¨(67) , among others ; many of them directed by R.G. Springsteen or Lesley Selander and starred by old glories such as Dana Andrews , Rory Calhoun , George Montgomery and Howard Keel . This quickie was middlingly directed by Lesley Selander , a craftsman working from the 30s . Selander is generally considered to be the most prolific director of feature Westerns of all time, with at least 107 to his credit between 1935 and 1967 . He realized his first feature in 1936, a horse opera , genre in which he would not only excel but one where he would spent much of the rest of his career . He began in this genre with series starred by Buck Jones and ¨Hopalong Cassidy¨ series starred by William Boyd such as ¨Silver on the sage¨ , ¨Three men from Texas¨ and ¨Wide open town¨. In Republic production he directed his better movies such as ¨Panhandle¨and ¨Stampede¨ starred by Rod Cameron and in RKO he directed Tim Holt in 20 films such as ¨Rio Grande patrol¨ and ¨Overland telegraph¨. He subsequently shot B-movies such as ¨Fort Vengeance¨, ¨Arrow in the desert¨, Shotgun¨, ¨Town tamer¨ and his last picture ¨Texas Kid¨. Although Selander couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He also filmed detective thrillers , action/adventure motion pictures and even a horror film or two . Rating : 5,5 . Acceptable and passable

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bkoganbing

Arizona Bushwackers was the last of three B westerns that Howard Keel made during the Sixties. He also did Waco and Red Tomahawk. He also appeared in support of John Wayne and Kirk Douglas in the acclaimed War Wagon. This film ain't no war wagon.It's not horribly bad film, Arizona Bushwackers, it's just a very tired one. A lot of hackneyed clichés jammed into the 90+ minutes of the running time. Howard Keel plays a former Confederate who earns a pardon from the Union Army and an out from a federal prison by agreeing to join the Union Army, but serve in the western frontier as opposed to the war in the east.Keel even rates a special job as sheriff of a lawless Arizona town called Colton after mayor Brian Donlevy calls for help. Saloon owner Scott Brady and partner Marilyn Maxwell like the wide open town that Colton is and don't cotton to no law and order.In fact Keel himself has never really forgotten his rebel roots and has been biding for time to pull something off.All these plot strands get themselves resolved in one of the dumbest Indian attacks I've ever seen staged on film. The once popular players set themselves all around with various weaponry on either side of the main street and the Indians ride by and just keep getting picked off.Others in Arizona Bushwackers include Barton MacLane, Yvonne DeCarlo, James Craig, and John Ireland. It's a regular convention of movie names who hit their peaks during the forties and fifties. It's also the farewell film of director Lesley Selander who did just about a gazillion B westerns in his day.No matter how dumb the film, it's nice to see all these stars together in one film. And the opening narration is given by a bigger movie name than all of these who did the off camera speech as a favor to his friend, producer A.C. Lyles.For nostalgia fans only.

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BrianG

This is one of a string of cheap westerns ground out by producer A.C. Lyles in the mid- to late '60s. The only thing they were notable for was that they gave work to faded stars who were otherwise unemployable. Everything about these films was second-rate--the stories were recycled (most of them were written by the same man, Steve Fisher), the photography was usually washed out and at times unsteady (Lyles was not a believer in shooting more than one take) and they looked rushed, which is what they were--they were usually shot in two weeks or less. This one is no different. The only advantage it has over Lyles' other pictures is that the beginning of it is narrated by none other than James Cagney, who did it as a favor to Lyles, a longtime friend. Other than that, this film has absolutely nothing going for it. It's tough to swallow even for diehard western fans like myself. Avoid it.

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