the leading man is my tpye

Sadly Over-hyped

This film is so real. It treats its characters with so much care and sensitivity.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

You never hated Bette Davis so much before. She could be criminal and nasty but never quite abominable, which somehow she is brought here to become more or less against her will by too many unexpected visitors to her house, beginning with her husband, whom you never see except as dead. It's a damned tricky plot, and Val Guest was expert at such things, making a criminal intrigue as inextricable as possible in order to have the great pleasure of having it all dissolve in the most unexpected possible but percetly logical way. The Gothic atmosphere of this chamber play is gloomily enhanced by the whole thing being filmed in Bette Davis' own home, here situated far away in the desolation of the Yorkshire moors. The music also underscores the tension of the plot, and the colloquial doctor (Emlyn Williams) who knows everything beforehand, which you dont get to know until after the end, doesn't make things easier for anyone. Only the young couple (Anthony Steel and Barbara Murray) get away unharmed, while the most upsetting case and victim of injustice of all is, as the doctor clearly points out, a horse. It's a major display of meanness and super-excellent as such, but in all these towering passions of possessive love you despondently miss and lack the faintest shade of any human varmth and tenderness.

That extended opening scene is like a showcase for real-life marrieds Davis and Merrill. Looks like she may be introducing them as a couple to American audiences. It's an apparently low-budget British production with a small cast and a single rural location site. As the conniving Janet, murderer of her inconvenient husband, Bette gets to evil-eye and puff her way through 90-minutes of theatrics. And with a ton of unflattering close-ups. At the same time, George (Merrill) tries somberly to deal with Janet's schemes, as they cover up her husband's murder in a secluded British estate. Only pesky Dr. Henderson (Williams) gets in their way.I'm not surprised the film is rarely mentioned among Davis's triumphs. The plot shenanigans are convoluted, theatrics abound, and talk is only relieved by spectacular scenes of the Yorkshire moors. Moreover, calling the results noir, amounts to a stretch. I did, however, like the upshot scene, a neat bit of irony. Nonetheless, showcasing the two leads tends to over-shadow both story and character. Good thing directors Rapper and Guest do their best at pacing the difficult material. Anyway, whatever the drawbacks, the film should please fans of Bette; but for others, it's mainly a matter of taste.

Overblown melodrama with Bette pulling out all the stops and putting any idea of subtlety aside. If you enjoy films where she turns in that sort of performance as opposed to her quieter work in films like Dark Victory or Watch on the Rhine than this is for you. Reunited with her Now, Voyager director but certainly not on a script of that calibre he seems unable to rein her in, everybody else tries to compete and while the rest of the cast turn in decent performances when Bette struts into view blowing smoke and popping her eyes no one else stands a chance. Filmed directly after one of her best performances in All About Eve and with new husband Gary Merrill in tow she apparently didn't think much of the script and as she sometimes did when faced with less than stellar material she plays to the balconies. Deliciously grand and over the top.

This film is quite an ordeal to sit through. Bette, and real-life husband Merrill, are totally miscast. The scenery chewing in this stage-to-screen British contraption must be seen to be believed. Some of the supporting cast fares well. but Davis is at her post-"All About Eve" worst. Soon afterward,she followed this low-budget "indie" with "The Star," another embarrassment(even though she was nominated for an Oscar for the latter!!).The plot is muddled. Characters do things for no particular reason. And, what's with that prying veterinarian neighbor?? His is one of the most annoying portrayals ever put on screen......after the first scene, you want the guy knocked off by Davis, preferably in a painful manner.This is worth seeing ONCE, if only to see how a top actress should NOT conduct her career.