Anita, Swedish Nymphet
Anita, Swedish Nymphet
R | 01 July 1975 (USA)
Anita, Swedish Nymphet Trailers

Anita, a young woman with a troubled childhood and a hunger for love, finds a soul mate in Erik, a kindly college student.

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Reviews
Cubussoli

Very very predictable, including the post credit scene !!!

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Exoticalot

People are voting emotionally.

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ShangLuda

Admirable film.

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Rexanne

It’s sentimental, ridiculously long and only occasionally funny

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Claudio Carvalho

The seventeen year-old outcast Anita (Christina Lindberg) has neither a good relationship with her parents and sister nor has friends. She is a nymphomaniac and has intercourse and BJ with most of the men in her little town regardless of their ages. When she meets the psychology student Erik (Stellan Skarsgård), he brings her to live with his friends that are artists and she discloses her sexual experiences to him. Further, Erik discuss her problem with his adviser, he also realizes that he has fallen in love with her. But Anita needs an orgasm to cure first before staying with Erik."Anita" (1973) is a Sweden-French movie of exploitation about a seventeen year-old nymphomaniac forty years before the hype in the Lars von Trier's "Nymphomaniac". The story lines are the same, but the Danish director has detailed the plot along four hours running time. Stellan Skarsgård works in both movies listening to the nymphomaniac. My vote is five.Title (Brazil): Not Available.

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I M Buggy

Christina Lindberg was already selling herself in nude pinups and movies several years before this movie. This movie is yet just another "social issue" excuse for selling Christina Lindberg and soft-core porn.The movie pretends to explore the true life of a teenage sex-addict but in reality it's just an excuse for the nude and sexual content matter of the movie. There are of course the pompous analyses by her psychologist but they're simply a vehicle to deepen the chaotic and kinky erotic state of the character, played by Christina Lindberg.Overall, the movie lacks depth, the acting is poor and 70's-cliche' in its settings and seems to have no real purpose other than to sensationalize popular Christina Lindberg in yet one more sexually exploitative movie.

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Tearless

As you can notice, this film is both Swedish and french in production; there are two versions of this film that differ considerably; the french version has a logical plot evolution and is more sleazy than the Swedish version. The latter if more moral in tone and has an unlogical plot evolution; it also has less sex(y) scenes. In the Swedish version, the plot line of the young students forming a classical music group is more elaborated (and dull). The french version focuses more on the nymphmaniac addiction; in this version Christina Lindberg tries out a therapy to bring her relief of her addiction. The french version runs for 74 minutes; this makes the plot evolution more compact. The 'solution' of both versions is the same. For the french version I would give an 8 out of 10; for the Swedish version I would give a 6 out of 10

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bogdanpopa2001

The best thing about "Anita" is that is supposed to work within the sexploitation genre, and it is actually a subtle and insightful social critique -well, at least in the first sixty minutes. To someone who's looking for crude, hardcore sex scenes (myself included), this movie is may be disappointing, but for a feminist researcher the movie's angle points out and contextualizes patriarchy and domination as main causes of social "ilness." Just watch the perspective of the movie, and you'll see a "lylja-for-ever" for the seventies.In addition, the movie suggests an interesting development of the relationship between the psychology student/psychoanalyst/'doctor' and his patient Anita. At one point, you can see the parallel between the authoritarian/ disengaged father and the psychoanalyst, and both of them are exercising power over the nymphomaniac character. However, Hendrix becomes involved in the story (he hangs on the door where the full human contact-I mean the orgasm- takes place), and we get a sweaty non-convincing highly idealized ending.I would watch this movie again to see: 1. the construction of anita's character as an outcast 2. the whole symbolism behind the young student's actions: feeding her, putting the band aides on, offering her a community where she is actually defended 3. the dysfunctional family 4. the sad scenes of sex that reminds me how the porn industry is using my fantasies. but hey, I kinda like this, though...

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