Angels with Dirty Faces
Angels with Dirty Faces
NR | 26 November 1938 (USA)
Angels with Dirty Faces Trailers

Childhood chums Rocky Sullivan and Jerry Connelly grow up on opposite sides of the fence: Rocky matures into a prominent gangster, while Jerry becomes a priest, tending to the needs of his old tenement neighborhood.

Reviews
Ensofter

Overrated and overhyped

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SoTrumpBelieve

Must See Movie...

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filippaberry84

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Guillelmina

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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marktayloruk

Rocky came back to the old side East And treated the kids to a feast But he wound up bury Due to Father Jerry The moral is-Don't trust a priest!Seriously-I found Father Jerry obnoxious and nauseating. with today's technology, could one make a version in which Rocky shot him instead?The "rackets", after all, often amounted to victimless crimes like gambling and prostitution-and, in the Twenties, bootlegging! Possible sequel-the kids find out about Jerry's last words to rocky and turn against him-with a vengeance!

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Leofwine_draca

ANGELS WITH DIRTY FACES has something different to distinguish it from the other gangster flicks starring James Cagney: the emphasis of this film is on a gang of feral youths he befriends (played by the 'Dead End Kinds) rather than he himself. So we still get the meteoric rise to fame and eventual downfall, but the narrative is slightly skewed so that a gang of innocents are the central focus.Inevitably, this is a film that still belongs to Cagney, who invests it with his typical energy and dynamism. Humphrey Bogart takes a minor supporting role but it's left to Pat O'Brien to bag the film's most challenging role, that of a former criminal turned priest. ANGELS WITH DIRTY FACES has plenty of drama, action, and suspense to recommend it, and the tragic climax hits all the right chords.

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pcrprimer

I didn't know much about this movie when I watched this. I had heard of the Humphrey Bogart, but not James Cagney. Although the movie was made in the 30s, the plot is something that could be of a movie that was just released in the 80s, 90s, or now. This is truly Cagney's movie, and he steals every scene that he's in. As a viewer, you can't help but cheer for him. I feel that his main love interest isn't really fleshed out. We learn that she comes from a troubled past, but not much more. A few scenes that stand out are the pharmacy assassination attempt, and obviously the well-known scene where the priest asks something of Rocky that he doesn't want to give.

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rrsthebest56

After watching this fascinating movie for the first time, I picked up a book, in one of those coincidences that life gives to us that are completely unlikely, with the name Famous Quotes From Famous People. And in one of the various quotes that were printed in the pages of that little book, there was one that caught my attention, because it corresponded to the opinion I formed about this excellent work of art that my eyes had the pleasure to behold. The quote is from Robert Frost, one of the greatest authors of north-American poetry, and he says: "It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts. The right reader of a good poem can tell the moment it strikes him that he has taken an immortal wound — that he will never get over it." And if we change the "Poem" mentioned by Frost for "Movie", the opinion of the writer perfectly suits to Angels with Dirty Faces... and to many other movies I love, I confess. I say this because I think this film, directed by Michael Curtiz (the filmmaker who would make, some years later, that unforgettable classic called Casablanca, with Humphrey Bogart too, but here in Angels he has a supporting - but terrific! - role), has always been in the shadow of other great movies, much more popular, and this one had just endured because it obtained, over the decades, a legion of numerous fans of the treasures of Cinema (the picture has now a score of 8.0 on IMDb, which is very good). But if it were only "time" causes, as Frost said, Angels with Dirty Faces would be lost in that decade (not so) far away that was the thirties. If we expected the film would endure over the years (having neither great acclaim from critics the following decades, or the recognition of major institutions such as the American Film Institute), it would be as if it never existed. I mean, watching the quality of the negative (and we do not know if it is "the" negative) that was converted for the DVD so-so special edition of this motion picture, it's noticeable that it never had appropriate conditions of conservation (there are various faults, very visible, in the reels and in many frames, throughout the film).But I said the movie was in the shadow. And then I talk again in Casablanca. That is, probably, the most popular title from Michael Curtiz's filmography. But it hid many other great movies of the director, such as this one. And I love Casablanca, it is one of my other favorite movies of all time. But it's sad when a motion picture almost "destroy" all the work of a filmmaker who, by the way, was one of the greatest professionals in his area at that time, because Curtiz has so much to explore (in quality and in quantity - in the year Angels was release, Curtiz made three other movies, almost simultaneously. And today, that's a big achievement, if we compare with the super- productions, many of them so uninteresting, that take too long to be made...), and this wonderful picture is the example of that quality, of the American classic Cinema that is impossible to remake today, because they are of a decade and of a period of Hollywood where the excellence of the production of the great directors were so inspiring, touching, and original. Angels with Dirty Faces is a movie of a genre that was fashionable at the time it debuted: the gangster movies, and when were made terrific and terrible and "standard" titles in that genre. It is like the westerns. Many of them were made in the "golden ages" of the cowboy movie stories, but very few of them stood out. Many of the gangster movies had just beatings, corruption and vulgar love stories...However, there are always isolated spots in the middle of the ocean, and Angels with Dirty Faces elevates the genre of the gangster film to a higher level, as can also give some touches of film noir and good drama that attach to this work a superlative quality. The story is told in a fluid way, very quickly but without losing any shred of credibility.The result of this variety of stories (which are all very simple, but with more depth than they appear) is a powerful and unparalleled work in the Classic Cinema. Michael Curtiz's achievement is intelligent and emotionally overwhelming, and I enjoyed the strong use of light in the scenarios, the photography of the scenes (which loses some of its glimmer because of the degraded copy of the DVD), the performances of the actors, the script, which has great quotes and is very well planned, executed and interpreted. The soundtrack is excellent and fits perfectly with the whole film, being well selected and organized. I emphasize also the camera angles, approaching us from the characters and the environments that surround them (and with that Curtiz showed one of its greatest strengths and talents), and that was the cause of my excitement with the last moments of the film ((such as the apotheosis of Cagney and O'Brien, showing that friendship and human dignity has no limits, regardless of the environment in which we were born). Angels with Dorty Faces is, for me, and I say this without fear, a masterpiece. This movie shows how certain classics, even if they can not withstand the time, the lists of critics and all those things, they can always, if they're good, get a cult of fans delighted with it, managing to increase interest in discovering this movie treasures.

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