Sadly Over-hyped

Best movie of this year hands down!

A story that's too fascinating to pass by...

This is a must-see and one of the best documentaries - and films - of this year.

Like Michael Corleone Richard Jordan keeps trying to go straight in A Nightingale Sang In Berkeley Square and they keep dragging him back in again. But unlike Corleone, Jordan after a while likes the idea of making that easy tax free money. And with his skill he actually does make robbery look easy.Jordan plays an American expatriate who gets training as an electrician while serving a sentence in Great Britain. His brain dead parole officer gets him assigned to work in a bank on their wiring. Does that ever interest criminal mastermind David Niven who was in prison with Jordan.He forces Jordan to work with him and after a while not much force is needed. But the inevitable problems do come up and it's what happens to Niven and Jordan and their criminal gang that is the basis for this semi-lighthearted caper film.Gloria Grahame has one of her last roles as Jordan's mother and the very last performance of Hugh Griffith is in this film. Griffith plays a pawnbroker and Jordan buys a telescope from him. What he does with the telescope I can't reveal, but it does show just how insecure that bank was for all their bragging about their security.The title of course is based on the famous British pop song of the Thirties which a few American artists like Bing Crosby managed to record as well. The song is heard a few times, but the last bank heisted is in London's Berkeley Square and what do nightingale's do, but sing.This is a nice caper film, somewhat reminiscent of The Brink's Job with a British touch.

Just ingenious enough to be plausible and still a lot of fun, this is a pure slice of the 1970s (Even the cops need haircuts badly!). Shot in and around London, the plot of the American ex-con who tries going straight but finds himself sent as an electrician to a bank in Mayfair, and then has the screws put on by crime lord David Niven, and finds himself plotting the crime of the century is well-handled.I liked its simplicity and even innocence, it harks back to a time when caper films where just that, a caper, and violence wasn't a part of the deal.All in all you could do a lot worse than watch this: it has enough twists and turns to give it some oomph and a cast that obviously had fun making it.Nicely made and watchable.

Delightful! It never pretends to be a masterpiece, but it's a mini-gem of late-Seventies British comedy. Given that the producers wanted to sell it abroad, it stars an American (the late character actor Richard Jordan), but at least he isn't the usual dull Hollywood hunk type. Surrounding him is the cream of British character acting talent, led by a wonderfully waspish and superior David Niven.Niven's Ivan the Terrible naturally gets the best one liners and all the best reaction shots. He also manages to be surprisingly menacing and intimidatingly dangerous. The moment in the snooker club when he drops the charming facade and threatens Richard Jordan will come as a shock to those viewers who think of Niven as being only a light drawing-room comedy star. He is filled with genuine power and ruthlessness as we see all at once how Ivan earned his nickname. All the more surprising given how ill Niven was at the time. Shortly after filming this production he lost his powers of speech to Amyotrophic Lateral Sclerosis (known as Lou Gehrig's disease). This is the last picture Niven made where you can hear his own voice, being dubbed thereafter by the comic impressionist Sid Little.Alongside him you can spot numerous familiar faces from Seventies cinema and television. Elke Sommer (flashing her breasts in true Seventies era politically incorrect bimbo mode), Oliver Tobias, Michael Angelis, Brian Croucher, Richard Johnson, John Rhys-Davies, Davy Kaye etc, etc. Davy Kaye gets one of the biggest laughs as he holds up a security guard caught making a phone call to the old UK analogue vinyl telephone music service Dial-A-Disc. "Who you ringing?!....Bloody Dial-A-Disc! You gormless git!" Great shots of London street locations; making the film a period patina time capsule of red phone boxes with chunky round-dial manual handsets, black cabs driven by "Cor blimey, gov!" cockneys, and ladies and gents modelling all manner of deeply dodgy late-Seventies retro leisure-wear and hair styles. Highly entertaining, quaintly dated in its fashions and attitudes, and the stuff of late night cult viewing. Perfect to watch at midnight after the pubs have shut; if you're of a certain age, are feeling a touch nostalgic; and have always wanted to see David Niven swanning about inside a branch of McDonalds, silently intimidating an American via the deployment of a retractable telescope!

Really enjoyable film full of some great British character actors.Excellent use of outdoor scenes, mainly of London, but not the usual recognisable holiday brochure zones.Not a complicated plot, but who needs them. Just good fun, well executed and fine entertainment.I've a reasonable copy of the film, lifted off the English television, English Pal, on VHS, and would be happy to let you have a copy if you need one.