All Things Must Pass
All Things Must Pass
NR | 16 October 2015 (USA)
All Things Must Pass Trailers

Established in 1960, Tower Records was once a retail powerhouse with two hundred stores, in thirty countries, on five continents. From humble beginnings in a small-town drugstore, Tower Records eventually became the heart and soul of the music world, and a powerful force in the music industry. In 1999, Tower Records made $1 billion. In 2006, the company filed for bankruptcy. What went wrong? Everyone thinks they know what killed Tower Records: The Internet. But that's not the story. All Things Must Pass is a feature documentary film examining this iconic company's explosive trajectory, tragic demise, and legacy forged by its rebellious founder, Russ Solomon.

Reviews
Cebalord

Very best movie i ever watch

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Vashirdfel

Simply A Masterpiece

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Erica Derrick

By the time the dramatic fireworks start popping off, each one feels earned.

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Dana

An old-fashioned movie made with new-fashioned finesse.

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jazzfi

Growing up in Los Angeles, Tower Records was the one stop megastore to hit for the latest LP's, imports, posters etc. It definitely has its place in the lexicon of California culture, and the Sunset Boulevard store had a nice selection of indie punk rock 45s during the late 70s where you could stop in after a show at the Whisky a-go-go and find the latest vinyl.I don't know how much truth there truly is in the story offered here, although the cover notes state that it was not the internet that brought about this company's demise. Sorry, I find that very hard to believe.While other reviewers have noted greed and price fixing was responsible, ultimately it was the internet, and digital technology and the obsoleting of the cassette and, in one word, progress. The founder Mr. Solomon remained mistakenly sold on the fact the buyers would always want to have a library collection of music in their homes in the form of vinyl LP's boxed sets, CDs and the like, but this would not apply to later generation of buyers with their new gadgets i.e. iphones, ipads, e-pods, a-frames, tampads, etc etc ad nauseum.And then add Napster, Kazaa and all the other "wares" to the mix, the writing was on the wall. They were nice store personnel and more often knew their stuff, styles, genres, and history, but it just couldn't last without a product to sell. Much in the same way that X-rated theaters went the way of all flesh with the boom of the videocassette and the DVD, technology eventually trumped it all.Nevertheless, they remain a wonderful memory in the annuls of history and made a difference in the lives of so many music fans during the earlier days of rock and roll and they should be proud.

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Michael O'Keefe

This a feature documentary film taking a good glimpse at the rise and fall of a legacy. Tower Records dominated the retail music market for decades coming to rise in 1960. The birth child of the flamboyant and rebellious founder Russ Solomon. Humble beginnings becoming a powerhouse in the industry. By 2000, Tower records was worth $1 billion and six years later fell victim to the Internet and free streaming music sites, proving a major lesson of objectivity to how business is at the fate of realities in the ever changing marketplace. In 2006, as Tower Records faded in the sunset of bankruptcy, two hundred stores in thirty countries, the heart and soul of the music world stopped beating. But the legacy remains.Some of the music featured: Bob Wills & the Texas Playboys, Perry Como, The Rooftop Singers, the Beach Boys, T. Rex, Steve Miller Band, Rolling Stones and George Harrison.Sharing commentary are: David Geffen, Steve Knopper, David Grohl, Chris Cornell, Elton John, Chuck D., Bruce Springteen, Heidi Cotler, Steve Nikkel, Mike Ferrace and Russ Solomon.

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eddie_baggins

In what's a documentary that's likely to appeal to music tragic, collectors and those longing for the bygone era of in store shopping that moonlighted as an excuse to go and hang out with real people in a real environment, son of Tom Colin Hanks's documentary examination of the rise and fall of Tower Records may not achieve anything of a true noteworthy nature but it's certainly a thorough and insightful examination of the one-time retail juggernaut and a reminder that with our attention now on online retail and social media interaction, we are losing and missing out on a wonderful experience that used to be readily available to all shapes and sizes.All Things Must Pass (inspired from a sign posted on a closing Tower Records store and no doubt the famous song) utilises extensive archival photos of the expanding businesses stores, over locations from the USA, Japan (where the name continues to do decent business) and England and Hanks finds a winning formula with a range of talking heads that were involved for many a year with Tower Records.We get to spend a large portion of the docos runtime with founder and colourful character Russ Solomon who with nothing more than ambition and drive created a world spanning retail empire that's focus was on music for music lovers that extended from staff through to everyday customers or the not so every day like frequent store visitors such as Elton John and Eric Clapton. It seems like such a foreign thing in today's climate that employees started as packing room clerks to high end management and the focus Tower had on encouraging each store to have its own flavour and as long as the job gets done, who cares what happens before, after or in-between is something that is highly unlikely to be a practice of retail chains of the modern era.All Things Must Pass will be a lovely walk down memory lane for those that use to count their visits to Tower Record stores as a weekly or monthly highlight and for those of us like me that never got to experience the wandering up and down of their aisles it's a pleasant and workmanlike examination of what made the name such a power in its early days and also a sad reminder of what today's consumers are missing out on 3 purchase happy Elton John's out of 5

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bgifriends

This movie had a few good moments that could've been parred down to 45-60 minutes max. There is too much repetition of the same themes throughout. It feels like the director/editor is too close to the characters. It's as though s/he wants to make sure they are in the film as much as possible. Redundant narrative throughout. I got up to go to the bathroom and came back and didn't feel like I missed anything. Some good historical knowledge that gets beat to death by repetition. Feels like old timers making a film and too sentimental to let go. Good for a much shorter version at 45 minutes. Or use it as a sleeping aid as is. I don't recommend without serious redo of editing.

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