Aladdin and the King of Thieves
Aladdin and the King of Thieves
G | 13 August 1996 (USA)
Aladdin and the King of Thieves Trailers

Legendary secrets are revealed as Aladdin and his friends—Jasmine, Abu, Carpet and, of course, the always entertaining Genie—face all sorts of terrifying threats and make some exciting last-minute escapes pursuing the King Of Thieves and his villainous crew.

Reviews
Ehirerapp

Waste of time

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Stometer

Save your money for something good and enjoyable

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ChanBot

i must have seen a different film!!

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Chirphymium

It's entirely possible that sending the audience out feeling lousy was intentional

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Jesper Brun

I don't have any nostalgic bias towards "Aladdin and the King of Thieves", and therefore I am delighted to see the effort which has truly been put into making this perfect ending to the story of Aladdin. "The Return of Jafar" I watched a lot when I was a kid and enjoyed it back then, but viewing it again at 23 years of age mostly made me sad about the obvious downgrade in animation and character. Iago's role in it was the only redeeming quality of that. Here the quality of the movie is where it should be, on Aladdin and Jasmin finally getting married and Aladdin's search for his father, Cassim, who never was with Aladdin. When it is revealed that he is actually the leader of the forty thieves things get complicated leading to all the action and dilemma that comes with having a criminal in your family. Their developing of a relationship and an intimidatingly villainous Sa'luk are the greatest qualities of the movie. To have Robin Williams back as the genie is simply a delight. Personally I couldn't stand Dan Castellaneta's performance in "Return of Jafar" and especially not in the series in which I found him obnoxious and not funny at all. The genie IS Robin Williams, period. I must admit that his performance at times got a little narrow with too many Disney references and perhaps a little overdone, even though many of them worked out okay. The animation is by direct-to-video standards really good and compelling. The emergence of The Vanishing Isle and the time spend in it is easily the highlight of the animation. The songs are serviceable but forgettable and a couple of them actually sounded oddly similar. This is the only point on which I get harsh, because the original Aladdin is my overall favourite soundtrack in the Disney catalog, but the musical score for this worked out pretty well at underlining the emotions going on.To sum up, "Aladdin and the King of Thieves" is a well done sequel to one of the greatest animated movies ever made. It has drama, action, romance and Robin Williams providing you with his beloved genie. It is definitely a strong ending to our adventures in the Arabian nights.

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Arlis Fuson

So Aladdin and Jasmine are getting married (finally) and their wedding is crashed by the 40 thieves who are there to steal a magical oracle that allows anyone who has it to ask it one question. The King of Thieves wants to know where the magical hand of Midus is. Aladdin finds out the King of thieves is his father and they find the hand of Midas together.The hand of Midas was the only thing cool about this film, some of Robin Williams improvised stuff is funny as well. It had even worse quality than the last one and looked low budget and about neck and neck with the TV show as far as quality goes.I was glad to see CCH Pounder as the voice of the oracle and that was a bonus, but nothing can save this film for me, it was really boring, kids might enjoy it if they don't require too much to entertain them. 2/10 stars.

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D_Burke

You really can't review "Aladdin and the King of Thieves" without comparing it to its 1992 theatrical predecessor, or even the first direct-to-video sequel "The Return of Jafar". As an earlier reviewer on this site has mentioned, this movie is not as good as the original Aladdin, but much better than the second one in both story and animation.Having Robin Williams come back to reprise his role as the Genie was probably what made this movie above average. As talented a voice over artist as Dan Castellaneta is, he just couldn't fill Williams' shoes (or his lamp). So it was a pleasant surprise to have Williams back as his manic self with all his authentic, gut-busting gags and various celebrity impressions.However, that being said, having the Genie present a lot of the time created some fairly noticeable improbabilities and definite plot holes. For instance, when the 40 thieves raided Aladdin and Jasmine's wedding in the beginning, the Genie could have stopped all of them and sent them all to jail. I had the impression that the Genie's powers were infinite, so he was definitely capable of doing that. On the other hand, it wouldn't make for an interesting movie if the Genie magically solved everyone's problems. It still didn't seem right that the Genie just stalled during those climactic scenes, though.But with every problem the Genie didn't magically solve, there came a plot that was slightly more complicated than expected, and that's a good thing. The complicated plot made the story far more intriguing, and it added a great deal more depth to Aladdin's character. Caseem, Aladdin's estranged father, was also a great addition to the cast, and his character was equally appealing.Although we didn't see too much of Jasmine in this movie, she appeared to be a much stronger character than even in the original Aladdin movie. I commend the Disney company for making her a strong, supportive companion to Aladdin without making her appear to be a damsel in distress. In fact, the part where she punches one of the thieves for "ruining my wedding" was an excellent touch.The animation itself could have been better, but it was above average for a direct-to-video sequel from the 1990's. With just a little bit better animation, it could have easily been released to theaters. I don't think that was Disney's intent, though. So for what it was worth, it's an above average movie, and Robin Williams made the movie all the better by returning as the Genie.

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leplatypus

In a time where animation means animals, it's great to see a coming back to roots with human characters.It's all the more enjoyable that the Arabic culture isn't very exposed today.This opus is much better than the previous sequel, as well in the art than for the story: it mixes some tragedy, fun, adventures & historic appeal. The Midas Hand is really based on a myth.I am delightfully surprised to see that there's no time-out, except the silly songs parts: it's always based on jazzy tunes, so if you heard one, you heard them all!

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