Good start, but then it gets ruined

I have absolutely never seen anything like this movie before. You have to see this movie.

The acting is good, and the firecracker script has some excellent ideas.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Alex (Jason Ritter) attempts to kill himself in his family home. His college friends gather to visit him. Ben (Nate Parker) and Siri (Maggie Grace) are married and facing difficult issues. Josh (Max Greenfield) is the malcontent who wants to confront Alex about his suicide attempt. Sarah (Aubrey Plaza) is tired of her job. Isaac (Max Minghella) brings his young girlfriend Kate (Jane Levy) who used to work for him.This is basically a reworking of The Big Chill with some interesting actors from the new generation. I really don't want take away points for copying by new filmmaker Jesse Zwick. The biggest change is the lack of popular music. Nobody is dancing with their breakfast in this one. The best aspect is someone like Plaza stretching out a little. She shows that she can be a very compelling dramatic actress. This has some of my favorite actors around in a familiar movie setting.

This movie, About Alex, is such a copy/rip-off of The Big Chill, I honestly don't know how the Screen Writers Guild allows Jesse Zwick to pass this off as an original screenplay. Obviously, he changed the characters and dialog to update to the 21st century, but he has stolen outright so many elements from The Big Chill that there should at least be an acknowledgment, "Based on the Motion Picture..." like there are on other movies that rework original ideas for modern movies (e.g. The Evil Dead).In The Big Chill, the character who commits suicide and inspires the reunion is Alex; in this version, there is also a suicidal character named Alex, though he is unsuccessful in his suicide. One of the characters in About Alex has a younger girlfriend not originally part of the group and she feels awkward around the others - there is a similar character in The Big Chill. Two of the characters hook up after many years, there is an obligatory dance sequence, a pot smoking scene, etc. All of this is straight out of The Big Chill.At one point in About Alex, Aubrey Plaza says something to the effect of "This is like one of those movies in the 80s...". I've seen this same contrivance in other movies used as some sort of way to excuse the fact that the filmmakers have borrowed heavily from an earlier work, but personally I don't believe this is a way out from plagiarism. I know people like to quote, "plagiarism is the sincerest form of flattery," but is is still plagiarism.Maybe this would have been somewhat excusable if writer/director Zwick actually had something interesting to say and was able to formulate a movie that actually spoke to people. But instead, he just goes through the predictable motions of creating characters that are so redundant that they are now virtually stereotypes (the suicidal aspiring actor, the blocked writer, etc.) and having them speak a lot of trite "socially pertinent" conversation. I get the impression Zwick just made a list of all the so-called relevant issues of today's 20/30-somethings - e.g. technology, anti-depressants, lack of good pop music - and then planned his scenes accordingly. The end result is a script that is lazy and tepid and does nothing to stand out from all the other movies dealing with these same issues.

My bias before viewing was an expectation of a massive boring failure that I would regret watching because it dealt with attempted suicide. I couldn't have been more mistaken. My reticence in watching was duly derived from substantial repetitive experiences from most all films of this type: one location with characters you never really get to know, complex back stories left unexplained, and dark subject matter. What a surprise was in store for me! In fact the sole reason drawing me to the film was the beautiful & talented Maggie Grace and a growing appreciation for Jason Ritter. Friendship in a time where Facebook & texting have relegated meeting & talking to the fate that cd's rendered the 8 track, is a constant presence in my thoughts. So, it was invigorating to see college friends nearing 30 come together to support a friend, traveling from across the country for a whirlwind philosophical, confrontational, emotive, supportive & well paced weekend of collective personal growth. There were just enough characters to keep every minute fresh with information & few enough to not gloss over any single character & give each a quality part in the story without getting lost. This movie was extremely dynamic and as such, had no lulls. It's been said, "what a difference a day makes". Lucky for the viewer, a weekend of real, old-fashioned, interpersonal exploration & reflection makes one powerful movie. There wasn't a single moral. There were many. Whether you experienced college or high school, or were close with your neighborhood friends, this movie will without a doubt hit home for you. It was interesting how the friends had achieved varied levels of societal & romantic success, yet fell right back into the rhythm of their group identities like only a summer had passed. This will be a familiar feeling to everyone. It wasn't a love fest full of sympathy & crying on shoulders, which would be totally natural & expected. It was engrossing because of the diversity of honest feelings & reactions that made the viewer easily identify with each character. All actors were grade A, & I look forward to enjoying their acting in future films. Ritter, his best friend, & Grace were the standouts & I was relieved to see Aubrey Plaza tone down her typical sarcastic personality. In doing so, she made her character more appealing & closer to the personalities of the collective cast. I think viewers on average will rate this movie ranging from 6-9/10, but as you can see for me it hammered home an expectation-defying 8/10. I highly recommend this movie as a modern adaptation of "The Big Chill" without the killer soundtrack. It was as informative and enjoyable as much as it was provocative and insightful. Knox D. Alford, III

Large ensembles have the opportunity to say different things from different characters. Before screening at Tribeca, many were calling this "our generation's" Big Chill from 1984, which was directed by Lawrence Kasdan and nominated for three Academy Awards including Best Picture. While there are obvious similarities in the number of people who are present, and themes surrounding love and death, newcomer Jesse Zwick, son of producer/director Edward Zwick, pours his heart and soul into each frame and reinvents a masterful motion picture. About Alex is a raw and beautiful morality piece about where the late twenty- somethings are presently. I loved nearly every second.About Alex tells the story of seven friends who reunite over a three-day weekend after one of them attempts suicide. As the friends take shifts to watch their unpredictable old friend Alex, past and new feelings come to the surface.An all-star is assembled that includes Aubrey Plaza (NBC's "Park and Recreation"), Maggie Grace (Taken), Max Minghella (The Social Network), Nate Parker (Arbitrage), Jason Ritter (Freddy vs. Jason), Max Greenfield (FOX's "New Girl"), and Jane Levy (ABC's "Suburgatory"). Each one of the actor's know their parts, actions, motivations, and completely immerse themselves in the characters. In particular, the standouts include Greenfield, who continues to steal every frame, from every show or film he's in, and Plaza, who takes on a new departure for herself and succeeds.Jesse Zwick, for his first writing and directorial feature, shows much promise of what could be an elaborate career. He handles his scenes with firm hands and a watchful eye of what he chooses to show and not show the viewer. He allows the surroundings, both inside and outside, become two new characters for the audience to embrace. Everything put together in About Alex is simply impressive.There are some technical hiccups that the film suffers from. Choices made by the film's editor doesn't smoothly transition from one scene to the other. As independent films go, the film stands tall on its own merits but I would have liked a more polished final product.All in all, About Alex is an absolute dream. Full of laughs and tears, the film raises the bar for this type of genre. It's a thoughtful piece that will have admirers for years to come. It's the best cast ensemble seen this year and of the Tribeca Film Festival.