It is a performances centric movie

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

The film may be flawed, but its message is not.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Abel returns to the family home after two years in hospital for an undisclosed mental health problem which has rendered him silent. He is nine years old, and doesn't know what his role is in the family, until he finds an old family photograph and realises what the family in the photo had that the family he has encountered upon his homecoming does not have. It does not have a father. Christopher Ruiz-Esparza, as Abel, delivers a subtle but powerful portrayal of a boy locked in to himself who is desperately trying to find a role that will help him make sense of his life. Diego Luna gets as captivating and mature a performance out of him and his real life younger brother Gerardo as Michael Winterbottom did from his sibling child actors in the film 'Everyday'. A remarkable and disturbing film all round.

1. It's Diego Luna.2. It's Diego Luna.3. It's Diego Luna.And if that's not enough to get you to watch this film, you must not know Diego Luna.The film explores cultural familial roles, mental health culture and stigma in Mexico, and forces viewers to examine the effects of family in culture.Basically, it's amazing.The acting is spectacular. The performances are absolutely spot on. Casting was perfect. The music is perfect. The photography is perfect. Lighting, set, and characterization are perfect. Per-freaking-fection.

I must confess that during the first few minutes of "Abel," I became confused. In fact, I almost gave up watching it via Netflix Instant.But I'm so pleased I didn't.Truth be told, what prompted me to log on to "Abel" was that it was directed by Diego Luna, an actor whose work I deeply admired when I first met him in his brilliant and sensitive performance in "Y Tu, Mama, Tambien." But I'm happy that I hung on, because I discovered Luna's gentle sensitivity to the struggles of Mexico's lower-middle-class in this, his first film as a director.Which made me remember my own childhood when I also was a poor kid growing up in western Pennsylvania.Sr. Luna clearly has a great future as a director.Because the "truths" his work reveals are "universal."

"Think, therefore I am" is the best way I could describe this movie. The Director shows how a child with a mental illness found its place in this world by assuming the role of the family's head in the absent of it. Something to think about is how this child built its role in his head by models found in old fashion movies, and then the film shows what happens when he found a free way to expressed himself without finding any obstacle playing the father and husband's role, accepted by a mother who found in this odd behavior, a hope to rescue him from an mental isolation life.Life is the addition of little moments with a meaning and this film shows a drama with those funny and tragic moments of the family.The director let us see urban art invoking nostalgic moments from past decades in its scenes and little details. He did a great work to catch the natural and graceful performance of the children.