I have absolutely never seen anything like this movie before. You have to see this movie.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

A clunky actioner with a handful of cool moments.

I saw this movie while living at Cumberland MD, at a Drive in Theatre. I went to see it because Audie Murphy was in it as well as one of my old favorite "voices" Victory Jory. It was reported earlier that this movie would not be shown in the United States, but it was in 1972-or 73. I ought to know because that's when I lived in Cumberland. As a child listening to the radio in the 1930s and '40's, I could recognize the voice instantly of Victory Jory, Howard Duff (Sam Spade)and Curly Bradley as Tom Mix. There also was a time when I recognized the voice of Gordon Nance (Wild Bill Elliott)on certain mystery shows. By the time I was going to the movies, I knew all those voices and was so happy to see their faces for the first time.

I'm an Audie Murphy and have been steadily working my way through his movies. I'd heard of this, his last film, and not favorably - low production values, bad acting, Audie looking fat and old.Well I have to agree with the first two criticisms. I can't understand how this film has been given 7 stars, but the part about Audie is wrong, wrong, wrong. When he comes onto the scene,he simply towers over the other actors, the whole movie. He's so good, and it's a real shame that he didn't live longer.It would have been interesting if he had taken some of the other roles he was offered, such as the villain in DIRTY HARRY. It would have been a whole new direction for him, but then contemporary movies were never his thing. His whole style may have been best suited for Westerns.

The Western Is my favourite genre, but how I was disappointed by this movie. Audie Murphy In my opinion was better suited In a supporting role alongside a movie heavyweight such as Burt Lancaster In the Unforgiven. This film Is terrible, low production values and a made for t.v look and feel. You see Audie for all of 5 minutes and that Is the only value to the film. The rest of the actors are useless, my local am-dram club has better hams! I was hoping for a good movie with director Budd Boetticher at the helm but alas It Is a stinker! The worst western I have ever seen! The main character played by You've NEVER HEARD OF HIM BEFORE OR SINCE Richard Lapp gets my vote for the worst haircut ever!

This film shows a cruel west. There is a scene where Judge Roy Bean is shown presiding the court, and the fact that he looks like a good hearted old man contrasts sharply with his sadistic way of giving the sentence. It also has cruel gunfighters like Billy Pimple with his stupid laugh and a voice like someone who is still in puberty. When Cass Dunning (Richard Lapp) is arriving to Silver City he meets Billy who tells him to be careful about wearing his guns in town. He implies that if one is not able to use them, one should not wear them. Cass thinks he is great at the draw and he is willing to prove it. He ends up rescuing Nellie (Anne Randall) from the whorehouse and they are married by the Judge Roy Bean. After that we get the best moment of the film. The couple meets Jesse James (Audie Murphy), Frank James and Bob Ford. If ever one actor could play Jesse James at this mature age it is Audie Murphy. He is excellent. Curiously, Audie played a young Jesse in "Kansas Raiders"(1950). Jesse tells Cass he is not up to being a gunfighter yet, because his hands sweat, but he saw him practicing and tells him to look him up when he can. Richard Lapp is different from any conception one might have of a western hero. And so is the film compared to other westerns, starting with the music at the beginning that is as far as it can be from anything epic or grandiose. This was a great goodbye from Audie and from Boetticher, It was Audie's last film and Budd's last western.