The Worst Film Ever

Beautiful, moving film.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

I tried a lot to not sleep, but I failed after one hour. What was that stupid schroedinger's cat thing?Three stars just for Michael Stuhlbarg act.

Movie, at the beginning annoys you, well, you may feel you don't get these Jewish things!, but as story goes on more then more you enjoy the movie.I'm not Jewish nor American, but I really did enjoyed the movie.Ethan Coen & Joel Coen, they are great in unique story writing, in dark humor, in cinematography, in art directing, and all in one in Cinema!Also i would like to mention that Michael Stuhlbarg, was great."The teeth, we don't know. A sign from Hashem? Don't know. Helping others... couldn't hurt.""Larry Gopnik: And... what happened to the goy? Rabbi Nachtner: The goy? Who cares?"If you didn't get the movie, please Help Yourself and watch it again, if you don't get it again or if you don't want to watch it again, then, Who Cares!

A Serious Man has a quirky feel with dark undertones much like Fargo. Both mid West, A Serious Man takes its character from the more urban, yet similarly bleak suburbs of 1960's Minnesota, and the exaggerated Jewishness of the characters. A clear palette of oranges and browns, this film feels about as Coen as you can get. The entire film carries this sinister sense of a soulless suburban life, while also playing on complex themes of Yiddish folklore.It opens with this horror like 1800's Eastern European scene of a Jewish man inviting a supposed dybbuk into his household. The questioning of paranormal devil like themes so early on sets the film up to be that of impending peril. The entire film essentially focuses on the continual failings and misfortune of Larry Gopnik, a physics professor with a failing marriage. Much like Fargo, the similarly terrible events juxtapose the almost innocence of the characters, as we watch Gopnik's world fall apart, the whole interactions of the characters are just so mundane. This creates that typical Coen black comedic effect. Much like Fargo's Steve Buscemi, calmly explaining how he will "have to, you know shoot you", Larry is easily let down time and time again by other characters, to the extent where it appears almost funny.

This is a skillfully crafted, yet ultimately impenetrable film that will not be for all audiences. For my money, Coen brothers film really run a wide gamut in terms of how good they are. You have some spectacular efforts (No Country for Old Men, Fargo), some very good efforts (Raising Arizona, Blood Simple.), overrated fare (Big Lebowski), and some downright tedious (Burn After Reading). A Serious Man would rate above average in terms of the Coen catalog. It is funny, dark, richly-textured, but it really ends abruptly and doesn't seem to have a specific point. Beware that this review is written by a "goy", and much of the Jewish symbolism and possible inside pool are unknown to me.After a Yiddish prologue that takes place in a Jewish village many years prior to the main events of the film, we are then introduced to man with many, many problems living in late 1960s Minnesota. The Coens' own upbringing is obviously the inspiration for the world this man, Larry Gupnick lives in. He seems like your average mild- mannered college physics professor, and that's exactly what he is. But for reasons we never really understand, EVERYTHING bad that could happen seems to be happening to him. His wife is leaving him for a pompous widower, his children are ingrates, an Asian student is attempting to bribe him and accuse him of defamation all at once, a neighbor is encroaching on his property, an annoying relative has moved in.... you name it. Is this all a punishment from God? If so, why? Who can he turn to for help? Lawyers? Too expensive, considering his wife has emptied their bank account. The rabbis of their synagogue? They talk in circles, and don't seem capable of offering any helpful advice. All we are left to do as an audience is feel sorry for Larry. But we are basically left in the dark as to what he has done, if anything, to deserve it all.The film is an interesting character study, but where it really shines is in the detail of its production design. Its as if the Coens took every detail from all of their family albums or home movies and crafted a world for these characters that only someone who lived in this environment could have captured. I love No Country for Old Men, but even that film did not convince me it was happening in 1980. They did much better this time around. The son's bar mitzvah ceremony (while he was stoned) is perhaps the film's most memorable scene, and probably based on one of the most memorable events of their own lives. Overall, a very good but mysterious film. Coen fans will appreciate it a lot more than casual viewers. Don't expect to figure out the meaning of life by the time the credits roll, however. 7 of 10 stars. The Hound.