Fantastic!

A bit overrated, but still an amazing film

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

This time, it's Denholm Elliot as George Smiley, and the story is "A Murder of Quality" from 1991, also starring Glenda Jackson, Joss Ackland, Billie Whitelaw, and a 17-year-old Christian Bale.Smiley is asked by a former colleague (Jackson) to look into a strange letter sent to her by a junior master's wife at a boy's school, Carne. When Smiley calls the school, he learns that the woman has been murdered. Her husband is a suspect.Smiley travels to the school and works with the police. He discovers that plenty of people had a motive to kill this woman besides the husband - she was a blackmailer, not for money, but for the power of it. Another murder follows, and Smiley begins to put the pieces together.Very good film, with LeCarre writing the screenplay himself. Denholm Elliot does an excellent job as Smiley, quietly observant, perhaps lacking the bite of Alec Guinness, but good nonetheless. It was a delight to see Glenda Jackson - she's been out of acting for so long, it was a joy to see her and remember how fabulous she was. Christian Bale doesn't have a ton of dialogue, but he was instantly recognizable and did well. Joss Ackland has a showy part as a professor and gives a flamboyant performance.This is a depressing, moody film, quite dark, and highly recommended.

Although Denholm Elliot makes a very good George Smiley, the story in «A Murder Of Quality» is so exceedingly boring and tripe that it can hardly be seen without slumbering underway.In my viewpoint it is totally in breach with the character that George Smiley has in Tinker, Tailor, Soldier, Spy (series) and as far as I go it hardly qualifies to be listed among the stories of John Le Carré.The acting of Denholm Elliot as well as Joss Ackland is clear, good and supreme, and the direction of certain scenes - as purporting to the «silvery angel» is rather made up as a good idea, but just remains so intensly -boring- through and through, that I simply don't have another word for it.

I saw this recently and remembered how good English TV drama can be. Denholm Elliot's Smiley is so good that I didn't even feel urged to compare it with Alec Guinness'. They both took the character on so well that in each case it was a very complete performance. They both captured the deceptively calm and inoffensive persona - and the sharp biting anger that seems to come from nowhere. The story is good, the mood and supporting cast are all tops. Some of the answers to the mystery can be picked up early on but who cares? The entire production is so well crafted that it's a pleasure just watching it all roll out scene by scene.

John LeCarré has been lucky in the adaptations of some of his books on to film. 'A Murder of Quality', though quite different from 'Tinker Tailor Soldier Spy' and 'Smiley's People', not to forget 'The Spy Who Came in From the Cold', is a perfectly crafted murder mystery. Denholm Elliot's George Smiley does not try to imitate the famous portrayals by Alec Guinness but creates a similarly fascinating character out of LeCarré's most famous creation. Glenda Jackson plays his spinsterish "pal", Ailsa Brimley, a former colleague of Smiley's from The Circus during the war years. She is akin to Connie Sachs, memorably played by the great Beryl Reid in other LeCarré adaptions. Both Ailsa and Connie were in love with George and enraged at his reprobate wife, Ann. This and other LeCarré themes are used in 'A Murder of Quality' to their usual intriguing effects; the inclusion of homosexuality, misogynistic tendencies in some of the male characters and the hint of Smiley's darker, perhaps murderous past.It is good to see Joss Ackland and Thorley Walters, old hands from earlier LeCarré adaptations. There isn't a weak link in the cast. Christian Bale makes a sexually tantalizing school boy, complete with his "criminal mind" and vulnerable consciousness. Diane Fletcher, the Lady Macbeth-like Mrs Urquehard from 'House of Cards' appears here as the tough dramatic arts mistress, the archetype gorgon, hearty and heartless.Billie Whitelaw is a poignant mad-woman, Ronald Pickup a wonderfully spineless worm who lives with his "manly" sister, Fiona Walker. Matthew Scurfield is a fascinating police chief, a working grunt with many-faceted depths to his personality.The cinematography is on the dark and gloomy side, as befits the story and setting. The music is superb, another wonderfully evocative score by the late great Stanley Myers.This is now available on DVD from Acorn Media and I urge all LeCarré addicts to get it.Great television like this is extremely rare, and getting scarcer all the time.