In other words,this film is a surreal ride.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

One of the best movies of the year! Incredible from the beginning to the end.

You will think of Cyrano de Bergerac and John Alden when you view this 1945 film.Most of it is comedy and Hugh Cronyn steals the picture with his antics, especially when he pretends to be drunk.A comedy for the always dramatic Marsha Hunt is hard to envision, but she deftly handles it.Letters being written by the Cronyn character with John Carroll's pictures attached leads to a triangle when the three meet up.What makes the film a good one is that by its end, it turns very dramatic with a World War 11 death and two people realizing that they in turn were meant for each other.

Why wasn't Marsha Hunt a bigger star? What a sweetie! And what a smile! Really well written take on the mistaken identity romantic comedy. The scene with the great Spring Byington where Johnny's identity was finally revealed went from laugh out loud funny to sad and touching. And the scene with Evie on the bed weeping her confusion when she finally learns the truth was equally well done: both by script writer and Marsha Hunt. Hume Cronyn was perfect. Who would have thought the actor so often cast as a weaselly villain could be such a romantic hero? I loved the last scene where Johnny heroically tries to "Tell her what she wants to hear" ends at last with the romantic resolution. By the way, that scene at the rest home with the friend of the dead soldier added a bit of depth not usually expected in such a generally frothy romance. Another example of how well this was written and played.

Crisply paced, expertly directed, and boasting jewel-like performances by Marsha Hunt and Hume Cronyn, A Letter for Evie stands out among the wartime romances of the 1942-45 era.The plot is self-consciously breezy. A secretary for the Trojan Shirt Company, Evie O'Conner longs for romance. She places a "Dear Soldier" letter in the pocket of an extra-large shirt bound for the army training camps of Texas in the hopes that the soldier who finds it will be a strapping, heroic man. It falls into the hands of a decidedly short and bookish Private Johnnie McPherson. As they say in the business, hijinks ensue in a case of mistaken identity. But that's where the banality ends. In the guise of a light romp, Dassin explores themes of heroism, self-sacrifice, and honesty. In one plot point, Cronyn's comic turn pretending to be drunk to save Evie from the lecherous advances of his handsome army buddy is hilarious and deft. This movie is difficult to find, but fans of the genre should make the effort.

The plot is like a million others before and since, but it doesn't feel like it somehow. Perhaps it's because Marsha Hunt and Hume Cronyn are both so charming (I've never seen the often villain-ized Cronyn play a role like this before). The rest of the actors do a good job too, with John Carroll particularly well-cast. It's amusing and somewhat touching without being sappy. I wish it wasn't so seldom shown.