Strictly average movie

Instant Favorite.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

Ira Levin's 1953 novel of the same name provides the inspiration for this offbeat thriller which features an homme fatale who marries for money, is driven by an unusual obsession and kills without compunction. He's dangerous, duplicitous and driven by a lust for wealth, power and status that's so strong that it makes him deal ruthlessly with any impediments that get in his way. Because he's handsome, an inveterate schemer and also appears to be very personable, the danger he poses isn't readily apparent to other people and it's this quality that's well exploited to provide "A Kiss Before Dying" with most of its suspense.Since his early childhood, Jonathan Corliss (Matt Dillon) had been obsessed by the wealth and power of the Carlsson family who owned the local copper mining company and this triggered in him a determination to achieve the same level of success and prestige in his own life. As a student at the University of Pennsylvania, he takes his first steps to achieving his goal by dating Dorothy Carlsson (Sean Young), the blonde daughter of the company's owner. Their relationship is kept a secret from their fellow students and goes well until Dorothy tells Jonathan that she's pregnant and feels compelled to get married without delay, even though this would inevitably mean being disinherited by her very conservative father. Jonathan seems to play along with the idea of getting married when the couple go to Philadelphia City Hall but arranges to arrive when the marriage licence bureau is closed and then suggests that they pass their waiting time up on the roof of the building. It's there that he takes the opportunity to throw Dorothy off a ledge to her certain death and casually leaves the building unnoticed as a crowd gather's around his victim's blood-covered body.Dorothy's death is treated as a suicide by the authorities but her twin sister Ellen (also played by Sean Young) doesn't believe this verdict for a minute. She knows it would have been totally out of character for her sister to do such a thing and her view is reinforced by the discovery that on the day of her death, Dorothy had bought a new pair of shoes.Jonathan hitch-hikes to New York and his conversation with his driver fortuitously provides him with all the material he needs to assume a new identity when he becomes a social worker and colleague of Ellen Carlsson who he befriends and later marries. As Jay Faraday, Jonathan gradually seems to achieve what he wanted after cleverly gaining the confidence of Ellen's father, Thor Carlsson (Max von Sydow) and being appointed to a high-powered job in his company. Ellen's continued determination to discover the truth about her twin's death, however, continues to cause problems which he naturally confronts very directly.What makes Jonathan Corliss' obsession so unusual is the way in which he seems to regard the Carlssons as being synonymous with everything he craves rather than just being an example of it and it's this that makes him such a danger to that family. His obsession stems from his modest background and his childhood, during which he used to stare at the freight trains passing by his home and noticed the words "Carlsson Copper Corp" which were prominently displayed on the sides of each truck.The brooding quality that Matt Dillon shows at various junctures effectively signals the presence of his obsession and the subtle ways in which he balances his character's psychopathic and more conventional behaviours also makes his performance both strong and effective. There are also good supporting performances from Max von Sydow and Diane Ladd (as Jonathan's mother) but Sean Young's portrayal of Ellen is quite expressionless at times and for this reason fails to be convincing.The plot of the 1956 forerunner of this movie (which starred Robert Wagner and Joanne Woodward) has been tweaked to make it better attuned to its 1980s setting and is also well-served by having been injected with plenty of pace and tension. The story itself is also sufficiently different from most similar thrillers to easily sustain its audience's high level of interest from start to finish.

Totally predictable, totally unlikely, is the only way to describe this convoluted mess of a movie. Matt Dillon gets away with murder and no police are bright enough to figure out his game. I mean how exactly did he manage to hang somebody from the rafters in five minutes? How does he happen to conveniently manage to be in just the right place at just the right time?None of the characters are likable, and the whole film becomes nothing more than a "so what". This is truly a movie to avoid, because it is so insulting to the viewer. I hated everything about "A Kiss Before Dying", and do not understand how this rates a 5.3. To me it is a zero. - MERK

Why do they do it? Just because a film was made once in the fifties, someone thinks they need to remake it with today's hot stars. At least they could improve on the story.The most glaring hole in this version is the fact that the father (Max von Sydow) hired a private detective to investigate the boyfriend of his daughter, and yet he declined to investigate the boyfriend of his other daughter, both played by Sean Young, which would have exposed the plot.Matt Dillon plots to have it all and has to do some things that just stretch us beyond belief to get there. He just seems to be in the right place at the right time just once or twice too often for my tastes.I fell in love with Sean Young when she did No Way Out back in 1987. I haven't seen much of her lately and understand that she has not been doing so well. I thought she was good in this role and think that she has been unfairly criticized.Still, I believe film noir is best watched in films of the fifties and remakes just don't do it for me.

The casting in this picture was awful. The only person who could act was Max von Sidow. The rest of the cast it was painful to watch, painfully boring. The lead, Sean Young, was the worse. All the emotional range of a zombie and the intensity of drying paint. Neither she, nor anyone else, were really 'believable' as actors. It's not surprising that everyone who was in is this picture has faded off the radar. One must criticize the directing in that the director either 1) did not inspire the cast to greater effort 2) give them enough direction 3) or failed to see they were without talent. James Dearden did direct the classic 'Fatal Attraction', and co-wrote it, too. This seems to be his only real success. The major differences: he co-wrote 'Fatal Attraction', apparently writing on his own he is not very good. And, he had a much better cast.The script fails from a fairly predictable plot (predictability is not good in a murder mystery, duh) and unconvincing motivation for the killer (his daddy left him, so he kills, what, 3 people, maybe more…? How many would he have killed with bad potty training?) Matt Dillon's performance as the killer is as unconvincing as the script.