That was an excellent one.

Good concept, poorly executed.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The hammerblow of human cruelty dressed in the velvet glove of pre-war hoch-Englishness. It's distressing that terrible things happen to the pathetic yet likable protagonist Tony (James Wilby) - even more so that they are delivered in the slow drip of self-interested scheming rather than in galvanising dramatic confrontations.Actually, Wilby is one of the two weak links of this film. He's not quite got the richness or range to suggest a redemptive development to his character. He's not sympathetic enough. The other might be Sturridge's peculiar, impressionistic direction that can fail to give the story enough propulsion.What the film does have are a number of fine performances from a top-drawer supporting cast. One fears Alec Guiness may be a final-frame cameo, but his contribution is in fact at least as substantial as Brando's in Apocalypse Now. Kristin Scott Thomas is quite excellent, at once endearing and blindly self-interested. And I also liked very much Pip Torrens, a really sharp study of a new sort of British gent - modern and knowing, but no cad. 6/10

I decided to watch this purely on account of the magnificent cast, not realising it was another Evelyn Waugh adaptation. Maybe if I'd known, I wouldn't have bothered because I absolutely HATED Brideshead Revisited, also directed by Charles Sturridge. Perhaps the necessary compactness of a film adaptation compared to the lumbering drawn-out length of the Brideshead TV-series is what made it work for me.What a magnificent film this is: sensitively directed, beautifully shot and the amazing cast absolutely spot-on. The understated performances of James Wilby and Kristin Scott Thomas as the two doomed main characters are just perfect to make this strange story come to life. The stellar supporting cast all add up to a feast of fine acting.In my opinion, AN UNDERRATED MASTERPIECE.

At the end of this film, one wants to wash one's hands of the unmitigated cruelty pervading the atmosphere. The deliberate pace of the thirties setting (beautifully portrayed using the right houses, and suitable sets and costumes) ensures that every nuance of behaviour is clearly understood by the audience, and this is the great strength of the film. As I haven't read the book, but believe this is a faithful adaptation, I can commend both Charles Sturridge and the superb actors for translating what must be a difficult, but brilliant, novel by Evelyn Waugh, not only into an impressive film, but one that conveys thirties morals and social privilege in a way that rings true for today's 21st century attitudes. I think this is the best performance I have ever seen by James Wilby. Cuckolded by his wife (Kristin Scott Thomas in a fantastic debut performance), suffering from the death of his only son, he turns from a kind and gentle husband to one who wreaks revenge on his wife by cutting off all financial support. His agony over his son is exactly restrained in the manner of the period, his embarrassment over setting up the grounds for divorce by being caught in flagrante, his bewilderment when one would think he should be released from torment but is trapped by a vindictive eccentric (Alec Guinness, as usual, quite amazing) in the middle of the jungle, after nearly dying of fever, is a tour de force. This is his film, but Kristin Scott-Thomas (who was the original reason I watched this film in the first place), is simply delightful as the spoil, bored wife who can't resist Rupert Graves's boyish charm and dilettante lifestyle. No wonder Robert Altman chose her for Gosford Park; she is made for these roles. Her character's brittle insouciance, total selfishness and insensitivity, her lack of concern for her husband and son while she pursues alleviation from boredom with Rupert Graves, is reminiscent of Daisy Buchanan's behaviour in The Great Gatsby. Kristin Scott-Thomas shows a sophistication and acting aplomb which is breathtaking.Rupert Graves is convincing as the shallow man-about-town sponging off others but seducing charming to the ladies; Judi Dench gives a lovely cameo as his bourgeois mother; Cathryn Harrison is good as Millie, who is supposed to provide the evidence for the divorce; and Alec Guinness in one of his final roles, is chillingly menacing. I recommend this movie to anyone who enjoys a good story well told, excellent acting, and a period setting.

A hidden treasure in a sea of mediocre and formulaic films. The cast is excellent! Great love triangle story. Alec Guinness is wonderful. Kristin Scott-Thomas is a fox!