Undescribable Perfection

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

By the time the dramatic fireworks start popping off, each one feels earned.

Before such films as METEOR, NIGHT OF THE COMET, Armageddon, or DEEP IMPACT (though after films like DELUGE or WHEN WORLDS COLLIDE), there was the 1978 made-for-TV sci-fi/disaster movie A FIRE IN THE SKY, which depicted a collision between our planet and an interstellar visitor, specifically a meteor, an asteroid, or a comet.In the case of A FIRE IN THE SKY, it's a comet that is not only pinpointed at Earth, but at one specific target: Phoenix, Arizona. And there's only one sharp-eyed astronomer (Richard Crenna) who believes and realizes that fact, while everyone else refuses to believe, or wants to cover it up. Of course, this latter plot line is a common one among most disaster films, whether for the big screen or the small screen: a sort of post-Watergate "Enemy Of The People" situation, one far different from the situations seen in METEOR or DEEP IMPACT, where joint operations to stop these potentially cataclysmic deep-space visitors are put into effect.At the same time, however, A FIRE IN THE SKY, for all the flaws it shares with a lot of other disaster films made for the small screen, including some ripe overacting and dialogue that is a little bit too unintentionally humorous at times (even though the screenplay is based on a story by Paul Gallico, whose 1969 novel "The Poseidon Adventure" provided the basis for the classic 1972 disaster film of the same name), is boosted by some really effective matte work and special visual effects that one would not have ordinarily found in a made-for-TV film of the late 1970s. And it may as well be said that the director, Jerry Jameson, was known for being a specialist in this genre, with films like 1974's HURRICANE and TERROR ON THE 40TH FLOOR, as well as (for the big screen) 1977's AIRPORT '77.Crenna, always a very underrated actor (he may be most remembered for being Sylvester Stallone's commanding officer in the "Rambo" films, though he also starred with Steve McQueen in Robert Wise's 1966 classic THE SAND PEBBLES), gives a fairly good performance even with the sometimes dodgy dialogue; and the cast includes Elizabeth Ashley, Merlin Olsen, Lloyd Bochner, Kip Niven, and John Larch (who played the mayor of San Francisco in the original DIRTY HARRY back in 1971). The scenes of destruction and the cometary impact on Phoenix, while they may not match what was seen in DEEP IMPACT, are sufficiently spectacular to overcome the bumps and grinds of the screenplay, which merits my giving A FIRE IN THE SKY a solid rating of seven out of 10.

What are the odds of a comet traveling millions of miles through space making a direct hit on Phoenix Arizona? Merlin Olson saves the day by hiding out in a sleeping bag! I first watched this movie when I was about 8 or 9 years old. I learned to never leave home without a sleeping bag.Campy and a bit sleepy. Classic 70's doomsday appeal.Overall good acting and a healthy number of Hollywood stars.Special effects were decent for a made for TV movie and to some extent holds up today.I highly recommend this movie, good 70's film.

A long forgotten about classic disaster movie, this one was certainly far superior to bigger budget, moronic trash like "Armageddon". Scientists discover a large comet is heading towards a possible collision with earth, while many believe it will ultimately miss or burn up hitting the atmosphere, two astronomers are convinced its going to hit just outside Phoenix Arizona, and with the help of a news station owner try to warn a skeptical public. If you watch this movie expecting spectacular effects like "Deep Impact" you'll be disappointed, although the special effects it does have are very good for its time, they are not really this movie's highlight. But what this movie does do exceptionally well is explore the kind reaction one would expect from the public and officials to the prospect of such a bizarre, massive and seemingly unlikely disaster, which is total disbelief and denial. Then panic and chaos sets in as they realize that not only is the destruction of Phoenix inevitable, but they may have waited too long to evacuate everyone. The final 30 minutes or so are particularly effective, even grim at times as evacuation crews and the military run out of time and are themselves ordered to leave, with one peering down from a helicopter at thousands trapped on a jammed highway saying "These people are on their own". Performances range from effective to rather weak, the late Richard Crenna is pretty good as astronomer Voight whom desperately pounds-podiums left and right trying to get people to listen to him, and delivers some of the more memorable one liners, such as "You can't miss us, there's a big white arrow pointing right down at us!" 7 out of 10, perhaps a bit too long and not for everyone, but a personal favorite and worth a look if you can find it.

Hilarious attempt at a small-screen version of a big-screen disaster film, complete with ersatz astronomy, the impassioned pleas of the ignored and scoffed-at scientist, and mandatory death and scale-model destruction scenes. The hysterical nurse who rushes from the subterranean shelter only to be ripped from life by the wake of the comet impact scene is a definite must.Look for the definitive sequence of astronomical photographic plates that feature a parade 'o planets with the coment growing ominously bigger and closer in each shot.Crenna's ending smokin'-peyote-with-the-Pima-Indians as we watch the comet streak toward its mark is also "to die for."Scale modelers, arise against abuse by bad made-for-TV movies! Let's give it three meteors out of ten.