Fantastic!

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The movie really just wants to entertain people.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Could have been five, but missed a few details. First, the title doesn't describe the essence of the story. Second, the cover doesn't covey it either. OK, picky points over. Third, the ending (some directors are prone to this cutesy & nebulous non-creative trick) leaves the viewer hanging, e.g. wasn't clear who was on the phone. Fourth, we didn't get enough of the background of Mary's character and what sent her to jail. One of the central themes is the transformation of Mary which for some viewers to understand requires more background. The disfigurement of a person is not a trivial matter to not address. Won some awards at an Irish film festival.

A Date for Mad Mary (2016) is an Irish film co-written and directed by Darren Thornton.The movie stars Seána Kerslake as Mary. Mary is a young woman who, as far as I can tell, has no redeeming virtues. As the movie opens, she's being released from prison, after serving for six months. (We learn slightly later that she has committed a violent crime, and her victim now has a large scar on her face.)Mary doesn't have any true friends. Her "best friend" is getting married, and Mary is maid of honor. However, the friend is late when she comes to get Mary at the prison gates. It becomes clear that the friend is distancing herself from Mary.The plot, such as it was, involves Mary having to find a date for the wedding. That plot straggles along, but never comes to much. Part of the reason I disliked the film was that at times the actors switched into what I would call an Irish patois, which I couldn't understand. At other times, their speech was perfectly intelligible, so I'm not sure what to make of that.There are two stereotyped characters in supporting roles. Mary's mother appears decent enough. The mother likes to date younger men. It doesn't seem like a serious flaw to me, although Mary thinks it's terrible. The older grandmother sits in a chair and sends out zingers. Not much there, either.We saw this movie at Rochester's excellent Little Theatre, as part of the wonderful ImageOut, the Rochester LGBT Film Festival. It will work well on the small screen.The chair of the film selection committee told me he loved this movie. It has a respectable IMDb rating of 7.2. This means that my review is a minority report. However, there's no point in reviewing films if you just follow the crowd. These are my thoughts about the movie. I can't recommend it.

The story to some extent is as simple as someone coming out of jail and finding out her friends have moved on and developed without her and her coming to terms with that.The search for a date is simply a way of showing her alienation and her fear of making new connections when her old ones lie broken. The acting is low key and first rate.Thoroughly enjoyed this movie, but in a melancholy way.

A film that is original, topical and profound all at the same time! Modern cinema is typified by having a multiplicity of story-lines and an equal diversity of often unintelligible accents. Not so this production! The viewer is taken gradually into the inner workings of several characters by a director who knows how to tell a story with total clarity.The acting is so exceptional and the cinematography so unobtrusive that I found myself totally engrossed in the reality on screen. Having worked with people not unlike "mad Mary" I found the portrayal remarkably accurate and touching. There is a great balance of sensitivity and humour. Although the story is based in Ireland, this is a tale that will strike chords around the world. This is a very special piece of cinema.