Yawn. Poorly Filmed Snooze Fest.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Story: It's very simple but honestly that is fine.

What drew me into seeing 'The Good, The Bad and the Dead' in the first place? The reasonably likeable cast, a potentially intriguing story and that it was part of my low budget completest quest and popped up in my recommended for you section. Was also a bit apprehensive, with a less than favourable rating and generally reviews that were lukewarm at best and most being very negative.'The Good, The Bad and the Dead', when checking it out, certainly could have been much worse. There are definitely worse films about, of the genre and overall. Is it a good film let alone a great one? Not even close. Did it use its potential? No. Is it that bad? Not quite. Does it has redeeming qualities? Yes, but not many. To me, while having learnt not to trust ratings and not worry about going against the grain (though am in the minority here who respects critics opinions and tend to be on the same, or slightly above or below, page as them), the rating is about right and do have to agree with the criticisms here. This is coming from someone who did want to sort of like it.Johnny Messner and Dolph Lundgren fare quite well and give charisma and engagement. Messner gives the better performance of the two and by far and large the best thing about 'The Good, The Bad and the Dead'.Some of the story intrigued, with a very promising beginning, and the music while not the most memorable is at least listenable. Unfortunately, Danny Trejo cannot save it in a role that should have been perfect for him and over-compensates from start to finish of his screen time. Natassia Malfe is just weird and not in a good way. None of the characters are developed enough and are very difficult to get behind, in a film with far too many and some not necessary to the story. 'The Good, The Bad and The Dead' looks cheap, especially the badly organised and sometimes incomprehensible editing. The action is both dull and chaotic, there is nothing exciting and it's choreographed with no enthusiasm or finesse.The script is too talky and has no tautness, the pace is flabby and the story gets far too complicated, again from trying to do too much, with any twist attempts being extremely predictable. The direction seemed indicative of lack of experience or ease.Overall, not horrendous but severely lacking in many areas. 3/10 Bethany Cox

I really wanted this movie to be good. Dolph Lundgren, Danny Trejo, Vivaca Fox, and such a promising beginning. Unfortunately like a lot of the people who have already reviewed this movie has said, it got bad and kept getting worse. I had to bail about halfway through because there was no way I was going to be able to continue to subject myself to this movie.

"Decommissioned" director Timothy Woodward Jr. and scenarist Sean Ryan have scored another winner with "4Got10," a contemporary crime thriller involving the DEA, the Mexican Cartel, and a corrupt county sheriff. Woodward Jr. and Ryan field a greater than usual number of characters and explore them in vignettes that eventually end up tied neatly together. Typically, too many characters can slow down a movie as well as clutter up an action opus. Instead, the surplus of characters in this movie keeps you guessing about who they really are and what they will accomplish. "4Got10" surpasses the usual B-movie, and the cast is superb. This multi-faceted story unfolds with a scene straight out of "No Country for Old Men" with some variations. We have a mystery man, Brian Barnes (Johnny Messner of "Decommissioned"), who awakens to find himself at the scene of a bloody massacre at a rendezvous among drug-traffickers. We have corrupt Sheriff Olsen (Michael Pare of "Streets of Fire") who decides to shoot his faithful partner, Samuel Perez (Michael John Long of "Weaponized," but who turns out to be the son of notorious drug czar Mateo Perez (Danny Trejo of "Heat") who wants his money back. Imagine Mateo's surprise when he discovers that his son was a cop hiding under an alias! Basically, everybody that you think is dirty turns out to be clean. Woodward Jr. stages some skillful shoots and deploy optical effects to make the guns appear more intimidating. The final shootout between Mateo and Olsen is something to see. The two guys are essentially sitting down and shooting at each other from no more than five feet away. Pare makes a great villain, and Dolph Lundgren's DEA Agent is somebody to see in action. Dolph sports glasses and appears very bureaucratic. "4Got10" isn't to be missed if you like fast action and provocative reversals.

Another day and another low budget, straight to Pay TV, sub Tarantino action thriller with B movie actors.Johnny Messner is Brian Barnes who comes around suffering a bullet wound, surrounded by dead bodies and dynamic titles telling you who all the main characters are.Brian is a bad boy who has managed to get out alive but he needs to piece back his life together because he really had forgotten who he is and how he got into this mess.Dolph Lundgren is the smart law agent who is investigating the killings. Micheal Pare is the crooked sheriff who has found a case full of money and is tempted to take it all. Danny Trejo is the ruthless crime lord who has lost a shed load of money and is looking to get it. Worse still his son bizarrely ran away to become a policeman and he was also killed in the incident. Trejo wants his son's death avenged.Conveniently the various plot strands come together for contrived shoot outs as the bad guys drop one by one. Brian gets his memories back piecemeal and completes the jigsaw and Lundgren tries to stay one step ahead. The audience will have got a better grasp of where it's all heading in this poorly written film.The film wants to be a hip smart thriller but the plotting is just too convenient. Having Vivicia Fox along with Trejo just reminds us too much of better Tarantino/Robert Rodriguez films.