Am I Missing Something?

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Fabulously edited together from dramatised story "highlights" and direct-to-camera "debfriefings" played by actors, 44Mins(2003) is a very effective retelling of this infamous robbery.The chief protagonist is Frank McGregor(Michael Madsen), the filmic representation of the actual LAPD Robbery and Homicide Division(RHD) detective who led the real 1995 task force for the so-called High Incident Bandits. The real bandits first became known to police during their anomalous career of deadly high-powered bank-and-armored-car robberies during 1993; by 2nd May 1996 they netted $2mill in one bankjob alone, and disappeared to waste their fortune.Michael Mann's Heat(1995) was based on this same crime gang, as is the opening prologue of the new Batman--Dark Knight(2008). At the time, the LAPD thought the gang had 6 members; by 1997 there were only 2 left. Obviously these two wound down to few friends or safe-houses, or goals other than fantasizing about Corvettes, Mustangs and "Mexican b!tches". The other driver of this true story is a young SWAT Team leader, "Donnie" Anderson (Ron Livingston, "Sex and the City" favorite and older brother of actor John Livingston). Curiously, the characters are are only referred to by their first names in this docudrama, so the "Donnie" character is composited as one of the three SWAT officers who finally brought down the second gunman.The beauty of 44Mins's storytelling is its emphasis on how people, even the LAPD, rise to the occasion during extraordinary events. It really is an ennobling tale.This one day, the 28th February 1997, has gone down in the annals of Hollywood history for its real-life police heroism, in ways that no Batman movie can equal. Despite frequent high profile accusations of racism (eg the Rodney King bashing in part due to police overreactions to LA violence during the early 1990s), some actual LAPD bravery trumped the criminal assault on them that day.Incredibly, the real HIB criminals were jailed years before over AK47 possession, but were (almost certainly corruptly) allowed to keep their rifles and sell them to pay for their legal costs! Another gun-related incident that outraged the real LAPD was the easy availability at the time of assault rifles through gun shops--let alone bullets at K-Mart.There are NO DEER in Los Angeles. Even Al-Qaeda only use jet fuel and possibly dirty nukes; so if we can't trust the LAPD with 9mm Barettas, why should we have to "wrest" AK47s from Chuck Heston's "cold, dead hands"?Indeed, watching the real events recreated, the scene of ignorant Laurel Canyon drivers actually driving up to and around the getaway car still looks heartstopping. "It was a SERIES of miracles that no civilians or police were actually killed", observed one of the policemen on the day.Eagle-eyed viewers will catch in Donnie's on screen family photos the actual much older Don Anderson being awarded the Medal of Valour in 1997, who has since died at age 62 in his squad-car, still training young LAPD officers. Much of the credit for 44Minutes' achievement has to go to the Casting Directors (Kim Williams of Reuben Cannon &Associates) and the Director/Co-Producer of this high quality made-for-TV docudrama, Canadian Yves Simoneau("The 4400" (pilot), Void Moon(2009)). These people have put together not only an enormously credible team of actors who each have the requisite gravitas, but this police procedural's tone of cinema vérité is always sensitive, and frank. Simoneau pulls few punches with some minimal human gore: his caked-on blood realism, for instance, is incredibly effective, as the police finally peel off one gunman's blood-soaked mask sticking to his lips and eyes. The bloodied eye and mashed face look far more satisfying--and authentic--than Two-Face's CGI hatchet-job in the new Batman(2008).Very subtly, Simoneau also reveals the shallowness of the LA civilians who quickly flooded the LAPD with gifts, cakes and "I (heart) LAPD" signs the day after the shootout, when just days before they'd been completely hostile. Granted, Simoneau might deny any intention to achieve this, but the juxtaposition is obvious to anyone who knows how fickle LA is.Simoneau's cast is faultless; I can well accept Office Space(1999) "slacker" Ron Livingston as a SWAT team leader, Michael Madsen(Kill Bills 1&2, L.A.P.D.: To Protect and to Serve(2001)) as the seasoned lead detective, and even Col.Dale Dye(Ret.) as the SWAT Chief. But the film also boasts a most impressive Latino actor, Jullian Dulce Vida, as the Assistant Manager of the Bank of America branch. Dulce Vida capably repeats the real man's personal heroism in the face of terrifying assault, as he saves the lives of all the civilians within the bank, including that of his somewhat haughty Anglo boss. The boss is forgettable; Dulce Vida is a standout. His pitch-perfect characterisation has him frequently looking askance at his largely useless boss, a sign of the actor's wonderful commitment. Just excellent casting by the director.This un-hyped but shocking story plays like the 9/11 collapse footage shot in situ by the French Naudet brothers. Simoneau's dramatisation depicts similar professionals on the job so that there is only hindsight "distance" for the viewer between watching 44Minutes, and having survived it.Brilliant.10/10.

Yeah, Madsen's character - whilst talking to the woman from the TV station - is right: the LAPD IS a corrupt, violent and racist police. And this movie changes nothing about it. Okay, here are the good cops, the moral cops, even a black one, whow, a Christian, a martyr. But this is a fairy tale, admit it. Reality is not like that. And most important for the action fans: The shoot out is boring. It's just shooting and shooting and shooting. Nothing more. Play Counter Strike, then you will at least have something to do. The only moral of this film is: The LAPD is good now. No more bad cops in it. If you like uncritical, euphemistic commercials for police and military service, watch this movie. It's the longest commercial I've ever seen. (2 Points for camera and editing).

i reserve 10s for movies with a message but 44 minutes is more story than message. pit a hand full of street cops with six shooters against two professional hoods with enough arms to supply the us army. up the ante with hostages held in a bank vault. leave the well-trained swat team waylaid in LA area traffic and you have a shoot out and tense moments that rival any tales the wild west could have ever imagined.many commentators didn't like the evangelical Christian in uniform. too pat, too much good guy bad guy, so they said. frankly Christianity does seem to catch on in police departments and in the military; surprisingly hazardous life and death occupations lend themselves to bible reading; on the other hand, in normal circumstances, bank robbers generally don't carry bibles. i wonder why.watch the flick. you won't be able to turn it off.

Rented the DVD and enjoyed it immensely. The story is well told and scripted. This is by far the best police drama/action movie of the year. Unbelievable how this was released directly to DVD, while garbage like SWAT received millions of revenue during a major theater release. The only thing this movie lacks is star power. Everything else is good. I vaguely remembered reading about the true story the movie is based on, but although I knew the result (the movie is true to the facts) I was highly entertained and excited watching this flick at home. Dear studio bosses: fire whoever made SWAT and get Simoneau for your next police drama.