This Movie Can Only Be Described With One Word.

I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.

Watch something else. There are very few redeeming qualities to this film.

It’s sentimental, ridiculously long and only occasionally funny

Remember when on rabbi-ear TV it showed TV movies? I think "10.5: Apocalypse" was the last ones to show on network TV & there's a good reason why. (Only those Hallmark-type TV movies seem to appear these days.) 1st of all, where do I start w/ what sucks about "10.5: Apocalypse"? Is it having a trombonist as a cameraman? Has-been actors Kim Delaney or Dean Cain being the most recognizable in the cast? ("NYPD Blue" & "Lois & Clark" seem to be the zeniths in their respective careers.) Is it the fact that an earthquake moves like Bugs Bunny stopping & making a left turn around the nuclear power plant & is depicted as an actual lava chasm that gets more powerful as the Richter scale increases? Or is it the tiresome depiction of disaster film characters, from the determined band of survivors who get picked off 1-by-1 when necessary w/ the tiresome backstories & subplots that are meant for you 2 give a damn about 'em or the government officials, from the fearless leaders like Delaney or the guy who plays her dad, Frank Langella, while the others, including the President himself, are in DC fretting & arguing about how to stop the calamity? "Dammit, that's impossible! We don't got the time!" If I may, I assume they got the money to deploy government or military personnel to stop said calamity since in reality nobody has such a budget, bull or bear market. Let's see. I must start w/ the cinematography, & then special effects, than characters & plot. 1st off, the back-&-forth filming of "10.5: Apocalypse" is just godawful, plane & simple. I actually was getting nauseous watching every damn scene zoomed in & out, even during scenes of heavy dialogue like among the government workers. This may be okay for a 8-year-old excited to play w/ a camcorder or an 18-year-old making a silly monster movie w/ a 18-year-old's budget & properties. But it's grossly unprofessional to do so in a TV movie, notably w/ multiple cameras. I'm a fan of bad movies, but I don't remember any other movie I've seen in Spanish or any film on "Mystery Science Theater 3000" that had such a sickening feature like the gratuitous zoomin'. If Razzies could be awarded for other categories, I'd give 1 to "Girl In Gold Boots" for Editing, "Hamlet" (the MSTied one) for Art Direction, & "10.5: Apocalypse" for Cinematography. "Manos: the Hands of Fate" should be lucky to be nominated; overzooming is much much worse than having just a 16mm Bell & Howell that films only 32 seconds. What's next? CGI. The special effects were the best, or I should say the most tolerable part of the movie. For a film made in the '00s, CGI's the way to go. But it is a TV movie, so it's nothing like "Lord of the Rings." The plot, lackluster as it is, is quite familiar when it comes to disaster flicks. Some natural disaster or a combination of 'em, like earthquakes in Vegas & the Great Plains or volcanoes in the northwest, threaten to extinguish humanity or something like that, w/ great disregard for basic science. (People dying quickly in a volcanic eruption is a proved fact, though; been like that from Pompeii to Indonesia.) I don't see the big deal out of this. Regardless of deaths on a genocidal scale, seeing new straits & channels carve up California & North America's kinda cool. New maps, yay! I'm a map geek. I'd be interested to see how the newly changed geography changes transportation, economics & politics. Just look at the lighter side of things, a la "This Is the End". Why so serious? Thus bringing me to the characters. While I still know about 5 years worth of Spanish, the acting was rather identical to the over-acting on telenovelas to tell me that these guys were playing it straight like the director's basic instructions was "Think of 9/11! Action!" My apologies, but seeing the President & his crew act like they're learning about New Orleans, Haiti or the 2 tsunamis over the past decade while watching a new map of the US be made is just freakin' ludicrous (although the trombone-cam wasn't just crazier but very distracting). & I may not be keen on politics, but why must we also believe that the President & other government agencies such as FEMA got the whole thing covered? (Take note this was made around the time Katrina did New Orleans; either the producers weren't aware or ignored FEMA's bad publicity.) & when we're not watching President Beau Bridges look sad or frustrated regularly, we must watch the determined band of survivors in Las Vegas. This was pretty much "The Poseidon Adventure" stage of "10.5: Apocalypse." When Vegas sinks, we should have learned enough about these guys to cheer them on as they seek out safety (or cheer after one dies after making bets as to who'd be killed 1st). In conclusion, "10.5: Apocalypse," compared to "The Poseidon Adventure" or "Independence Day" before, or "2012" or "Pacific Rim" afterwards, is very amateurish & is the archetype of TV-movies about disasters that's only seen on Syfy or Unimas. & again, boo to the trombonist director.

....is the last line that Dr Earl Hill/Frank Langella utters in this saga. And therein lies the best way to sum up this telemovie that is catastrophic, but for all the wrong reasons.Pity he didn't pay more attention to it when he read this thing & agreed to do it!Apparently, more lines are required to make this review valid! Really? What else is there to say? Not bad enough to be "so bad, it's good". Every clichéd piece of dialogue that has ever graced a bad telemovie, gathered together & trotted out one after the other. Is that enough now??!!!

I must say that I should not be wasting time giving a review on this piece of drivel but I am compelled to! First of all, the acting was second-rate, the direction was like watching someone with a case of jitters who never used a tripod or similar device to hold the thing still! I never felt so annoyed since watching Blair Witch (not to mention that fight scene in Bourne Ultimatum - Paul Greengrass' annoyingly hand-held direction!).And at the end the ludicrous scene where everyone broke down and cried at once, even Mr President (Beau Bridges) ... I mean how undignified was that?!

Pity I came into it a little after 9:00 p.m. I got involved in this sequel very quickly.The characters made me forget the science gaffes; they're right up there with 1970's Earthquake as I care for all of them. A better movie this go around. Character types more broader in terms of physical appearance--and personal conflict pushed miles away. And thank God there's more than one character possessing sense! There's 2 wonderful African-American ladies respectively working with the military and a disaster committee in continual touch with the president. Beau Bridges is back as the president and with a few tweaks to the script, his president doesn't have to ride solely on his acting. He seemed like he was straining to appear real in the 1st 10.5--not here. Human drama is beautifully underplayed. No whining couples failing getting it together until the last half our of movie. Especially wish Langella had been in the original; he gives the film a dash pizazz the first seriously lacked.Not to say this movie is without flaws. We have the EMT person working to save his wife--What chance in blue blazes that would happen unless one's just ready to leave for work? The sudden fast camera break-aways and good ol' 10.5 jiggly cam; but both are mild compared to good ol' Cloverfield. The technical element that's really bad is the Nuclear plant--couldn't they have built a scale down model instead of the computer generated crap? Alright last one's nitpicking and again like the camera pans and jiggly-wiggles are comparatively mild. Sad I missed the beginning hanging around to see the end.