The greatest movie ever made..!

n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Your blood may run cold, but you now find yourself pinioned to the story.

One of the best movies of the year! Incredible from the beginning to the end.

....and GOD CREATED WOMAN is a very frivolous drama, through which permeates a fresh erotic and tragic story of young people. An eighteen-year orphan girl is the object of desire of many men in a small fishing town. Her provocative behavior is scandalous for most citizens. However, the real problems arise when she marries a naive young man who is crazy about her...It is a very interesting conflict between a frivolous dialogue and tragic story in this film. Scenery is full of "freshness" considering the sun, the sea, the heat and a naked girl, but atmosphere is gloomy and depressing. Mr. Vadim has made a film in which the protagonists are in a kind of conflict with themselves, among themselves and with nature. As a result of that appears a wild and irrational girl that breaks certain social taboos.Brigitte Bardot as Juliette Hardy is somehow amoral girl. „She is brave enough to do what she wants when she wants." I think everyone will enjoy her nakedness. Bardot moves herself in a fashion that fully accentuates her charms. However, those who have enjoyed her acting are probably rare. A young, beautiful and pretty actress has become a sex symbol.Curd Jürgens as Éric Carradin is an old businessman and cunning fox, who is experienced enough to not put his life into the hands of one wild girl. Jean-Louis Trintignant as Michel Tardieu is Juliette's husband. He was deeply depressed and fascinated with his playful wife at the same time. Christian Marquand as Antoine Tardieus is an older brother and a real playboy in a small town. His guilt was so ironic.This is a circus of the film, but I enjoyed the beautiful images of St. Tropez and the lovely Brigitte.

The much-touted BB is on display here for all to see and admire. But frankly, she looks more provocative in the stills and posters outside the cinema than she does in the movie itself. It's an uninspired little quadrangle tale in which a boring lot of unsympathetic characters posture pathetically against authentic St Tropez backgrounds. In the course of over ninety minutes, nothing much of interest happens. It's one of these stories in which a lot of detailed groundwork is constantly being laid to give the audience the impression that something dramatically involving is just about to happen — but it never does. The businessman's efforts to acquire waterfront land suddenly bear fruit halfway through by a simple stratagem (and why is the anchorage allegedly worth millions anyway?) and how come the Morins who are painted as villainous "step-parents" at the beginning and from whom we expect some dazzling opposition to BB's plans, supportively change color without any explanation? Even the long-awaited climax in which one of the leading characters gets shot proves an absolute fizzer.

Miss Bardot plays the role of innocent waif with a certain--well, innocence, that few modern actresses could pull off so well. Come to think of it, few actresses of any age could pull off. It is not just innocence, it is playful innocence. And at age 21 or 22 when she made this, Miss Bardot was young and innocent and playful.She, of course, marries the wrong brother to spite the one who actually wants her; she falls for the older man (played by Curt Jurgens) who wants to buy land for a casino in St. Tropez, but disguises his intention by pretending to build yet another ship building company. And this older man, who seems to want nothing more than to have her for a play-pal, ends up being structural to her life with her husband.She cheats on husband, unexpected denouement of reinforced love, of re-committed love, of under-appreciated love for that husband.I didn't find the movie shallow, trite, or obvious. And by the standards of 1956--even by those standards it was fairly tame for anyone who was used to visiting nudist camps. "Playboy" had just made an appearance about two years previous, and even by that standard, it was tame. It was a time before people confused sex with porn. The Legion of Decency condemned the film for the nudity, but certainly by modern standards, it is hardly shocking. (Shocking that there was a time that the Legion of Decency even existed, much less listened to.)

"And God Created Woman," the movie that proved that men would see subtitled films if Brigitte Bardot was the star, is far from being a masterpiece, but it worked as cheap entertainment in the '50s, and still does today. Bardot's charms are on full display here: pouty mouth, tiny waist, and the "feet of a queen" despite her walking around barefoot all the time.The plot is pretty standard-issue for a tawdry little melodrama. Juliette (Bardot) is an oversexed foster child in St-Tropez, flirting with a suave millionaire (Curd Jürgens) and yearning for handsome local-boy-made-good Antoine (Christian Marquand), who rejects her. In order to avoid being sent back to the orphanage, she marries Antoine's shy younger brother Michel (Jean-Louis Trintignant), and events proceed from there without many surprises.The sexual and racial politics of the movie are terribly retrograde: Juliette's dancing to African mambo music signifies her descent into depravity, and the movie suggests that Michel needs to learn to "control" his wayward wife. The first half of the movie makes some efforts to establish Juliette as a sympathetic character--she loves music and animals, she won't deal with people who dislike her--but by the end, she is demonized as a woman who will drive men to their doom.Bardot is charismatic and has at least one terrific scene where she defies her husband's family, but the other actors don't do much with their roles. The lovely cinematography captures St-Tropez before it became a fashionable resort, and the oh-so-'50s jazz soundtrack is fun. Moreover, despite the plot's datedness and predictability, it's enjoyable to spend 90 minutes with an audacious melodrama, and to see why it caused such a fuss 50 years ago.