In truth, there is barely enough story here to make a film.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It’s sentimental, ridiculously long and only occasionally funny

Sketch comedy as performed by W.& O. (or any female duo) will inevitably invite comparison with French and Saunders who set a particularly high bar for both sexes in the eighties. I am not starved for an understanding of UK comedy as I grew up on DNAYS, Python, M&W, Ronnies, Perrin, Fawlty et al, through Comic Strip, Young Ones, F&S, Blackadder to Spaced, Ted, Office and Black Books. In the US, sketch comedy is pretty much relegated to SNL, Kids TV or Animation so both seasons of W.& O. were really refreshing.My entire family and I have really enjoyed this show having just caught the first season by chance and watched in its entirety one evening. Steeped in the traditions of the seventies, it lifted our spirits and genuinely made us laugh. Some gags occasionally missed their mark but everything was solid and well written and carried by a sense of conviction from both comedians and cast. The second season we watched weekly and it retained the high-standard of tightly written sketches and seemed more polished. Should they not get renewed for a third season I believe we will see more of them as they have considerable acting abilities.Give it a go!

I was really embarrassed as I watched Watson & Oliver trying very hard to be funny. The whole show was very old hat and second rate. It had all been done better and funnier years ago. I painfully watched the first episode and some of the others before giving up. Any so called comedian can trawl the archives and steal sketches, change them slightly and have the cheek to say it is new. Unfortunately it is happening all the time, there are a lot of deceased writers and comedians having their work copied by unfunny charlatans.Who at the BBC commissioned this dire stuff. Watson & Oliver conned this overpaid not very bright commissioning editor and his bosses. The whole lot should be fired along with Watson & Oliver.

If Watson and Oliver want to be the new French and Saunders they've failed. They're more like the new Horne and Corden. Yes it really is that bad.The problem is one that seems to exist in most modern British comedy series, especially on the BBC. There's a belief that silly voices, wigs, repetitive catch phrases and absurdity is inherently funny. It's not.There is no subtlety in the writing or the performances. People deliberately being inept or stupid isn't funny. People with delusions of grandeur who fail are more likely to be. Watson and Oliver feels like watching kids playing dress up. It's not a performance, it's just showing off.It's a pity because there isn't enough female comedy on TV. Watson is a good presenter and Oliver is a decent actress but they're not a comedy double act that anyone is going to warm to. They're too much like Hazell and Pepperdine when they should be Morecambe and Wise.

I just started watching this on BBC2 and I can't watch any more. I really can't. It's so pathetic and annoyingly unfunny. Watson and Oliver are the BBC's latest comedy 'find' and I wish they'd left them where they found them. This is so derivative it's embarrassing. It's like they watched the last series of French and Saunders (the totally shameless, doing-it-for-the-money, unfunny one where Dawn and Jennifer were both past it) and decided to copy it lock, stock and barrel. Throw in a bit of Catherine Tate, some Julie Walters (Ms Walters please sue) and copious amounts of truly irritating canned laughter and - hey presto - a crap series by two Z grade comedians.What's on? Watson and Oliver. My advice is to switch off.