Plenty to Like, Plenty to Dislike

Excellent, Without a doubt!!

After playing with our expectations, this turns out to be a very different sort of film.

While it doesn't offer any answers, it both thrills and makes you think.

I started watching this series with the apprehension that they may focus too much on happened to Native Americans and portray them solely as innocent victims and portray all whites as evil perpetrators, but I was pleasantly surprised to find a pretty good balance. Yes, whites did do some terrible things to innocent people, but the native tribes also did terrible things to each other. This allowed me to enjoy the series, that is, until the last third. At that point, it seems 80% of the focus was on Native Americans and their plight, and many of the commentators became annoying by trying to wax too poetically in their analyses. It's a shame because some parts, especially the part about the building of the Transcontinental Railroad (episode 5) was very good.

This series could have been so much more. Instead it seemed like they focused on the same story line (strife between settlers and native Americans) and drug it out for 9 episodes. Sure that deserves a lot of attention, but I found events and story lines I was hoping for missing completely. Where was the 'Wild West?' The gunslingers, the train robbers? So many criminals not even mentioned. Butch Cassidey, Sundance Kid, Jesse James, Doc Holiday. That list could go on forever. Also the only focused on two Indians: Sitting Bull and Chief Joseph. How about Geronimo? Crazy Horse gets barely a mention. So many events just glossed over and the viewer is left with mostly boring stories. Donner party barely gets a mention also. Oil is never even mentioned!I lost all interest after the railroad episode. Love letters? Mormons? I kept holding out for stories I wanted to hear about but soon realized we were into the 1880's and they passed over most of what I wanted to hear.

This documentary directed by Steven Ives (not Ken Burns, as several of the reviews in this thread inaccurately state) is a sweeping epic that showcases the salient moments in the settlement of the American West. Using historical documents, academic narratives, scenes of stunning natural beauty, and original photos and documents, "The West" is a gripping and historically accurate overview of this great (and, at times, terrible) period in American history.The reviews that complain that this series is somehow anti-American suffer from two flaws. The first is selection bias. Parts of "The West" feature cruelty and brutality, usually at the hands of white settlers. But to focus on this as the only distinguishing feature of the film ignores the numerous instances in which white people--e.g., Sam Houston, Brigham Young, Joseph Meek, just to take a few--are portrayed quite deservingly as heroes. Nor are all Native Americans portrayed in a positive light; the film also makes the point that the Lakota Sioux's claims to the Black Hills territory as their ancestral lands are somewhat ironic because the Lakota conquered the Kiowa and other tribes, driving them out of that area in conquests very similar to the Americans' accession of the West.The second error is simple oversensitivity. The history of the West is both a great and terrible story. It's great because it epitomizes the expansive American spirit that binds us together as a nation. It's terrible because in acquiring the West, we (Americans, that is) more or less decimated an entire people. I think those who refer to this process as genocidal are wrong, but not by much. The history of the West is thus not a story of good or evil, but a story of both, and the film "The West" shows this dialectic unflinchingly. If you have too delicate a constitution to accept that brutality and suffering are the flip side of manifest destiny's glory, you should not watch this documentary. "The West" does not seek to spare anyone's feelings, but rather only to tell the truth about this period in all its great and awful reality.

In response to the ludicrous comments of the aforegoing jingoistic 'type': The writers of The West must have had more than a few facets of their mammoth piece right in order to elicit such a typically moronic right-wing-styled response in its appeal to nationalistic myth, grand-narrative delusion and brazen stereotype positing. Not to mention - the ironic circumstance of contending that 'we' as the Caucasiatic race are being slighted in some way, in order to showcase the romanticised moanings of other races. The series does no such thing... in fact it habitually (and necessarily) DOES turn about much of the essential Ameri-myths of Frontier and Manifest Destiny (and sundry others), which have been/are so central to your much lauded and generalised "natioanl consciousness". The series, in the main, does NOT disparage these! - nor is there essentially any need to - since they're not altogether bad, of course.So, once you're finished waving your flag about, and - somewhat ironically - prattling on about the reductive "black and white", perhaps consider that an expansive narrative like The West MUST contain motifs and themes... it cannot present a comprehensive or 'complete' history (there is no such thing)... and is perfectly entitled to present perspectives that don't accord with someone-or-other's ideal of a 'balanced' account. 'Balance' is NO objective reality, and shouldn't be thought of as 'existing' as a universal truth awaiting insertion into subjectively-conceived narratives - not even quality history docos such as The West. As far as I could ascertain, The West does NOT prefigure or predetermine to depict white settlement as inherently disastrous in any event. It is celebrated as much or as far its nasty consequences are elucidated. And, the perspectives of native peoples OUGHT factor decisively anyway - it is no narrative flaw of The West to present this perspective... especially when facts abound to corroborate.Also, to the aforementioned 'patriot' who seems fond of collectivising white America concerning all that overstated 'swell'stuff like "fighting communism" and "winning two World Wars" ... you're okay with maintaining the 'we' for all the OTHER stuff too, right? The West does present narrative, production and continuity issues for me also, but I'm loathe to be allied to a K.P. such as thee.