just watch it!

Good concept, poorly executed.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Agree, this series incorporate a multitude of well-researched characters and subplots. To the credit of the creative team - the portrayal of east and west is quite balanced without dismissing the dehumanizing effects of communist dystopia. Unquestionably the portrayal is astute and brilliant of the grotesque distortion of human dignity forced by the system. In some ways this series remind me of Dante's inferno - I want to see who will have dignity in the face of adversity, how will they survive? In that respect these series are brilliant!*Spoiler alert* In contrast some other reviewers, I do not believe in being spoon fed overdigested characters. One does not have to be a genius to understand that Sabine and Lars are twins (the same picture in Gregor Weber and Dagmar Cutter apartments). I am eager to see season 2 - one should lobe eager to see whether Lars will become a double agent. How will Lars figure out that Dagmar is his mother - will he discover his picture from Dagmar's secret chest? Gregor Weber will be in precarious situation - his petty "spying" for the system is his mandatory benevolence for his wife defecting to the West. The overzealous factory worker will likely to start reporting on Lars' father - the same way this youngster started reporting on his own family members (Stazi has converted him to a psychopath social climber, eager to please his masters). I am sure some people in the West can relate to this character. A separate moral predicament in the subsequent season should relate to Dagmar Weber - she will regret not disclosing to her daughter Sabine their origins from East Berlin. If Sabine would have known, perhaps she would have figured and would have not committed incest with Lars. Emil Faber was the only one who have seen that Lars was seducing his mother Lauren (in the photo booth pictures from his mother's wallet). The most surprising to me was the question by reviewer "Who are the "loosers" digging the tunnel?" It does not take a genius to notice that socialism "encase" people - a paint-red haired teenager does not fit in the predetermined ideal of socialist youth. His father (Barmann baker) would sacrifice his life to allow his son to live (otherwise his son would be in the psychiatric system or alcoholic in this environment). They are not losers - they are outcasts of socialism, who have courageous personalities (unlike sleazy insecure coward Tobias), they have a dream, Just like Axel has - they are talented personalities with dignity. What is not to understand?!

Living in the states as a German immigrant I am always excited to find intriguing mini series like "Generation War" on platforms like Netflix. This one started of extremely promising with wonderful cinematography, great costumes, interesting characters and great acting performances. Needless to say that Tom Schilling's talent adds to any production. When I watched the last episode everything began to shatter for me. None of the character's story lines were finished, no conclusions given. If this was a continuing TV Show I could deal with this a whole lot better but so far a second season has not been confirmed. The ratings on German television were rather mediocre so I doubt we will get the answers the viewers and the show deserved.

The show mainly revolves around Lars Weber (Tom Schilling) - A Romeo agent from East Germany sent out to seduce and retrieve information from certain female personnel of the West German government. Though the plot seems deeply rooted in James Bond territory, the show quickly dispels this assumption by deviating from the generic alpha-male lead and instead opting for a young neophyte agent. One whose lack of experience leads him to act like an obedient schoolboy, scarcely questioning his superiors, still prone to rookie mistakes, but undoubtedly capable of maneuvering himself with impeccable finesse and apt vigilance. Apart from Lars Weber is a multitude of well researched and astutely written characters and sub plots that successfully depict the daily struggles and momentary triumphs of Germans during the cold war. And while the story transpires in that era, many of its themes, such as the pursuit of freedom, the willingness to sacrifice oneself, or the unapologetic demonstration of fervent (albeit misguided) patriotism prove to be remarkably relevant to date.The Same Sky is not a facile series that hinges itself on historical clichés and typical Hollywood thrills. It does not carelessly dismiss the east as a stifling communist dystopia nor does it gratify the west as a freedom-bloated paradise. Rather, it is a cleverly crafted opus that tells the story of the people of the cold war through an unbiased lens

Although I have to read subtitles all the time and pause sometimes because of that, I absolutely enjoyed it. Couldn't stop watching it, actors play genuinely well. I caught myself at the thought that when I looked at Tom Schilling I saw Edward Norton.I have to admit although the TV series definitely suggest that west side is better than the east. People from the east seem more alive and genuine to me.