Nice effects though.

i know i wasted 90 mins of my life.

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

How wonderful it is to see this fine actress carry a film and carry it so beautifully.

First of all, I want to defend my vote : normally I would give this movie 6/10. But I gave 1/10, not because this movie is so bad, but because too many people gave this one 10/10. 10/10, that means this is a perfect movie?! Sorry to disappoint all those teen girls, but this is far from perfect. The acting is very wooden (the SA-brown shirts in the beginning are just ridiculous) and the plot is very far-fetched (or how do you explain the pregnancies and the guys not finding it out?). Don't get me wrong, it is not an awful movie, but it is a Saturday-evening TV-movie : something you watch when you have nothing else to do. It's not the good movie that I believed it to be, based on its high IMDb-score. Watch it if you like romance, tragedy (a lot of tragedy actually) and are prepared to forget certain impossible details.

This adaptation of Danielle Steel's novel is something that has stayed imprinted on my memory for some time.So many war films cast the Germans as the "baddies" but, here, the devastation wrought to individual lives by World War II leaves us no option but to feel pity for the main characters involved, regardless of which side they represent. Once we leave behind the horrors of war-torn Berlin, we are taken on an emotional journey as three individuals strive to find each other across the world in the ensuing administrational chaos. We cannot help but will them to succeed; we cry with them, we smile with them.The detail within this story is extraordinary. Almost every line of script is vital to the plot, as it twists and turns, with fate proving as cruel as it is kind. Every word is entirely believable, realistic, heartfelt. We follow the characters in their affluence, their desperation, their happiness and their grief. Having never read the novel, I do not know quite who to praise, whether it be the original story or the adaptation, but the filmmakers have ensured every fine detail is correct. There are no errors in the chronology (save one), even down to dates on gravestones. Each connection from one location to another is plausible and well-worked. The Jewish scenes are faultless, including the passages in Hebrew. The traits within each character never waver, and are even given depth and history, no more so than Giselle's selfishness and her father's mercenary ways. The interplay between the characters is perfect as well, such as between Sam and Ruth. We sympathise with both sides of their debate as they try to do the best for their son. The strong female themes that run stronger and stronger through the film are entirely realistic, with so many different women, each with strengths and flaws, crossing our characters' paths.For me, this film appeals on so many different levels. As someone fascinated by World War II history, is shows a stark reality often forgotten for those of us on the winning side. As a genealogist, the detective work of finding individuals is thrilling. As a Jew, Ariana's involvement with a Jewish family is the right mix of touching and nervy. As a hopeless romantic, and one who loves chick-flicks, this is a must, and I cry every time!

I just happened to catch this on TV - seeing the name Nastassja Kinski always makes me want to watch, but seeing the name Danielle Steel always makes me worry... There was nothing to worry about. This was a wonderful miniseries, brought to life by a good story and fabulous actors.Nastassja Kinski is wonderful, and she is the perfect choice for Ariana. I'm sure the role rang very true for her, owing to the fact that her parents were this age in Berlin during World War II. In fact in the story, her brother flees the country afraid of being drafted into the Nazi army, and in real life Nastassja's father, (actor Klaus Kinski) WAS drafted into the German army. Nastassja brings real depth to the character and the casting director should thank their lucky stars that she accepted the role. The casting was wonderful the whole way around: Michael York, Jon Tenney, and Elizabeth Barondes are all fantastic.The story is corny - but it's Danielle Steel, what do you expect? ;) But what I have to tell you is I sat down, meaning to check out the first ten minutes - and after five minutes I was completely hooked. By the end of the first episode I was shocked to see that I didn't know what the heck was going to happen, and that I actually cared! I was back there the next day, with my kleenex, and loved every minute of it.There are a few things lacking in this miniseries. The actress that played Gerhard's wife just made me want to bang my head against a wall, and I thought that subplot carried on much longer than was necessary. Other than that though, this is a movie you will get involved in. The whole situation with Ariana's second husband is just heartbreaking, and frankly, I'm still upset about it!I can't believe I'm admitting it, but this is a movie that you can really get into. Don't let the name Danielle Steel stop you from seeing an actually very good film. Great cast, great acting, a bit of a cheesy script, but such terrific performances that you don't care!

Romantic women's drama spans from WWII into the 1970's. Focuses on the fate of the two adult children of a wealthy German banker during and after WWII; particularly the daughter, played by a suprisingly radiant, very thin, blonde Nastassja Kinski. Location moves from Germany to Switzerland, France, and the US.Historically detailed and generally absorbing, in spite of the typical formulaic plot and the rather passive acting of the principals. Suprisingly high production values. Good use of European locations, and occasional interweaving of some archival period film footage. Attractive international cast; first film appearance of the very hunky young Alessandro Nivola (Mansfield Park).Jarring notes are introduced by garish over-the-top 1940's clothing, makeup, and hairstyles worn by Linda Lavin (she ends up looking like an early Bette Midler drag-queen); also some of the makeup worn by secondary actresses photographs suprisingly poorly. Luckily Kinski is able to pull off the trick of photographing much younger than her actual age at the time of filming.