Purely Joyful Movie!

Close shines in drama with strong language, adult themes.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

A fun romp set from Daniel Defoe's 1722 novel focusing a poor orphan girl who seeks wealthy life in England . Born in London's Newgate prison , at the beginning she becomes a house servant , and after that , Moll embarks on her first marriage , but being soon widowed and then she decides to make her own way and fortune as well as misfortunes . As Moll (Alex Kingstone) is a beautiful female chased around every bedchamber in London town . Moll Flanders (female derivative of Tom Jones) plots to get ahead through an advantageous series of romances and marriages . Moll ulteriorly marries various lovers , and briefly finds happiness in America until she to be aware by her actual mother (Diana Rigg) that married to a brother , committing incest . But Moll's plans are ruined again when she falls in love for a mysterious aristocrat , who results to be a wanted highway man (Daniel Craig) . As she falls for an impoverished stagecoach robber and she flees from him . Her ulterior life as a whore and thief leads her to drink and near suicide , despite the unwavering friendship of another robber female , and subsequently , things get dreary , landing in prison and a likely candidate for the gallows . However , the ever-enterprising Flanders always finds her way . Not surprisingly , love , cash and marriages conquer all . As at the end , Sir James and lady Molly Seagrave became very rich and well respected citizens , one of the foremost families in America , and quite forgot their former crimes... and rightly so . We cannot always be wringing our hands over the past . In truth , we do what we must , get by any way we can . We are all on the Wheel of Fortune . TV Mini-series in four episodes well played , compellingly made and adequately setting . A series much after the style of ¨Tom Jones¨ and ¨Fanny Hill¨ with bag of incident and color . This period piece turns out to be the 4th on-screen adaptation of Daniel Defoe's 1722 novel , though it misses of the lip-smacking period relish spoiled with abundant sexual scenes , nudism and mediocre photography . Being pretty faithfully to Defoe novel in telling the fortunes and misfortunes of this lively hustler who eventually finds herself working at the brothel of greed and with a scheming landlady . This adaptation moves the setting of the novel forward a few decades . In the novel, adding up the dates reveals that Moll first goes up to London in the late 1630s , and begins her career as a thief in the 1660s ; in this series, however, these events are associated with Moll attending two plays "The Country Wife" (1675) and "The Way of the World" (1700) ; as the costumes are appropriate to this later period . Nice acting from Alex Kingstone as the wickedly seductive Moll , a spirited heroine who becomes a robber , a prostitute , marries several times and eventually winds up in prison . Alex Kingstone holds everything together with help a talented supporting casting . As the secondary cast is frankly good such as Christopher Fulford , James Fleet , Diana Rigg , Tom Ward , Roger Ashton-Griffiths , Ronald Frazer and Daniel Craig who years later would star in the James Bond films . Other films based on the bawdy , rousing retelling from Daniel Defoe's novel are the followings : ¨ The amorous adventures of Moll Flanders¨ (1965) by Terence Young with Kim Novak , Richard Johnson , Lilli Palmer , Vittorio De Sica , George Sanders , Leo McKern ; and ¨Moll Flanders¨ (1996) by Pen Densham with Robin Wright Penn , Stockard Channing , Brenda Fricker , John Lynch and Morgan Freeman as a dignified servant . Furthermore , TV rendition (1976) ¨Moll Flanders¨ with Julia Foster , Kenneth Haigh , Barry Jackson and Ian Ogilvy .

At least the host of PBS's MT admits that liberties were taken with the original work. A potentially poignant film is - per usual- smeared with cinematic fecal matter so predictably painted like graffiti in a subway. The larger picture of the societal ills particular to 17/18th century England is marred by pornography (almost to the point of comedy). I think I've seen more of Alex Kingston's nips than my own in the last six months. What should have been the Les Miserables of England is reduced to wanton balderdash, having negated the seriousness of the underlying theme. Though beautifully filmed, the audience's intelligence is mocked by bottom feeder's fodder. It seems the producer's M.O is H.L. Mencken's slight, "No one ever went broke underestimating the intelligence of the American people." Fortunately, many may read the book to find out the real story - and actually learn something. My copy is now on order.

Alex Kingston IS Moll Flanders. Please, forget the cotton-candy version that has Morgan Freeman in the cast (though, I _adore_ Stockard Channing). This is the real thing! We get to see the real, harsh struggles of Moll in this adaptation, and how out of the muck and grime Moll finds herself. There is no happy ending here, you can bet that, but at least you get a real story that is more appropriate to the times. That is worth much more to me than a smiling happy face, in the end. This is a real, gritty film - not cheap. Highly recommended.

You may find yourself watching this entire 4-hour movie all in one sitting like I did. Although it is a Mobil Masterpiece Theater presentation, it is also available on video. If you think you're in for some boring English drama, brace yourself, as it is very fast-paced, erotic, and often shockingly funny. Alex Kingston (now on "ER") delves into this role with a ferocity we rarely see on the screen. Although Moll does many bad things, we root for her the whole way. Diana Rigg is also a hoot as a mother-in-law that reveals herself to be something more. Daniel Defoe's condemnation of society as unforgiving of the monsters it creates is still as relevant today as when it was written. As long as you have an open mind about sex, nudity and immoral behavior onscreen, prepare to be fascinated.