As Good As It Gets

This story has more twists and turns than a second-rate soap opera.

By the time the dramatic fireworks start popping off, each one feels earned.

The film never slows down or bores, plunging from one harrowing sequence to the next.

When Molly Pargeter rents a villa in the Italian Tuscan hills, what should be a carefree holiday isn't quite as expected. Her raffish father finagles his way along for the ride, her priggish husband is sending secret postcards to his mistress, and when Molly finds a cryptic note hidden in the villa, she begins to question the whereabouts and well-being of the villa's owners. Nothing is quite what it seems amongst the locals and ex-pat's... and then a body is found.Wonderful adaptation of John Mortimer's novel, full of brilliantly captured performances by a host of British and Italian character actors (Treves and Leach are outstanding) and a star turn by an apparently ailing Gielgud, all mischievous twinkle and cunning. Against this backdrop, Fleetwood cleverly underplays throughout as Molly, a delightful study in self-effacement and quiet tenacity that will eventually lead to catharsis.Although perhaps not for some, the leisurely pacing really adds to the overall atmosphere. A minor British TV classic!

This drama was superbly cast, especially John Gielgud as Molly's philandering father. However Molly's journey of self discovery was underdeveloped as was the eventual climactic meeting with the mysterious "T. Buckland Kettering".The scenery of Tuscany is beautiful enough, but the acting does fall down in some places. For anyone wanting to appreciate Mortimer's classic, I suggest you read the book.

I don't need to reiterate anything about this mini series, since all of the previous comments do a good job of giving a thumb-nail sketch of the plot. However, I am willing to beg, borrow or steal a copy of this movie! Does anyone out there have a copy to sell to me??

Intriguing story about an English family who rent a villa in Tuscany for the summer. Strange things are afoot and the mother/housewife of the family plays amateur sleuth. But it's done in such a very subtle manner--in the typical English manner. There is also a very stated undertone of marital unease that the wife and husband play to perfection. John Gielgud is TERRIFIC as the wife's father--he plays a socialist writer singularly preoccupied with shocking his family by his carefree attitude of love and sexuality--all this despite his advancing years.