Wonderful Movie

Fantastic!

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

I'm years late to seeing this mini-series and probably wouldn't have discovered it at all, if not for looking for anything Richard Armitage did in his earlier career. All I can say is wow, what a great contemporary drama for prime time TV. No one does drama as well as the BBC. I wish American TV could produce drama of this quality. The acting was superb Richard as always does not disappoint, transforming himself from a shy clod of a farmer (John) to a handsome, selfless, giving man who loves Carol despite all her faults and past history. Sarah Smart, was really excellent. Her life story is the center of this piece and Sarah really gave the performance of her lifetime; her range of emotions was commanding. Joseph McFadden nailed the role of the cowardly, self-centered creep and star-crossed lover of Carol.. Camilla Power was wonderful as Becky Andrew's sweet innocent wife caught up in Carol's and Andrew's obsession with each other. And a very young Holliday Grainger as Lisa, the teenage daughter of Carol was totally captivating in her innocence. (Spoiler's may be ahead)The story which shows the life of a girl Carol (Sarah Smart) who comes from a highly dysfunctional family, whose father was a violent brute and a child molester, whose mother was a flake that took off leaving her children with this monster. The only escape this poor girl had was to find her soul mate in the little boy Andrew (Joseph McFadden) next door. They grew up to love each other and perhaps would have found happiness if not for the lack of understanding and approval of his snobby parents. When they reach the age of 18 they plan to run away and get married, only to be discovered and have their plans destroyed by Andrew's father's breach of doctor patient confidentiality. Here we learn that not only was the girl molested as a child and raped by her father but at the age of 12 she gave birth to his baby, who is now being raised as her sister. After the marriage plans collapses and he is sent off to college. The two don't see each other until Christmas break, when he comes home and sees her with another man John (Richard Armitage). So he pretends to not see her and picks up another girl to make her jealous. She in return makes up to John, to make him jealous as well. Poor John really likes her and is so shy and introspect that he feels lucky that she will even go out with him. She finally decides to get Lisa and leave the farm where they live for good. After years of being away, she returns pretending to have been successful in the time she's been away when actually she is poor and had a really hard time making it with Lisa. Andrew has also return from college, married with a pregnant wife. She convinces her sick father to turn the farm and business over to them in exchange for taking care of him. He doesn't last very long, and dies leaving her a worthless farm business. Realizing she's about to get evicted, she decides to marry John for his money and labor to fix up the farm. But Andrew can't accept this even though he doesn't want her. He does everything to break them up; when that fails he decides to leave his wife and child to get Carol back. She however keeps her commitment to John and sends him away. Unable to take Carol's rejection, Andrew kills himself, leaving her totally devastated. The series ends with understanding John, finding Carol in a near catatonic state and bringing her home. Leaving the viewer hopefully with him Carol will find the kindness and true love her childhood never afforded her.. I'm sure my description of the story does not give it justice. It was such an excellent screenplay adaptation. I urge all like me who haven't seen it to buy it and view this wonderful contemporary drama.

When the Dutch tv-stations offer only Chuck Norris-movies and news talkshows, I escape to the BBC. On a Sunday night, I fell into Monarch of the Glen and kept watching it. Then came Sparkhouse: a rollercoaster ride of emotions, which still keeps me thinking about the story over and over again. Cast (especially Joseph Mc Fadden and Sarah Smart!!), directing, locations were perfect. BBC, thank you for a fantastic experience!!

So the whole thing kinda left me underwhelmed. I'm a massive 'At Home With The Braithwaites' fan and was very interested to see what the writer, director and star could produce over on the BBC.It was sentimental and sensationalist. Her sister being her daughter? That was old way before Eastenders did it. Carol smashing up a car and hanging a dog but letting her dad hit her? A 12 year old being pregnant and no-one asking questions? My biggest problem was that Sally Wainwright was supposed to be writing this great passionate love story. A bit of rainy snogging on the moors does not make it passionate. If they were so massively in love with each other then why did they let anything stop them? They played psychological games and deliberately hurt each other. If Carol later picked up sticks with her sister/daughter and went off why couldn't she have done that earlier with Andrew? It was also directed by Robin Sheppard, who did first series work on 'the Braithwaites'.Okay, enough about the writing. The acting was good. Celia Imrie was pretty classic, as was Nicholas Farrell, though he bore high both physical and character resemblance to David Braithwaite. They were fun. Joe McFadden, whatever. He annoyed my girlfriend almost to the point where she couldn't stand to watch it anymore. And why did he suddenly acquire glasses when he became a teacher? Are they part of the uniform or something? His wife, Becky, was played by Camilla Power. The aforesaid girlfriend occupied herself by persuading me that it was a grown up Jill Pole from the Narnia dramatisations. It was. She was cool. And then of course there was Sarah Smart.I couldn't believe it when Carol turned up in the posh car with the smooth hair-do. It was certainly a double take moment. Wainwright is certainly very interested in this character. She took Virginia (Ms Smart's wonderful character in 'the Braithwaites'), changed the world around the character and wrote a story. She didn't even change how the character looked. Sarah Smart was good, but she showed us nothing that new. We know she can pull funny faces and swear and shout and be angry and lovely. And I'm ever so pleased she got the chance to play a romantic lead in a big production. I just hope her next role will be more interesting and different.

fantastic series inspired even if not adapted from Wuthering Heights I was glued to the screen for the first episode and was distraught to find I had to wait a whole week for the conclusion. gripping, dramatic, emotional. the two lead characters had few scenes together, yet the connection between them was unmistakable. A review in the Newspaper was scathing, mocking the writer for claiming it was a modern day Wuthering Heights; I found this odd - the similarities are plainly obvious for anyone to see. Maybe its better to say it was beautifully inspired by the classic, which is itself woven throughout the programme. From the trailers I expected Sparkhouse to be an average run-of-the-mill story of teen lovers, but I was wrong. It is a brilliant dramatisation of TRUE love.