It's entirely possible that sending the audience out feeling lousy was intentional

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This series follows the same banal story lines as National Geographic documentaries: feature a zoom view of the mating ritual of some local animals then feature some pagan, sensual ritual by natives dressed in loin cloths and a zoom view of their genital sheaths, and don't forget to remind people that the earth is billions of years old and that man and animals all evolved from the same rock in a primordial mud puddle.I wish they had spent more time on the beauty of the South Pacific, its wildlife (minus the gratuitous mating scenes), and on more modern historical events (like notable castaways, World War II battles on the islands, etc.). Frankly watching some primitive, mud-encrusted, would-be savage get beaten with sticks and dance around a fire with plumes on his head is about as interesting and inspiring as watching paint dry. Then again, it makes me thankful that God allowed me to be born in the US, instead of in the jungle of Irian Jaya or on the banks of the Zambezi.I wanted to watch something serene, educational, and tasteful with my 9 year old daughter. This series does not fit that description.

Benedict Cumberbatch narrates this six hour-long BBC nature series about the south pacific. The first episode jumps around from island to island. The predator caterpillars are incredible although the jumping around gets random. There is a structure from episode to episode but this show needs a simple map or better computer animations to explain the structure. For example, the Castaway episode could illustrated more clearly the migration routes and the vast distances through an animated map. In the Volcano episode, the life cycle of the volcano can be illustrated with simple animation. The sixth episode does have some disturbing fishing imagery which has a sad beauty in high def.Despite the jumping around and a need for clearer expositions, this series is simply beautiful. The creatures, the waters, and even the people are impossibly exotic and wonderfully amazing. The rolling waves and 'Over the Rainbow' closing credits fill me with a relaxed deserted-tropical-beach joy.

This is outstanding series of exploration of region never filmed or no human ever seen before. The way stories are covered are very well organized and gives pleasant when watching. There are plethora of shots which clearly seem to be taken with well planning and patience with perfect angle and position.Every series prepared with rhythmic storyline. For example, Endless Blue starts with lost sailors and move towards life of sperm whale, and then go in-depth of middle south-pacific to explore species that we never ever seen and never filmed before or say explored by anyone.Use of high-definition and slow-motion cameras makes the scenes perfect

Another excellent BBC wildlife documentary featuring breathtaking high-definition photography and a detailed overview on diverse aspects related to earth's biggest ocean such as insular evolution and environmental activities. While the didactic approach of Attenborough's "Life"-series is still unsurpassed in its clarity and empathy, there's more than enough informative material gathered to fill six joyous hours.Be prepared to be stunned by the brilliant use of slow motion. A technical triumph in all departments! 8 out of 10 killer waves