everything you have heard about this movie is true.

This movie was so-so. It had it's moments, but wasn't the greatest.

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

In many ways this Discworld cartoon is perfect -- for example, who else could play Death but Christopher Lee? And the soundtrack, which charts the history of rock n' roll from Elvis, through the beatles and psychodelic rock as 'Music With Rocks In' is introduced to the Discworld, is simply brilliant.But there are times when it just fails to capture the same atmosphere and intelligence that is present in Pratchett's writing. Maybe someday soon a film with be made, after the success of Lord of the Rings, and particularly if the upcoming Hitchhiker's Guide to the Galaxy movie is successful. And cast Christopher Lee as Death!!!

After stumbling across Pratchett completely by accident two years ago ("Sourcery" was my first book), I underwent a 5-month long intensive crash course in getting *anything* discworld that I could get my hands on. This was quite a feat, as not all the books were published in America at that time. Once I got all the books, my fervor diminished to an extent, but it was still enough to inspire me to actually *buy* both the Soul Music and Wyrd Sister's DVDs.I was hesistant to watch Soul Music for fear that it would destroy my mental image of my favorite Pratchett book. But between the two, Soul Music does a better job of adapting the book and pacing the jokes. I felt that Wyrd Sisters was a little too rushed, and some jokes were even mumbled at points. Soul Music favored pacing over cramming in every little detail. (My favorite part is probably the scene where Death is talking with the guru-guy on the mountain and they're arguing about the color of the infinite.) The musical numbers were quite entertaining as well, and I loved how each of the tour concerts they did had a specific parody theme. The casting was good and bad. Susan was good, the Band members were good, though I do agree that the Dean and Quoth the raven grated on my nerves very quickly. Christopher Lee as Death totally made up for any poor jobs in casting, and in fact it was these movies that introduced me to Lee and made me realize how cool he is. And suuure, the animation is, frankly, weak-sauce. However, though I enjoy artful quality as much as the next guy, you don't need eye-candy to tell a good story.

Let's face it; the Discworld novels are rather uneven. The first three are barely worth bothering with. But then, Pratchett produced a novel, Mort, that was dangerously close to literature. Mort went on to be a stage play, and Pratchett went on to write other things. It took four years to get back to the Mort storyline with Reaper Man in 1991, and another three years to continue the story in Soul Music in 1994.Having read all the Discworld books so far, I still think Soul Music is my favorite. Having played in a band myself, I could appreciate the musical in-jokes better than most. Imagine my surprise when a friend mentions casually that Soul Music was an animated feature and he had the DVD. A trade was arranged (one of my Bubblegum Crisis volumes) and I settled down to watch my favorite Discworld novel transformed into a movie.So how was it? Oh, pretty good as a whole. After a stunning CGI opening which takes us on a quick tour of the Discworld, the film settles down to conventional animation with an occasional computer assist. My friend describes the animation as "kinda like squigglevision" (as in Doctor Katz and a couple others) but I have to disagree -- it's much better than that. There are a few places where it was painfully obvious that the animation team was trying to save a few drawings by playing the same clip over and over, but in general, the animation was adequate.The voice talents ranged from excellent to really really bad. Christopher Lee was excellent as Death, as was Debra Gillett as Susan, Death's Granddaughter. The voices of the band (Lias, Glod, and Buddy) were very good. Other voices were adequate, with the exception of the wizards at Unseen University. Yes, I know they were supposed to be petty old men, but why did they have to have the pitch, tonality and speech patterns of Smurfs? It became irritating after awhile. I found myself getting restless whenever the wizards were on the screen, wishing the scene would be over. It's a mystery how such bad choices could co-exist with such good choices.Plotwise, most everything is there. The story was shortened in a few spots, which is reasonable when filming a novel. Sometimes the editing destroyed a joke; for instance, when Nobby and Sgt Colon comment "there she goes -- Susan Death" the joke falls flat for lack of the earlier setup. "Wasn't that death?" "I dunno, it looked more like a Susan." I believe from the description in the book that Pratchett intended the sound of the shop fading and reappearing to be the Dr. Who Tardis sound, but maybe they couldn't get permission to use that.Much of the humor of the novel manages to make it into the film, and it's still funny. I laughed out loud a few times, more out of surprise that a favorite joke was delivered well.All in all, the film has a few flaws but is definitely worth watching. I've just learned that Wyrd Sisters has also been filmed. I can't wait.Now if only they would film Hogfather...

Well I WAS! The book is FAR superior!!! The series is more like a children's comic. ´The animation was shoddy, and a lot of the voice acting sounded forced. The only real laugh I got was when Death speeds toward a cliff edge and shouts: "Oh, BUGGER!" Christopher Lee (Death) was the only really good actor. His voice is as close as a mortal can get.On a brighter note: The music was very good indeed. Especially the sixties, hippie track.