Best movie of this year hands down!

Great Film overall

brilliant actors, brilliant editing

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

If there were ever a vote on "Worst TV Series", "Sergeant Preston of the Yukon" would be an easy favorite. Its only distinction is that it was voted "Best TV Show of All Time" by the Flocking Institute of America.Other than the handsome color (which looks great on studio sets, but rather washed-out in outdoor scenes), everything about SPOTY (pronounced as if there were two Ts) can summed up in one word -- cheap.The indoor sets are crabbed, and unconvincingly dressed. Outdoors, the same generic cabin is used over and over and over and over. (It's not so much a cabin, as a longish wall with a door in it.)Outdoor scenes jump between location shots and studio sets. (This was normal, especially with Westerns, as outdoor shooting was not only more expensive, but there was no control over weather or the lighting.) Unfortunately, there's only one or two indoor "outdoor" sets, which hardly ever match up with the location shots.Not much can be said for Yukon King, the wonder dog who leads Sergeant Preston's team. He seems to have been cast for affability, rather than the edginess one would expect from a sled dog. He usually sits quietly, or sometimes wanders around the set, to no particular purpose, showing neither enthusiasm nor affection. (Another poster's suggestion, that YK is looking for Milk-Bone handout, seems reasonable.)But the worst thing about SPOTY, the thing that consigns it to the bottom of the barrel, is poor writing. It appears the radio programs were simply re-written for the series. Not only are they aimed at the intelligence of a four-year-old, but the dialog is mostly tedious and often clumsy exposition. And, of course, there's a narrator explaining things for the radio audience. (You could turn off the picture and not miss anything.)Given the low production values and poor scripts, it would be unkind to criticize the acting (though Richard Simmons, as the eponymous hero, brings to his role all the excitement of staring at wallpaper). At least everyone manages to hit their marks and speak clearly.Unlike "The Cisco Kid" or "Adventures of Superman" (two other early syndicated color series), SPOTY is devoid of character or style. There's nothing memorable about it, other than its cheesy lameness.For those not familiar with classical music, the theme is from the overture to Řezníček's "Diana Banana". As with "The Lone Ranger" and "The Green Hornet", George Trendle selected PD classical music so he wouldn't have to pay royalties.PS: I've often wondered why Union Carbide never did TV commercials with "Sergeant Prestone of the Yukon". It would have been a perfect match of product, character, and environment.

Takes me back..... I remember this series fondly. It taught morals, values, tolerance for others & respect for the law and it did it with good stories and solid acting.Rex & Yukon King were a big part of the series. Dick Simmons looked every bit the Mountie and could sit Rex well on his English saddle. He was even better with sled & team of huskies with King in the lead of course. This was one of the few 50s shows shot in color but shown in B & W.Big Bear Lake Ca was as close as Hollywood could approximate for the Yukon in the 50s. So sit back relax and enjoy "...in the wild days of the Yukon. Back to the days of the Gold Rush, as Sergeant Preston, with his wonder dog, Yukon King, meets the challenge of the Yukon." ...."On King, on you huskies!!!!"

I remember watching this program as a kid. There were no fancy special effects, no blood and gore, just edge of your seat excitement. There was a clear distinction between the good guys and the bad guys, and the good guys won. The dedicated Sargent Preston, and his faithful dog King, fighting the elements and the bad guys. You always knew who the hero was, and the bad guys always got what they deserve. Perhaps if there were shows like this today, children would have a better sense of right and wrong. Clear definitions of right and wrong, where the objective is to bring the wrongdoer to justice, not smash, mutilate or destroy them. No super powers, no high technology, just plain old fashioned using your brain. Clear values and no gratuitous violence.

With these words, Sergeant Preston and his loyal dog, Yukon king always got their man. Played by Richard Simmons, Sergeant Preston patrolled the western reaches of the Canadian frontier in the 1890s. Action and justice in such locales as Yellowknife, Dawson, and Whitehorse were seen each Saturday morning by the same kids who had just finished watching The Lone Ranger and Sky King. The series episodes featured stories set against the harsh extremes of the Yukon winter and summers in the Canadian Rockies. To match the climate, Preston would trade his dogsled for his horse, Rex. King was along wherever the good sergeant went.Simmons was the perfect embodiment of Sergeant Preston, the pride of the Northwest Mounted. To this day (despite Due South) when I picture a Mountie......it's always Sergeant Preston. And of those of who watched the show as kids, who can forget that stirring theme music and the words with which Sergeant Preston closed each episode, "Well King, this case is closed."