At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Amazing worth wacthing. So good. Biased but well made with many good points.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

There's a more than satisfactory amount of boom-boom in the movie's trim running time.

Without a doubt, this is far better than any of the fare offered up to us by Doctor Who or Downton Abbey in recent years. Brilliant cast, brilliant production values, brilliant story...I only wish it could have lasted longer! The story, at first glance, may seem like the usual shtick designed to entertain the family in front of the telly at tea-time, and in a way it is. It isn't overly-sentimental in it's view, though- it's not one of the many "those-were-the-days" shows clogging up our screens nowadays, and while it may look at the 1930s through those famed rose-tinted lenses, it's extremely sweet and charming in it's nostalgic intent. George's plight at the hands of PTSD (or 'shell-shock' as it was known those days) is heart-breaking to watch, as are the trials that his family must endure in order to maintain a tolerable standard of living. However, after encountering a customs officer with parrots and monkeys left on his hands, George buys them from him along with a mistreated old camel from a cruel circus owner out of compassion. And, when he discovers the forgotten Oakfield House on his way to a war reunion, the light-bulb goes off- a zoo. "A zoo without bars", no less. The numerous episodes are funny and light-hearted but can venture into serious territory at times (one involves George being accosted by an enraged bear), and at one hour long they're perfectly paced and a delight to watch. The cast is sensational, especially Lee Ingleby, Liz White and Anne Reid. Ingleby seems to be the perfect choice for these kinds of roles- sympathetic and kind-hearted but stubborn at times, he represents a tortured man who is trying to "put a bit of beauty back into the world." White is excellent as his long-suffering but nonetheless dedicated wife Lizzie, and Reid is in her element as his prickly but loving mother Lucy. Peter Wight, Ralf Little and Honor Kneafsey are all excellent too as the supportive Albert, the hilarious Billy and the innocent June, respectively. The production values are amazing, emulating a true dedication to period detail. And the animals...well, let's just say that I have a soft spot for those little penguins! One of the best sequences of the entire series was George and Billy walking 'em down the high street! In short, this was a sensational BBC drama that shows that they've still got it when they put their minds to it and manage to wrangle a great cast and crew. I only wish there could be more, but if there was it would become far too much like a soap opera! Amazing.

OUR ZOO tells the story of George Mottershead (Lee Ingleby) and his family, who founded Chester Zoo in the early Thirties in the face of considerable pressure from the local people of Upton as well as the Ministry of Health. The story is a familiar one common to British movies (remember PASSPORT TO PIMLICO (1949), or THE TITFIELD THUNDERBOLT (1953)) of the underdog triumphing against apparently impossible odds.Directed by Andy de Emmony, Robert McKillop, and Saul Metzstein, this six-part drama series emphasizes the importance of family values as a way of resisting bureaucracies. Despite occasional differences of opinion - especially in the last episode, as George prepares to fight the court case - George, his wife Lizzie (Liz White), and their two children (Honor Kneafsey, Amelia Clarkson) stay together through thick and thin, even if they have to endure several difficult times in the process. The move from their cramped little shop to the newly- purchased stately home and gardens (the location for the zoo) is a traumatic one, especially for Muriel (who wants to continue her relationship with Christopher (Perry Glasspool). They experience continual problems of making financial ends meet, and subsequently have to endure the villagers' almost unanimous opposition to the project. The fact that they emerge triumphant in the end offers a comment on today's society; despite the preoccupation with individualism (a by-product of capitalist values), community loyalty often provides the surest means of achieving one's ends.George's parents (Anne Reid, Peter Wight) clearly understand the importance of this dictum, as they act unselfishly in their son's interests, rather than continuing their humdrum lives as co-owners of a greengrocer's shop. Both actors offer portrayals of stable, level-headed personalities, the kind of people that keep George's feet on the ground as he tries to fulfill his dream.Stylistically speaking, OUR ZOO is shot in a series of dimly-lit interior sequences, reflecting the realities of life during the Thirties. The program's location-work is particularly convincing, especially in the opening episode, where the Mottishead's life in a cramped back-to-back terraced development proves constricting, both physically and mentally. Sometimes Matt Charman and Adam Kemp's script incorporates some linguistic anachronisms that wouldn't have been uttered by people living in early Thirties Britain, but its emphasis on so-called "old-fashioned" values such as the strength of the family is both touching and heart-warming. OUR ZOO is definitely a series worth spending time with.

I thoroughly enjoyed this series from start to finish. The plot, storyline and portrayal of the characters was excellent. The fact that this dramatization was based on a true story made it all the more remarkable and unique. The setting was beautiful and the animals were believable for the out start of a zoo for that time period. The wardrobe and costumes were also exquisite especially at the Charity Ball. The characters themselves were likable and you could connect with each of the family members and their supportive friends. The actors were so well chosen and represented their roles perfectly. The script was well written and enhanced the storyline so well. My admiration goes to the writers and producers for putting together such a brilliant adaptation of this true story. I'm disappointed that the series has ended and feel there must be more to the on going story or tales of the zoo after it was officially opened.

Mr Lee Ingleby is excellent in this rose - tinted view of England oop north between the wars. "Our Zoo" is full of comforting familiar faces all doing their comforting familiar schtick from a comforting familiar script - and therein is both its strength and its weakness. It's like lying in a bath of warm treacle and about as demanding. All it needs is a bit of "From the New World" and we'll all dream of when we could have a night at the flicks,a fish and chip supper and a bus home and still have change from five bob. There is an extra bonus for camel - lovers and a cute monkey,but - Mr Ingleby apart - not a believable character. As institutions,zoos are becoming harder and harder to justify,but 70 years ago they were places to amaze rather than horrify. There is a sense of that wonder just about detectable in this series,but little else to set it apart from "The village" or "The mill" except it doesn't take itself so seriously - thank heavens. Competent family entertainment with added animals while we wait for "Wild at heart" to start its re - runs.