Slow pace in the most part of the movie.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Many reviewers have never read any of the Stephen King short stories made into these 45 minute pieces of torturous boredom. My problem was I had very much enjoyed "The Road Virus Heads North." Seeing it there on the screen as a tedious emotionally-hollow piece of garbage was the final straw.I tried to get through the whole set but couldn't force myself to do it. Not everything King wrote was horror but he writes compelling stories and make you want to keep turning the page. These adaptations merely make you sleepy.For the five of the eight that I could get through: 1) Battleground: This is the only reason it is a 2 instead of a 10. This one was absent any dialog and was an entertaining visual battle between hit-man Renshaw and the green army men of his last victim, toymaker Hans Morris. Intense and worth a watch. The same can't be said of the others.2)Crouch End: A nod by Stephen King to his predecessor H.P. Lovecraft becomes second rate with terrible actors and bad visual effects. The newlyweds stumble into another dimension through a thin spot and encounter nightmarish things in this other place. There is nothing suspenseful about it and it goes on far too long.3)Umney's Last Case: The fictional private eye and the writer who created him switch places after the writer loses his son. Escaping from reality, the writer regrets his choice by the end while the private eye tries to get back into the fictional world with no easy routes back. In 2006, William H. Macy (who is great in so many other things) actually got nominated for this hammy role. Its a cheesy character in many ways and feels forced. It is a fair episode at best.4)The End of the Whole Mess: Howard Fornoy describes how his genius little brother, Bobby, destroyed the world. They altered the water of the world to make everyone more peaceful and end war BUT gave everyone Alzheimer's Disease as a side effect. TEDIOUS. The whole unwatchable episode (not sure how I got through it) focuses so much on describing the genius brother that the mass Alzheimer's Disease outbreak is barely shown.5)The Road Virus Heads North: An author (played by Tom Berenger)picks up a disturbing painting at a yard sale and begins to realize that the thing in the painting is following him and intends to kill him. They added a subplot involving a colonoscopy and iffy test results... By doing this and a slight romantic subplot, they take a hard edged story about a man running from a monster from "the basement of the universe" into a tiring tale of mortality with the thing pursuing being unimportant until the end. BORING, NOT SCARY.The Bottom Line: These did not transfer well from King's short stories. They were short punchy stories that were stretched too far in most cases. I know the End of the Whole Mess and Umney's Last Case weren't meant to be scary but the other three were supposed to be and failed miserably at it. They became the worst thing in horror: boring. If a story meant to frighten comes off as repetitive and boring it clearly isn't holding your interest as a good piece of horror does.Short stories CAN become good television BUT Nightmares & Dreamscapes fails to do this.

The first week was fabulous: Battleground had absolutely no dialogue which was a risky proposition, and I'm glad TNT took a chance on it. William Hurt was very good as the rock hard killer who completely breaks down when confronted by a box of toy soldiers. The direction is very slick for a television show, the music was a bit on the nose but overall this was a great show to start the series off with.Crouch End is so far the creepiest of the episodes, it has the most horror elements in it so far and contains a lot of themes that Stephen King writes about a lot: the girl with the claw hand, Lovecraftian imagery and of course a messed up cat! The look of this film was amazing. It will tick a lot of people off though because there really is no story other than two people lost and seeing weird stuff, but the director did a great job of making it look and feel spooky.Umney's is a hard story to follow, and like Crouch End, is open to interpretation, which also will tick a lot of people off. There was quite a deviation from the original story that King fans will not like, but William H. Macy does a very nice job playing dual roles.End of the Whole Mess left me feeling empty: I feel like my emotions were manipulated all over the place to feel sorry for these characters when they brought it all upon themselves.I look forward to week 3!

/1/ Battleground had great production values and excellent cast in William Hurt. The first half was slow but it made up for when the doo-doo hit the fan later in the movie./2/ Crouch End is one of the few attempts at interpreting King's Lovecraftian inspired tales into a movie, and it mostly excelled at that. Great cinematography, good cast, imaginative directing and creepy special effects make this episode a perfect compliment to Battleground during the first week./3/ Umney's Last Case is unfortunately a victim of an over zealous writer intent on changing a lot of Stephen King's work in the original short story. Macy does a good job of trying to salvage this movie, but I would skip this story when renting the DVD./4/ End Of the Whole Mess will come across as slow, talky and a bit conventional to many, the writing is probably the deepest of the four aired so far, but that can't help the slow pace and melodramatic performances.

The majority of Stephen King's short stories are little gems, with original ideas that don't take a long time to develop; basically lean and mean--he sets them up quickly in a scarce number of pages, you read 'em, and you're finished before you know you've begun. They're like the equivalent of a carton of McDonald's fries--they taste Really good and you know there's not much nutritional value in them (re: from a literary standpoint, they don't say much about the universal human condition), but you're still gonna scarf 'em down, just don't be a pig and go for the extra-super-sized portion and fill up on too much grease ("too much grease" is a metaphor for the prose in King's novels when find yourself reading one of them and saying come on--enough with the pop-cultural observations or clever Yankee asides--get on with the story already!) He has compiled four books of short story collections. I've read them all--from NightShift to the latest, Everything's Eventual, and they all display an efficiency of getting-to-the-point which is sometimes sorely lacking in his tome-sized novels.But his short stories never overstay their welcome...which brings us to the TV adaptations of Nightmares And Dreamscapes...How in the hell did they (the series' producers) get a green-light to turn stories that usually averaged 15 pages into 50 minute episodes? I'll tell you how--two words--"Stephen King." Stories with his name on them probably didn't come cheap, and one hour shows enable more advertising than half hour ones, so...what should have been an anthology of mostly 23 or 24 minute episodes is turned into double that length, and double the commercial time...Ka-Ching!I'm not going to waste time synopsizing the plots of these stories--this review supposes you have already read the stories and/or seen the show; what follows is merely my gut reactions to what TNT presented... Of the four installments so far, here's my ten cent assessment (from first to worst): Battleground-- Not a classic by any means, but hey, how could anyone argue with keeping William Hurt from opening his trap by filming this episode without a single line of dialog? And the tongue-in-cheek reference and destruction of the killer Zuni doll from Trilogy Of Terror proved to me the producers (and the writer of the teleplay, who is Richard Matheson's son--the writer of TOT) knew their mission with this one was to make the action deadly, yet at the same time, fun. It took longer to get to Hurt's apartment than it should have, but I think it fulfilled it's objective. 8/10Umney's Last Case-- Liked this one primarily because of William H. Macy's performance. I think the writer/Umney should have appeared in the story sooner into the private eye/Umney beginning because he was the actual reality of the story, and anyone familiar with the King short story (probably half, if not more of the audience) knew the Chandleresque set-up was due to get interrupted by the writer's reality, so let's get on with it already, and cut-out the cute and clever hard-boiled repartee' Private Dick banter already. Once the writer/Umney's family tragedy began to reveal though, I thought the show developed an emotional connection that made the viewer (me, at least), feel sympathy for the real-life Macy's attempt to escape his sorrows by usurping his fictional creation's exciting life. 6/10 The End Of The Whole Mess-- Uh, this title is how I felt about this episode when it was over. After twenty minutes, I was ready to scream at the TV--OK, we get it already, the younger brother is a Mega Mensa Genius Prodigy Extraordinaire! We know from Ron Livingston talking to the camera ("time is running out for me"--not fast enough, I thought) that the young whiz kid is going to discover something really bad for humanity--we know this because he's already built an airplane but almost died because he couldn't steer it out of the path of a tree; and, he blew up his chemistry lab while teaching himself chemistry (to think the end of the world could have been prevented if only this kid had some more parental supervision). So much time was wasted on establishing the uber-genius of Henry Thomas, when we finally get to the resolution of his discovery--the end of the world through unintended idiocy--how much do we get to see of the world "ending?"--a cheap video shot of a reporter starting to forget what she's reporting on, and brief radio broadcasts announcing the day of judgement is at hand. Oh, and the brother's parents drooling and singing old songs. My point is, if your story is really about the "end of the whole mess (world)", I wanna see the "mess" as it goes up in flames and crashes and burns. Talk about ending with a whimper, indeed. 2/10 Crouch End-- This episode just ticked me off totally. I could have lived with the taking-forever exposition of the happy couple arriving at their hotel, playing slap-and-tickle, having lunch, and getting a taxi (that was half the episode right there), if once they finally crossed-over into Crouch End the episode delivered the chills, but it failed miserabley. Not only wasn't it scary, it was practically laughable. Ooh, look--a kitty...wait, it turns...oh my god! Look at it's scary eye! Uh-huh. They could have gone a long way towards achieving chills by filming the Crouch End sequence at night instead of in daylight, too...things you might unintentionally find funny can become scarier when you see them in the shadows of the night. But I guess the budget wasn't high enough to afford shooting at night on the fake London sets they slapped together for this one. On the page, this is a very scary story about tourists wandering into places they shouldn't and the terrible things that might lurk there just around a corner. The only terror in this adaptation was the directing and acting--those were truly horrifying. 1/10 Overall Series Average (so far): 4/10