Undescribable Perfection

Pretty Good

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

One of the worst ways to make a cult movie is to set out to make a cult movie.

I keep wondering why SNL is still on the air (I haven't been able to stomach more than 5 minutes of it in over 20 years) and then they come out with this piece of crap. Perhaps they came out with this stinker to make SNL look better?Anyway, I have always been a big fan of Martin Short and find it sad that his career is being euthanized on this show by Lorne Michaels and his crack staff (or is that staff on crack?). The ONLY funny bit here is Jiminy Glick, which Short created years ago so it really shouldn't even be credited to this show.Apparently they were throwing back to the 60's and 70's when good variety shows were so prevalent on the airways....instead, it's making people throw UP!

As an SCTV fan who admired the comedic genius of Martin Short since his "Shower in a Briefcase" days, I knew I had to check this out, and it did not disappoint. Fully understanding that this is a variety show, I did not expect every skit to be a home-run-- and it wasn't. Some funny bits, some not so funny-- and I could personally do without the serious Broadway numbers. That said, I can not remember that last time I laughed at anything harder than Jiminy Glick's Larry David interview (Episode 1). It was 7+ minutes of pure Martin Short insanity. After that, I was hooked. I wanted more Jiminy Glick! Yes, Maya Rudolph is very talented and funny, Kenan Thompson can make you laugh with just a look, and Steve Martin saying, "I am currently traveling in Europe and can not attend" was comedy gold-- but it's all about Jiminy Glick stupid! Do I believe this show will last? Probably not because it doesn't cater to 12 year-olds, so I'll enjoy it while I can.

Love AGT and now the following Maya and Marty. Not a blockbuster but a mildly funny respite from the crazy world. The clear winning segment of the show is the totally obnoxious Jiminy Glick lightly scripted impromptu back and forth with that week's guest and watching them try to hold it together with the genius of Short's arguably finest characterization.All in all, I would have to agree the script writers fall just a little short but the state of TV with wall-to-wall reality shows and the like, M&M fills a niche when glitz and glamour or the overdone sitcom hammers the audience incessantly. Two likable artists applying their craft once a week, nice formula. If you prefer "Wives of . . ." and scripted reality, have at it.

Bottom line: Not that entertaining or funny. It's just like Saturday Night Live, hit and miss, but with less of the firepower behind the "hit" (smaller cast and writing staff, I think - either way, it's shorter, so two unfunny skits is like 1/3rd of the show).Personally, Rudolph was perfect on stage, but Short was a little too old school hokey for me (I like him in SNL skits, movies, etc., but on stage, he overdoes it, like he wants to make sure the senior citizens get the jokes). There were five skits, and two musical numbers. I only thought one skit out of everything was funny (Short doing his Jiminy Glick character with Larry David, which I always really like). I had ZERO interest in Miley Cyrus's song and the second musical number: tap dancing! I think Networks are going to have to do some serious belt tightening. Now, with streaming so pervasive, and only growing, consumers have the option to watch EXACTLY what they want. They no longer have to put up with shows, skits, or music they don't like just to get to the stuff they do like, which is exactly what "Maya and Marty" is.