A Masterpiece!

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

a surprising film. for the waste of each advantage. because, against the obvious great effort, it is a conventional, decent story. it not gives nothing significant. only the same well known story, Brian Dennehy in a role who is only a force shirt, In Somerhalder as a Marco Polo who seems be only shadow of the author of The Million, costumes and locations for suggest but not convince, dialogues who are just words in wind. after its end, the only question is about purpose. because it is not a real historical movie, it is not an adventure one, just a blank adaptation , not bad but under each reasonable expectation. a conventional story about Marco Polo. not emotions, not acting. only memories about superior films about the same theme.

Given the fact that the makers had access to plenty of money, good costuming, and even to the locations (or convincing computer-generated substitutes), this could have been a very good historical movie.Alas,the derogatory comments on this site regarding script, acting, and casting are perfectly valid. Who on earth cast Brian Dennehy as an oriental? There are established oriental actors who look the part — John Lone would be an obvious choice.The real Marco Polo could speak Italian and French, and on his way to meet Kublai Khan may well have learned Turki, the language Kublai sometimes used in his written communications. But the ridiculous scene where they meet bears not the slightest resemblance to Marco Polo's real-life account, in which the great ruler was the soul of courtesy. Dennehy's grumpiness was pure fiction, like so much else in this tedious production.The question that begs to be asked is: if one wants to make a historical epic, why present bad fiction instead of interesting fact?

Don't you just love the fact that everybody, and I mean everybody speaks English in this movie. Regardless if they're Italian merchants, afghan doctors, poor Mongol peasants, Mongol nobles or even Persian warriors. At first the actors at least speak with an accent. But further into the movie the actors forget to add the accent. I thought that the first problem an Italian guy would have when he arrives in 13th century China is to communicate, but not in this movie. The makers of the movie doesn't even pretend that there are difficulties in communicating, which is common in other movies, even if they both speak English.To add to the credibility of this movie the roll of Kublai Khan is played by Brian Dennehy. Don't get me wrong, I like Brian Dennehy as an actor. But he hardly looks like a Khan of the Mongol Empire. The makers of the movie, again, doesn't seem to care. At least his character gets old. Which is not something you could say about Marco Polo, played by Ian Somerhalder. The only difference in his appearance is when he's in the prison in Genoa. And the difference? You guessed it! They add more beard to his face.Overall a very bad movie. It's not worth wasting your time on.

It obviously isn't a historical movie, nor a movie that should be taken as "educational" material either. It's just a plain fiction on Marco Polo, a very free adaptation of his travels, the four points are for locations and sightings. Yes, the acting is really bad, some characters era annoyingly out of character, (sorry for the repetition). Though, I think the costume and production is very good, alas, the script is not. Even though, if you want to see a cheesy history of a guy that can make his way into a society by accepting the system in a supposedly "rebel" way, definitely, you'd like to see this one, it's message is simple "obedience pays".