Just so...so bad

By the time the dramatic fireworks start popping off, each one feels earned.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

Blistering performances.

Watching Maigret played by Rupert Davies when I should have been doing my homework is one of the reasons I did not so well at school. Others are, The Saint, Danger Man, Quatermass and the Pit, The Avengers, and so on. All the products of UK TV. But perhaps they were in fact produced by the Soviets to undermine the education of British kids like me. I have recovered but would really like the BBC to release the surviving Maigret episodes. They cant be doing any good stuck where they are. Maigret showed me a France that excited my imagination and caused me to read every book that George Simenon ever wrote. I was not disappointed by Simenon. And Rupert Davies would have had a hard time convincing me that he was not genuinely French if we ever met. As for Ewen Solon, I could never see him as anything but Lucas in any subsequent appearances.

When I was at the BBC in the 1990's I asked the library in Windmill Road to send up the episodes they had for viewing prior to a possible Video release. They said they had very few surviving episodes but sent what they had including a Christmas special. As I watched all the quality of this series was relived. Now that The Age of Kings has been retrieved and released on DVD this series would have been next on my wish list. It was superb, captured the atmosphere of Simenon's Paris perfectly with its Citroen Tractions, cobbled streets and bistros. The title sequence with Rupert Davies striking a match on a wall to light his pipe to the music of Ron Grainer was superb. Half the UK population flocked home to see it each week.

Well, that's according to my memories, anyway. I was an avid Simenon reader at the time - I think I've read nearly every Maigret story - and I totally loved this series. Simenon's Maigret stories are very difficult for directors and actors to adequately capture because he builds up an atmosphere using all the senses, not just the visual and aural. He also develops the atmosphere gradually - Maigret's or someone else' health, the drinks and food he consumes, Maigret's ponderings on the crime or the criminal, the weather. That atmosphere is also tied in with the specific psychological aspects of each case - Simenon was fairly obsessed with exploring the psychodynamics of pathological behaviour, and very much in the style of psychoanalytic descriptions and explanations. I don't recall seeing any other adaptation of the Maigret novels that came as close as this series. I wish it were available.