Nice effects though.

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

I can remember sitting in the lounge room with mum and dad watching "Gideon's Way" with it's familiar whistling theme and painting a picture of the bobby on the beat - you know, back in the days when parents always said "if you get lost, find a policeman"!! Watching the episodes over 45 years later the shows have not let me down and my husband thinks the series is fantastic. I also wonder whether Ruth Rendell got her idea for the Wexford and Burden books from these shows, her first book, "From Doon With Death" came out around 1964 I think. John Gregson is terrific as Commander Gideon, a down to earth copper who never takes things at face value and Alexander Davion is the younger Det. Chief Insp. Keene, full of ideas but often quick to judge. "The Rhyme and the Reason" was particularly good. It dealt with the new phenomena (for 1964) of the Mods and the Rockers. Keene is very dismissive, even the young murder suspect is convinced he won't be treated fairly due to his "Mod" outlook but Gideon believes in him and along with his sister helping, finds the real culprit.They weren't just "by the numbers" police shows but attempted to deal with psychological issues ie "The Tin God" was about a child who refused to believe his father, a desperate escapee, was anything but a hero. Another one "Big Fish, Little Fish" attempted to show what life was like for a little kid growing up in a family of hardened criminals - believe me it wasn't warm and cosy.I know it sounds simplistic but I just love all the episodes - a couple that stand out (apart from the ones I mentioned) are "The Lady Killer" - Keene always seemed to date models and this one took place among the beautiful people of the swinging sixties. "The Nightlifers" was about young people who live for kicks and Keene's girlfriend in this one is Jean Marsh (way before Rose in "Upstairs, Downstairs"). "Subway to Revenge" is about a girl who is very keen on her boss but she can tell he is in danger even if he can't and "The Wall", about a young couple who are very keen to move away from their pokey bedsit and their very creepy neighbour - a really super episode.As well, there were many parts played by actors just starting out who became huge stars - John Hurt, George Cole, Ray Barratt (in Australia), Donald Sutherland and a luminous Carol White who shot to fame the next year as the star of Ken Loach's "Cathy Come Home".Highly Recommended.

This series appeared on television about the time I moved to secondary school. A friend recommended it and I got hooked. I agree with other commentators that John Gregson was perfectly cast for the part, rather in the way that only Patrick McNee could have been John Steed of The Avengers.I recollect it being a perfect successor to Dixon of Dock Green. Public sensibilities had hardened a little and the series addressed criminal issues with a greater realism, yet without that descent into cynicism of the later and equally excellent Sweeney. It was still basically a feel-good series. We could all continue to rest easy in our beds. No matter what the villains could muster, decent old George could always be relied upon to do the right and honourable thing.How times have changed. Gimme back them 60's any day. I haven't seen the series since then, yet even now I find myself whistling its jaunty little theme tune, and feeling that guilty pang of not having done my homework, which the program invariably forestalled.

For anyone interested in Scotland Yard, London of the 60's and a veritable conveyor belt of some of the best British character actors, this box set is a must have. Starring the ever likable John Gregson as Commander George Gideon (who never monopolises the story lines) and the handsome Alexander Davion as Det. Inspector David Keen this takes you back to the era of run down streets, policemen still visible on those streets, old cars, motor scooters, pork pie hats and ersatz Rock 'n Roll. Amongst those appearing are George Cole, Ray Barratt, Harry Fowler, George Sewell, Justine Lord, Victor Maddern, Sydney Tafler, Ray Brooks, Jack Hedley, Angela Douglas, Patrick Allen, Eric Barker, Alfie Bass, Bryan Pringle, Ann Lynn and an extremely young looking John Hurt and a rarity for the time, just one token American in Donald Sutherland. A mention also for the magnificent Derren Nesbitt who turns up in the first episode 'The Tin God', I've never seen an actor use such exaggerated hand movements as he did in every appearance he ever made on celluloid. Worth the price of the box set alone to watch his performance! I gave it 9 instead of 10 stars due to two things; the so called 'special features' are quite laughable, i.e. The opening credits without the theme tune, plus the fade to adverts being considered as worthy of inclusion when they are of a length of a minute if that. The booklet included cannot be read unless you possess the vision of Superman, bifocals or a magnifying glass, plus why show photographs in colour when the series is black and white? Having said that it is well worth buying; maybe it doesn't contain the stark realism of 'Z Cars' or the tough 'up and at 'em' style of 'The Sweeney' but nevertheless it is a series to cherish and while away those long winter's nights with.*Although I derided the 'special features' on the first disc there is in fact, a very long stills gallery from the series on the second disk showing many of the actors and actresses plus scenes from the series plus a soundtrack of different music heard in the programme. If you love Scotland Yard type police series then this is the one for you; you'll be transported back to a world and London of the mid 60's.

Long forgotten police drama series featuring the cases and adventures of honest family man copper Inspector Gideon.All the hallmarks of its production company are there,such as easily digestible stories that had an international appeal and production values that were head and shoulders above the well remembered police series of that day such as 'Z Cars' and 'Dixon Of Dock Green'. Shot entirely on film it was possibly one of the first British police series to escape the studio and use extensive location filming. TV stations have prejudice against shows made in black and white so consequently this has probably not been on TV since its first or second showing?