Good story, Not enough for a whole film

Captivating movie !

best movie i've ever seen.

The acting in this movie is really good.

This decade has brought along so many strong Scandinavian dramas that it is often difficult to keep track and make distinctions - partially also due to the limited number of performers filling out major/important roles... The same applies to Bedrag, where modern "coryphaeuses" like Nikolaj Lie Kaas as Alexander Sødergren and Thomas Bo Larsen as Mads take part, but many smaller roles are also performed by many otherwise having bigger roles in famous series. Still, the two mentioned are not dominating too much, every character has its significance, and all in all, a solid cast is formed, to be widely followed and noticed.True, a good series emanates from the plot, and it is pleasantly versatile; focusing on e.g. financial crimes only would have made the plot more arid and specific, not for wider audience, but inclusion of a punisher and petty thieves has provided thrilling and even some amusing moments, enabling to "freshen up" from sophisticated economic relations and terms. The ending is also many-featured, probably not satisfactory per se, but evidently more realistic as not all wrongdoers are caught and/or sentenced in real world.Although the Season 1 had its somewhat clear - but not full-scale - end, I have read that Season 2 will follow. Good news, I will definitely watch it as well.

Energreen is a company that is tipped to be a leading player in the renewable energies market. Headed by a young, charismatic go getter in the shape of Alexander Sødergren. They are looking to expand even further and hopefully float the stock too for a great mound of cash. The thing is when a thing is too good to be true then it usually isn't.So when things start to unravel they have alternative tactics to close things down. This can mean paying off the culprits or maybe not. We have the parallel story of the fraud squad, the cops and a mechanic who all get involved in the goings on at this ever so green company. It is a web of intrigue where no prisoners are ever going to be taken.Now this is Danish so falls nicely into the Nordic Noir genre of which I am a big fan. This has all the usual things you would expect in terms of a high calibre production and excellent acting. Thomas Bo Larsen as Mads, the police lead, is simply superb as the driven man but with marital strife and other problems. The full cast though are all exceptional. I really enjoyed this, so much so that I put off watching the final episode for a torturous three days – finally saw it last night and it keeps the guessing going till the final scene – seriously recommended.

"Follow The Money" is a Danish Crime/Thriller set in the cut throat world of big finance, more specifically in renewable energies. The show follows Mads (Thomas Bo Larsen) and his fraud squad who are of the belief that something is seriously wrong with the energy firm Energreen. His fears are confirmed when lawyer Claudia (Natalie Madueno) uncovers all is not seems on the surface.Another Norsk export that hits the ground running, whatever they seem to touch over there currently just turns to gold. While this is of a very different vein to our previously reviewed "Trapped" this one comes from a different calibre of director, this time around the show was developed and directed by different people the show was developed by Jeppe Gjervig Gram, Jannik Tai Mosholt,with direction by Per Fly. Fly has recently signed on to direct "Backstabbing for Beginners" starring Theo James and Ben Kingsley of which he wrote and is directing. Fly does extremely well to create tension in a subject that from the outside would struggle to interest the everyday man, it's a very high-class area of a high-class sector. I knew little to nothing and still don't about the finance sector, but that didn't stop the tension from feeling real and being able to bring me to my seats edge on many occasions.Another stellar cast in a Nordic television show should come as no surprise to anybody who has watched a since episode in any of the shows. The acting across the border is wonderful again, with stand out performances from Thomas Bo Larsen and Nikolaj Lie Kaas, two very contrasting characters that play so well off each other in this cut throat world. Along with supporting characters the casting is spot on as usual, resulting in performances to rival the "big TV" you see over here in the UK or over in the US.The plot twists and turns in attempts to throw the viewer that seem to come a little more often than is necessary do their job well to keep you drawn in to what is going on with Evergreen. The main issue that show seemed to have was the pacing was far too slow, it can be seen what they were trying to do with a slow burn to bring you into the world, but it kind of served as a wedge that ends up to an extent alienating the viewer. The constant use of hooks to keep you coming back each episode aren't as necessary as the show-runners would like, to the point at which some of the hooks are noticeable before an episode ends. This does little to take away from the enjoyment of the show it just felt unnecessary as if they were worried the story as a whole wouldn't entice viewers but it does.Overall, the show is a good thrill ride in the world of big finance, chalked full of great acting performances and wonderfully shot cinematography which is expected with shows of this nature. If you have even a miniscule interest in the subject at question or the current flock of television shows coming out of the Nordic countries then this is definitely one for you, alternatively if you're new to this area of TV this is a great stepping stone to other shows like "Trapped" or "The Bridge". Another enjoyable show to sink your teeth into that will keep you highly entertained throughout the 10 episode run, I will certainly be keeping my eye on Nordic Noir & Beyond releases in the coming weeks, months and years to come.

The opening credits set forth the theme of Jeppe Gjervig Gram, Jannik Tai Mosholt, and Anders Frithiof August's thriller. The protagonists are photographed in washed-out colors, in front of a filter showing water rising slowly from the bottom to the top of the frame. This suggests that they are somehow drowning; not physically drowning, perhaps, but unable to cope with a world riddled with corruption.This image is reinforced during the ten-part thriller through a tripartite plot. The chief executive of a Danish energy firm, Energreen (Nikolaj Lie Kaas) has ambitions to monopolize the market and is prepared to go to any lengths to achieve his aims - murder, corruption, manipulation. He enlists the services of idealistic lawyer Claudia (Natalie Madueño), and leads her on a series of increasingly violent adventures across Europe - Copenhagen, London, Paris, Rome. Deputed to investigate the case, police officer Mads (Thomas Bo Larsen) has his own domestic problems, as his wife Kristina (Line Kruse) dumps him for a doctor. The third plot focuses on car mechanic Nicky (Esben Smed Jensen) who finds a bag full of loot belonging to Energreen and tries his best to profit as a result, even if that results in blackmail.The plot twists and turns throughout the ten episodes, providing sufficient cliff-hangers for viewers to continue watching. In truth, however, its pace is often painfully slow; little attention has been paid to either character-development or examining how the claustrophobic environment of the urban office can often restrict people's emotions, as well as their behavior. As a result the plot often seems rather contrived: each episode has to have its hook at the end, but frequently viewers see what that hook is going to be, even before the episode has concluded.The series does possess its saving graces, including atmospheric cinematography from a variety of camera people, creating a gray world in which very little happiness seems to exist, other than the happiness provided by money. It seems that capitalist values have been left to flourish unrestricted, with the result that everyone, from the highest to the lowest social classes, is out to profit at others' expense. A profoundly depressing view of Western European life, to be sure.