The greatest movie ever made..!

Let's be realistic.

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

Blistering performances.

and not surprising. because Helen Mirren has the science and art and force to be inn and out of her characters in a magnificent manner. because nothing could change the powerful impression about her performance. a performance who, in subtle way, transforms the character in a masterpiece. Elizabeth I is a good example. first because, after books and movies, theories and speculations, she is a profound different Queen. rigid and vulnerable, old and energetic, seductive and cruel. the solitude of the Queen becomes not only realistic but an ice show itself. because its roots and ways and maps are so clear. because the story has a special dose of realism. because she is Elizabeth and any comparison with other interpreter becomes strange.

There are many films and dramatisations of the life of Queen Elizabeth I, and of the ones seen all of them range from good to outstanding. While not quite as great as 1998's 'Elizabeth' and 'Elizabeth R' with Glenda Jackson, though almost in the same class, 'Elizabeth I' is one of the outstanding ones.'Elizabeth I' has a couple of things that don't quite come off as well. Leicester's role is rather underwritten, and it does give Jeremy Irons (who is still very good in the role and makes a real effort to give him complexity) little to do. For such a big time span covered, dates and years are not always clear even to people familiar with the Tudor/Elizabethan period and a couple of events are depicted in a slightly confused manner.However, these are outweighed by the things that 'Elizabeth I' does incredibly well, these are a great many and done brilliantly. It's gorgeously made, with scenery, settings and costumes that will take the breath away and photography that makes one forget that it was made for TV. 'Elizabeth I' is strongly directed as well, the style is never cheapened and pacing and clarity of storytelling are rarely compromised. The music, with a mix of classical and medieval period which gives it authenticity, is dramatic yet sympathetic, giving scenes stirring power and nuanced pathos, always a good fit for every scene's atmosphere.With the script, it has a humorous edge, touching yet never mawkish romance and a lot of emotion beautifully balanced, while always provoking thought. The storytelling throughout is incredibly compelling, the romantic elements feature prominently but not at the expense of everything else, political commentary and dilemmas of the time are not neglected and the very graphic executions and torture wrench the gut (some may feel that the series overdoes it with the brutality, with the execution of Mary Queen of Scots being especially shocking, to me as decapitations, drawing and quartering and torture were gory and brutal it wasn't inappropriate). There are liberties taken with history to accommodate the story, but there are far worse and more insulting cases of films and series playing fast and loose with the facts.Great acting helps, and the performances are more than great across the board with all the characters well realised (with only underwritten Leicester being a reservation). A wonderful job is done with making Elizabeth a complex character and as a woman of many passions. Hugh Dancy is dashing, charming, loyal and passionate as Essex, while Irons, Toby Jones, Barbara Flynn (as a touching and dignified Mary Queen of Scots), Ian McDiarmid, Patrick Malahide et al are without fault. Reigning over them all is the always great Helen Mirren, whose Elizabeth is nothing short of a miracle.All in all, not devoid of flaws but a real joy to watch. 9/10 Bethany Cox

This may be a television mini-series but it has the quality, detail and acting superiority of an excellent motion picture. Elizabeth (Helen Mirren) has been on the throne for twenty years. It's 1579 and she is 45 years old. We meet her at the conclusion of a discrete but public examination to establish for all to know that she is capable of bearing a child. The need for her to marry, both to ensure an heir and to ensure her survival as Queen, obsesses her councilors. For Elizabeth, it's not so simple. She is not just a queen, but a sovereign ruler, anointed, in her words, by God. She has the same passionate need for love and intimacy as her subjects. She probably realizes that marriage, in her era, would most likely lead to her own inevitable subordination to her husband if he is English or the subordination of the country to another country if he is foreign. She most probably realizes that by not making a choice, she keeps all the choices on the bargaining table. And, of course, there is the question of her cousin, Mary, Queen of Scots, now a prisoner but a continuing threat to her rule, whom her councilors want dead. There is her own passionate nature focused on Robert Dudley, Earl of Leicester (Jeremy Irons), and, later, on the young Robert Devereaux, Earl of Essex (Hugh Dancy). One will die in bed; one will lose his head. There are religious issues so deeply held they could, and have, split the nation. Before long, there will be the threat of Spanish invasion to deal with. Through it all, Elizabeth procrastinates, twists and turns, takes a step forward and then one back. If we didn't already know her story so well, we might be surprised when we realize that in time the religious question is finessed with little violence, that Mary is dealt with, that the Spanish fail, that her people come to love her (more or less), that she invariably chooses her councilors well and they become dedicated to her, that she will be the one to make the final decisions and that rebellion is a fatal choice for those who disagree with her, even if they are one of her favorites. She is, in fact, a ruler who makes mistakes, can be swayed by vanity and avoids choices, but who when it matters makes the right choices. Helen Mirren does a masterful job, taking Elizabeth from 45 to Elizabeth's death at 69. Elizabeth could be fickle and imperious, but she had a core of steel, particularly when it came to defending her realm and her prerogatives. Mirren is such a dynamic and skilled actor it is entirely believable that the young Earl of Essex just might find the aging Queen an agreeable and intimate companion. Mirren is equally believable in demonstrating the iron will of a Queen who moves against someone she may well have loved. Mirren is at her best in dealing with complex emotions. When Elizabeth at last is brought to sign the order of execution for Mary but then tells the clerk to keep her action secret and not to show the document to anyone until she tells him, Mirren gives us a subtle portrait of Elizabeth, a Queen who knows it's in her best interests to have Mary executed but who flinches from being the one to make the order happen. At some level, Elizabeth must know that her order will not be kept secret, that it will be given to her councilors and that Walsingham will see to it that the execution takes place immediately. As Walsingham says, the Queen wants Mary executed but doesn't want to be the one responsible. It's a complex set of motives and emotions that Mirren has to display; they range from her reluctant signing to her hysteria when she learns Mary has been executed. Equally impressive is Mirren demonstrating the ability of Elizabeth to rouse the rabble with a combination of patriotism and bravado. She does a bravura job with Elizabeth's famous words before her army awaiting the Spanish invasion: "Let tyrants fear; I have always so behaved myself that, under God, I have placed my chiefest strength and safeguard in the loyal hearts and good will of my subjects. And therefore I am come amongst you at this time, not as for my recreation or sport, but being resolved, in the midst and heat of the battle, to live or die amongst you all; to lay down, for my God, and for my kingdom, and for my people, my honor and my blood, even the dust. I know I have but the body of a weak and feeble woman; but I have the heart and stomach of a king, and of a king of England, too!" While Mirren dominates the story, all the actors are excellent. In major roles, in addition to Irons and Dancy, there is Patrick Malahyde as Sir Francis Walsingham, Toby Jones as Robert Cecil, Barbara Flynn as Mary and Ian McDiarmid as William Cecil.

Perhps it is my male chauvinism, but the charm of Helen Mirren always has been lost on me. People say she is a great actress. Certainly she had a great role to play in this HBO miniseries filmed in Lithuania (?). I found her spinsterish and plain ugly. The scenes of her, wrinkled and painted like a doll, kissing Jeremy Irons and Hugh Dancy were nauseating, as remarked by another reviewer.Jeremy Irons, an actor whose work I have always appreciated, lacked appeal here. This was partially the fault of some lame scriptwriting as to the role of Sir Robert Dudley. Dudley died of cancer in 1588 just after the defeat of the Armada. Trouble is, from the very start of the film Jeremy Irons looked exhausted and emaciated. He and Helen Mirren played their scenes like a couple of elderly gay men who have been together for years and years--no sense that this was a man and woman who responded physically to one another at any time. To see how this role should be played, with swagger and style, check out Tom Hardy as the Earl of Leicester in the Grenada TV production of "The Virgin Queen". In fact, see that movie over this for a slew of reasons.One bright spot was Robert Devereaux as played by young Hugh Dancy. He brought the physical presence, the youthful fire, that the historical Earl of Essex was said to have shown during his short life.