Absolutely amazing

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Department S has a rather poor reputation these days and probably has the worst reputation of the ITC action shows of the mid to late 60s and very early 70s. It has not to the best of my knowledge been shown on British television- terrestrial or digital channels- since the late 1990s whereas almost all of the others are shown regularly on ITV4 even now. There are reasons that have precious little to do with the quality of the actual show that see it being regarded almost as the runt of the litter it was part of and aside perhaps from The Persuaders the programme - or at least its most famous character- is the most parodied of the ITC action showsIt certainly isn't the best of those programmes - the Prisoner and probably Man in a Suitcase are better - but on a recent viewing of several episodes I would suggest that it is far from the worst. Unlike the roughly contemporaneous Randall and Hopkirk (Deceased) and the Champions the show is not based on a ludicrous premise and although the stories are hardly gritty realism a la Line of Duty they do just about possess some credibility. Some episodes such as the opener Six Days, series 1's The Man in the Elegant Room and Series 2's The Shift That Never Was are pretty solid thrillers and whilst series 1's The Pied Piper of Hambledown feels like a Steed/Peel era episode of the Avengers it is still very good.There are faults in the show obviously. The team's boss, Sir Curtis Seretse (played by Denis Alaba Peters) is a far more interesting leader than Anthony Nicholls' Tremayne in the Champions ever was but he is underused and the female member of the team Annabelle Hurst (Rosemary Nicols) often seems marginalised. She is not there as eye candy in the way that Alexandra Bastedo and Annette Andre often seemed to be in R & H (D) and the Champs respectively - but whilst it's a decent enough idea to have a hardworking, female computer expert as something like the brains of the operation her character is pretty under-developed. Joel Fabiani as the straight man - but not quite- of the team, Stewart Sullivan is actually okay most of the time precisely because although Fabiani plays him straight there is obviously a humorous fellow in there. There are hints of some feelings between Annabelle and Stewart but mostly Sullivan is a professional and the show is the better for that.The show is best remembered though because of the character Jason King played by Peter Wyngarde. When those smart-aleck comedians make allusions to the show what they refer to is King/Wyngarde. With his crushed velvet Zapata moustache the character is very much of his time visually but actually that was how men who though they had style looked those days- even big rough, tough footballers like Derek Dougan tried to look like our Jason (though not perhaps on the pitch). A very unfortunate incident in Wyngarde's private life inevitably makes King's predilection for glamorous females seem a bit unlikely but trust me until the follow up series 'Jason King' ( which really was terrible) and the aforementioned incident women really did fancy Wyngarde and men thought he was way cooler than, say, staid old Roger Moore. And the thing is Wyngarde is mostly great as King. Few actors have ever been as convincing as Wyngarde at playing an almost permanently sozzled character and he delivers some sharp lines as though they were his own. He might now be seen as being a ludicrously camp figure but most of the time he plays it as straight as he can- a vain, flawed, erudite man living on his wits and who knows, not even very deep down, he is no super-hero. Department S is not a great programme and having had the courage to give the team a black leader and a female lead who is not just there because she looks nice it didn't do enough with what were for the time bold ideas. Fabiani and especially Wyngarde get the best lines and the best scenarios and look to be having a whale of a time making it and they make it watchable. The best thing about the show should not be the most scorned thing about it- quite the reverse

I had never seen Department S until fairly recently when Top Gear did its spoof Sixties show "The Interceptors", which used the Department S theme music. Because I have a liking for the spy-fi shows of that era, I tracked down the DVDs of the series out of curiosity.And I'm glad I did, because while it's no classic and falls some way short of the likes of The Avengers and The Prisoner, it's still lively and entertaining thanks to the interplay of its three leads. Joel Fabiani's Stewart Sullivan is largely the straight man and muscle, but still maintains a deadpan humour - with a righteous anger whenever politics interferes with justice. Rosemary Nichols' Annabelle Hurst has a flirty relationship with Stewart, and while something of a computer nerd is still more than capable of taking care of herself in the field.Then... there's Jason King. Jason is the character known even by people who've never seen the show, simply because he's so outrageous. A chain-smoking dandy and fop who drives a Bentley even when trying to be inconspicuous and more often has a glass in his hand than not (he starts drinking when most people would be having their morning coffee and must surely be pleasantly buzzed, if not outright drunk, for 90% of his screen time), he's also arrogant, egotistical, rude, self-centred, lazy, hedonistic, snobbish, bitchy (poor Annabelle takes most of his cutting put-downs), a smarmy lech and is constantly outclassed in fights to the point where Annabelle chastises him for getting "knocked out AGAIN!" in quite an early episode. Yet despite all that, he's still utterly charming and magnetic because of Peter Wyngarde's effortlessly suave and confident performance. Played by anyone else Jason would seem like a buffoon - he was, after all, one of the inspirations for Austin Powers - but Wyngarde gives him class even at his most ridiculously pompous.The actual stories are mixed; some of the mysteries Department S are called upon to investigate are genuinely clever, while others (mostly those written by Philip Broadley) are bog-standard ITC crime plots involving bank robbers, smuggling rings or the Mafia with a 'bizarre' opening slapped on them to fit the format of "crimes too weird for the normal police to solve". Watching on DVD, ITC's penny-pinching also becomes evident - the same locations and sets appear again and again with only slight changes (watch for the corridor with a distinctive illuminated ceiling, which appears in almost every episode), and if you ever see anyone driving a white Jaguar, you know it's going to go over a cliff! ("Toonces, look ouuuuuut!") But overall it's a fun, lightly tongue-in-cheek adventure show that gets by on pure charisma.

Created by Dennis Spooner and produced by Monty Berman, 'Department S' was another international crime drama - basically 'The Champions' without the super-powers - concerning the exploits of an offshoot of Interpol, based in Geneva, whose brief was to solve baffling mysteries. If a plane landed at Heathrow with no-one aboard, if a man was found wandering around London in a space-suit, if the passenger of a Rolls Royce suddenly transmogrified into a skeleton, if a train pulling into a tube station turned out to contain dead commuters, 'Department S' was called in to sort things out.Berman's previous shows 'The Baron' and 'The Champions' both featured American leads, but here Joel Fabiani's conservative 'Stewart Sullivan' took second place to Peter Wyngarde's 'Jason King', a flamboyantly dressed crime novelist ( author of the 'Mark Caine' books ) whose fertile imagination helped crack many of the bizarre cases. King caught the public's fancy, and later landed a spin-off show. He was ably assisted by the delectable computer genius 'Annabelle Hurst' ( Rosemary Nicols ). In a brave casting move, the department was headed by a black man - 'Curtis Seretse' ( the late Dennis Alaba Peters ). 'The Avengers' undoubtedly was a major influence, along with 'Mission: Impossible'. The colourful titles were by Chambers & Partners, and are worth tuning in for alone. This was the last I.T.C. series to boast music by the talented Edwin Astley. His powerful 'Department S' theme ranks among the best television signature tunes of all time.As an economy-saving measure, the show was shot back-to-back with 'Randall & Hopkirk ( Deceased )'. Many guest stars had appeared in other I.T.C. shows. An exception was Sir Anthony Hopkins, who appeared in 'A Small War Of Nerves'! There was very little merchandising for the show, not even a Pan Books paperback or World Distributors Annual. However, the 'T.V. Century 21' comic ran a black and white strip from March 1969 to September of that year, comprising a total of four stories. There was also a six page strip in the 'Thunderbirds' Annual 1971, entitled 'The Silent Ones', in which defecting Eastern bloc scientists are kidnapped from a safe house in Turkey and replaced by wax dummies.If 'The Champions' was the precursor to 'The Six Million Dollar Man', then 'Department S' must be seen as the forerunner to the B.B.C.'s 'Jonathan Creek'.

Spawned by the same Monty Berman / Dennis Spooner partnership which produced The Champions and Randall & Hopkirk (Deceased) - the latter retitled My Partner the Ghost for the US market - Department S remains a classic example of the action-adventure series which the UK produced in bulk during the late 1960s. Like those two shows, its internal dynamic of two guys and a girl might seem to indicate a progressive attitude towards equality (Dept S also has a black superior), but it's mostly facade: the launch episode, "Six Days", is barely halfway through before Rosemary Nichols is called upon to parade around in bra, panties and one (yes, one) stocking in order to extricate herself from a dodgy situation. Still, it's an interesting time capsule, even if the appalling fashion sense of Peter Wyngarde's character (which, amazingly, degenerated even further in the spin-off series Jason King) should definitely have remained buried.